Frances Bell

@francesbell
260 Followers
153 Following
324 Posts
woman,friendwifemothergrandmothersisterauntcousin, feminist, ALT 4eva member, blogger, itinerant scholar, knitter, quilter, gardener,reader, writer #femedtech
Websitehttp://francesbell.com
FemEdTechhttp:/femedtech.net
FemEdTech Quiltquilt.femedtech.net/quilt
Feminist Special Issuehttps://femedtech.net/special-issue-of-learning-media-technology-feminist-perspectives-on-learning-media-and-educational-technology/
@Ammienoot @catherinecronin @kate @magsamond and this ties in with Jasmine Ulmer’s work on slow ontology for scholars, quilters and the world. I am really getting the hang of the slow and my stitching practice really helps with that and my wellbeing.
@kate @Ammienoot @catherinecronin @RebeccaSolnit I am not going to explain this very well but it makes me think of earlier work by Watson-Mannheim et al on Virtual Work eg https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1365-2575.2011.00371.x where a perceived discontinuity such as geographical distance can be addressed by a continuity of digital connection . So these are not fixed in either category but made malleable through our human endeavours and perceptions.
@kate @Ammienoot @catherinecronin @RebeccaSolnit I certainly think that the #femedtechquilt was about intended change through connectedness But from my own more recent experience of the immediate therapeutic value of the act of making, stitching, quilting, it makes me think about how the value of making squares for the #femedtechquilt delivered connectedness retrospectively during COVID19 when our need for connection was so great.
@kate @fskornia (replying very late) I do know about these. At the end of a very difficult week in 2023, I did a day trip to London to see https://www.royalacademy.org.uk/exhibition/souls-grown-deep It was amazing ! It wasn’t just quilts but all sorts of art made from scrap. I can’t tell you what an impression it made on me 💕
Souls Grown Deep like the Rivers | Royal Academy of Arts

Discover the Black artists from the Southeastern United States who created some of the most spectacular and ingenious works of the last century.

@kate Yes ! One could wonder whether being able to identify author segments is good/bad 😉
@kate I love what you say here about “searching for signs of human writing”. I will try to do this in reading in future. It also sparked the memory of that point in the process of collaborative writing where you read a part where you can’t identify the author. Sometimes, it’s the mark of an idea/concept/assertion that emerged from the collaboration -possibly rare but a joy when it happens.

The more that AI promises to do the work of reading, summarising and composing for us, the more I’m searching for signs of human writing. That’s what this hashtag is to me: respecting the effort and craft and all the signs of life, the writer’s own handprint.

It’s the moment where you see the palm shape of the potter in the pot, the typo, the irregularity in the quilt. I once saw a boot print in paint on the margin of a huge Pollock canvas and I’ve never forgotten it. I think we can see it in digital writing too.

#WordsWorthWriting

Thinking of the #FemedTech quilters especially @francesbell but also remembering being inspired by the quilt bloggers at the early Northern Voices conferences.

Times are demanding even more acts of protest. Get the craftworks going.

https://aeon.co/essays/when-womens-needlework-becomes-an-act-of-subversive-protest

When women’s needlework becomes an act of subversive protest | Aeon Essays

Knitting and embroidery are laden with stereotypes of domestic femininity – and the subversive potential for protest

Aeon
@cogdog thanks for this Alan. It has reminded me to dig out a book (still stuck in a box since our house move in November) by Roszika Parker https://en.wikipedia.org/wiki/Rozsika_Parker?wprov=sfti1 “The Subversive Stitch”. Folk can look at the FemEdTech quilt at https://quilt.femedtech.net/quilt/ thanks to https://ammienoot.com/ In our chapter in #HE4Good we also stressed the history of stitch/quilting as being a site for collective endeavour by women (not just upper class women) https://books.openbookpublishers.com/10.11647/obp.0363/ch10.xhtml#_idTextAnchor037
Rozsika Parker - Wikipedia

@[email protected] @blamb hi Brian Good to come across you #onhere Maybe you (or some UK person) can help. I passed the first postcode hurdle by omitting the space but failed postcode hurdle at payment stage - didn’t like postcode with/without space. No hurry but maybe we could look at this in New Year.