Arnhem Outside the Station

Stepping out of Arnhem Central Station onto the upper level, I was met by a tall office building — its structure bending softly like a wave, mirroring the organic lines of the station itself. Sea-green contours wrapped around dark blue windows, forming a calm visual rhythm that instantly drew me in.

I captured this scene with the Canon 5DsR and Sigma 24–70mm Art, using a polarizing filter — a tool often misunderstood, but scientifically fascinating. Light travels as waves vibrating in all directions, but when it reflects off non-metallic surfaces like glass or water, those waves align into a single plane. A polarizing filter selectively blocks that oriented light, reducing glare, increasing contrast, and deepening color saturation. In this case, it turned an ordinary glass facade into a layered play of tone and texture.

Some photographers avoid polarization for fear of “over-saturation,” but for me, it’s about control — sculpting light rather than altering reality. This image is straight from the camera, no edits needed. Just light, reflection, and the quiet geometry of modern architecture.

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An initial point is subjected to a four-fold improper rotation in the A (X) direction. The resulting points are used to determine sub-cells of the lattice.
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