„The Frankenstein Chronicles“ (Serie, 2015)

Die Leiche eines Kindes wird aus der Themse gezogen. Zusammengenäht aus fremden Körperteilen. Ein Bild, das sich nicht mehr abschütteln lässt, auch zehn Jahre später nicht. Denn diese Serie beginnt nicht als Rätsel, sondern eigentlich als Zumutung. Weil sie sich weigert, gefällig zu sein und ihre eigene Düsternis ernst nimmt. Heute, wo Streaming-Serien längst zur industriellen Fließbandware geworden sind, wirkt dieses Projekt fast wie ein Störgeräusch aus einer anderen Zeit. Das ist echt nicht einfach zu konsumieren, aber ich werde mir das wohl trotzdem wieder ansehen müssen. Auch wegen Sean Bean. (ARD, Wh.)

Zum Blog: https://nexxtpress.de/mediathekperlen/the-frankenstein-chronicles-serie-2015/
Bartosz Werner – „Anderst Schön“ (2015)

Oliver Jungen nannte den Film in der FAZ (Paywall) eine „Ostalgie-Kitschkomödie“. Damit hat er sicher nicht unrecht. Aber genau das macht Charlie Hübner hier zum Gewinner. Heimspiel, sozusagen. (ARD, Wh.)

Zum Blog: https://nexxtpress.de/mediathekperlen/bartosz-werner-anderst-schon-2015/
Craig Zobel – „Z for Zachariah“ (2015)

Drei Menschen. Eine scheinbar unberührte Landschaft. Was wir sehen ist das Ende der Welt als Kammerspiel. Das letzte Kapitel der Menschheit von Craig Zobel tarnt sich als leise Apokalypse und wird zum kontemplativen Endzeitdrama mit pastoralem Filter. Doch unter der grünen Oberfläche arbeitet der alte Dreiklang weiter: Besitz, Kontrolle, Begehren. Auch nach dem atomaren GAU stirbt das Patriarchat ja nicht einfach aus. Mit Margot Robbie, Chiwetel Ejiofor und Chris Pine. (ARD, Wh.)

Zum Blog: https://nexxtpress.de/mediathekperlen/craig-zobel-z-for-zachariah-2015/

When the Sky Breaks: Arizona Hail and Louisiana Floods, or How I May Have Cheated Death Twice More on a Greyhound Bus

I realize now, looking back at my original plot armor post, that I made a promise I somehow failed to keep. I told you there were more tornado encounters to share, specifically mentioning a third one, and then I just left you hanging like a cliffhanger in a television show that gets canceled before the next season. So here I am, making good on that promise, though I have to warn you upfront that these next two encounters exist in a strange gray area between definite tornado stories and maybe […]

https://jaimedavid.blog/2026/02/15/14/27/50/analysis/jaimedavid327/9919/when-the-sky-breaks-arizona-hail-and-louisiana-floods-or-how-i-may-have-cheated-death-twice-more-on-a-greyhound-bus/

Tarsem Singh – „Self/less“ (2015)

Menschliche Körper als Immobilien, die besetzt, übernommen oder verkauft werden können. Das ist nicht wirklich was Neues. Doch dieser Film interessiert sich weniger für das klassische Science-Fiction-Motiv der Body-Snatcher als für die neoliberalen Nebenwirkungen. Tarsem Singh hat diese Fragen in einen Hochglanzthriller verpackt, der so glatt wirkt, dass die Risse darunter umso deutlicher hervortreten. Mit Ryan Reynolds, Natalie Martinez und Ben Kingsley. (ZDF, Neu)

Zum Blog: https://nexxtpress.de/mediathekperlen/tarsem-singh-self-less-2015/

Creating a Shared Photo Library in Immich

If you’re using Immich to manage your photos, you may have discovered that sharing photos between users isn’t as straightforward as you’d like. Many users, particularly couples or families, want a shared folder where both parties can upload photos that are automatically visible to each other, complete with face recognition and smart search capabilities.

While Immich has shared albums, they don’t quite solve this problem. The photos don’t appear in search and aren’t processed for face recognition or analysis. What we really need is a true shared library where both users have full access to the same photos with all of Immich’s powerful features.

Here’s a solution using external libraries and symlinks that creates a pseudo-shared folder between Immich users.

Important: If you rely on uploading photos through the Immich app on your phone this method won’t work for you. You’ll need to sync the photos some other way and copy them into an external library. I export my photos from Lightroom Classic on my laptop, and Syncthing syncs them to the Immich server. Everything is automated from the moment I publish them to the shared directory.

This approach uses external libraries and symbolic links (symlinks) to create a shared photo directory that appears in both users’ Immich libraries. Each user uploads to their own “shared” directory, and through symlinks, those photos automatically appear in the other person’s library as well.

Requirements

  • Access to the Immich server’s file system (typically via SSH or direct access).
  • External libraries enabled for each user.
  • Basic familiarity with Linux commands.

Step-by-Step Setup

Let’s walk through this with an example using John and Mary, a couple who want to share their photos.

1. Set Up External Libraries

First, both users need to have external libraries configured in Immich. For this example, let’s say the external library on the server is this folder:

/mnt/external_library/

It will be mounted in Immich at /external_library/ in this example.

Create a directory structure like this:

/mnt/external_library/ ├── john/ │ └── shared/ └── mary/ └── shared/

2. Configure the External Libraries in Immich

In Immich’s admin web interface:

  • For John, add an external library pointing to /external_library/john
  • For Mary, add an external library pointing to /external_library/mary

3. Create the Symlinks

This is where the magic happens. We’ll create symbolic links that connect each person’s shared directory to the other person’s external library.

Log in to the Immich server and run these commands:

cd /mnt/external_library/john/ ln -s ../mary/shared mary_files cd ../mary ln -s ../john/shared john_files

4. Upload and Scan

Now when John uploads photos to /mnt/external_library/john/shared/, they will:

  • Appear in his own Immich library
  • Automatically appear in Mary’s library (via the symlink at /mnt/external_library/mary/john_files)

The same works in reverse for Mary’s uploads.

After uploading, trigger a scan of the external libraries in Immich, and both users will see the shared photos.

How It Works

A symbolic link is like a shortcut that points to another location in the filesystem. When Mary’s Immich library scans /external_library/mary/, it finds the john_files symlink and follows it to John’s actual shared directory. From Immich’s perspective, it looks like Mary has those photos in her library, but they’re actually stored in John’s directory.

Advantages

  • Full Immich functionality: Both users get face recognition, smart search, and all other Immich features on the shared photos
  • Simple uploads: Just upload to your own shared directory—no manual copying needed
  • Bidirectional sharing: Both users can add photos that the other will see
  • Single source of truth: Each photo is stored once (by the person who uploaded it)

Disadvantages

  • Duplicate processing: Immich will process each shared photo twice—once for each user. This means:
    • Face recognition runs twice.
    • Smart search/ML classification runs twice.
    • More CPU and storage usage for thumbnails and metadata.
  • File ownership: Photos remain in the uploader’s directory. If John deletes his Immich library or account, Mary loses access to his photos.
  • Requires server access: You need command-line access to the server to set up symlinks.

Important Notes

  • Upload directly to external libraries: Don’t upload to your main Immich library through the app. Upload directly to the shared directory in your external library.
  • Backup strategy: Make sure your backup solution covers the external library directories.
  • Permissions: Ensure that the Immich container has proper read permissions for all directories involved.

Conclusion

While this solution requires some technical setup and comes with the overhead of duplicate processing, it provides a practical way to share photos between Immich users with full functionality. This approach has proven reliable for my wife and me, who wanted a shared family photo library without waiting for native multi-user library support in Immich.

If you’re comfortable with the command line and the tradeoff of duplicate processing, this solution provides the shared photo experience many users are looking for.

#2015 #canon6d #cork #Docker #Immich #Ireland #Linux

Der Testlauf – mit den Katzen im ‘Outback’

https://peterwenz.net/?p=5689

#2015 #bella #bellacat #cabinInTheWoods #cats #palaisSparta #pina #pinacat #urlaub

(Replies to this Toot will become comments on the blog - if approved.)

Joachim Król, Paula Beer – „Pampa Blues“ (2015)

Hier befinden wir uns auf sicherem Territorium. Ein Freitagabend ARD-Degeto Film. Das sind die mit Happy-End-Garantie. Weil es auch es das TV-Debüt der jungen Paula Beer ist und weil Joachim Król hier einmal mehr ganz bei sich war, ist es auch ein Lieblingsfilm. (ARD)

Zum Blog: https://nexxtpress.de/mediathekperlen/joachim-krol-paula-beer-pampa-blues-2015/

Prime Video’s The Expanse Officially Resurrected Hard Sci-Fi for the 21st Century – CBR

Image via Syfy

Prime Video’s 95% Masterpiece Officially Resurrected Hard Sci-Fi for the 21st Century

From article.. no credit.

By Laila Elhenawy, Published 7 hours ago

Laila Elhenawy is a CBR Movies & TV writer who examines pop culture with an analytical, research-driven lens. She focuses on television coverage, blending her passion for storytelling with thoughtful perspectives that make her work engaging and insightful.

Beyond her professional writing, Laila is a devoted fan of TV procedurals, classic sitcoms, and early 2000s rom-coms. She also enjoys hockey, board games, and trivia, all of which reflect her love of strategy, creativity, and storytelling.

Here is a fact-based summary of the story contents:

When The Expanse made its debut on Syfy in 2015, no one thought it would change the face of modern sci-fi. It appeared as another slow-burn, dark-space drama, destined to be canceled after a couple of seasons. However, it is one of the rare hard sci-fi epics that actually feel exciting and human and entirely plausible. When Amazon Prime Video picked it up in 2019, it already had a strong reputation as television’s smartest space opera. What distinguishes The Expanse is not necessarily the ships or the effects. It is how it resurrects hard sci-fi for the streaming generation.

Long before “prestige sci-fi” became a thing, The Expanse demonstrates the fact that audiences have an appetite for complications: political intrigue, moral complexity, and world-building that requires your attention. It takes the cold mechanics of space travel, like limited fuel, zero gravity, and fragile alliances, and turns them into compelling high drama. Ultimately, The Expanse is a story about power and survival. The mismatched crew of the Rocinante gets embroiled in a conspiracy that could change the solar system. When picked up by Prime Video, The Expanse becomes streaming’s answer to Star Trek without the utopia. Instead, it leans into realism and hard truths, showing that science fiction can be intelligent, exciting, and, at the same time, painfully relevant.

Continue/Read Original Article Here: Prime Video’s The Expanse Officially Resurrected Hard Sci-Fi for the 21st Century

Tags: 2015, Amazon Prime, CBR, Comic Book Resources, Commentary, Hard Sci-Fi, No Utopia, Sci-Fi, Science Fiction, Star Trek, Syfy, The Expanse

#2015 #amazonPrime #cbr #comicBookResources #commentary #hardSciFi #noUtopia #sciFi #scienceFiction #starTrek #syfy #theExpanse