“The Pharcyde”, ANSI textmode logo collaboration with tainted, released in Fire #37.
#ansi #ansiart #textmode #textmodeart #computerart #digitalart #art #demoscene #bbs #retrocomputing #retrographics #logo #lettering #calligraphy #graffiti
Pixelartist | Music Producer | Graffiti | Textmode
| Links | https://linktr.ee/don_feechy |
| Neocities | https://feechy.neocities.org/ |
“The Pharcyde”, ANSI textmode logo collaboration with tainted, released in Fire #37.
#ansi #ansiart #textmode #textmodeart #computerart #digitalart #art #demoscene #bbs #retrocomputing #retrographics #logo #lettering #calligraphy #graffiti
"Hey babe, wanna escape from New York, and maybe grill some shapeshifting things from outer space ?"
-Erm... yeah, duh !
(Essai de portrait de Kurt Russel, mais je ne pense pas lui avoir rendu justice, je le retenterai dans une autre pose)
128x128
10ish hours
#Pixelart #KurtRussel #EscapeFromNewYork #Bara
Before cloud sync and GitHub repos, code and digital creations were traded on floppy disks and burned CDs. In the late 90s and early 2000s, underground warez and demoscene groups would package up cracks, keygens, and jaw-dropping real-time graphics demos into ZIPs with slick ASCII art NFO files and pass them around via IRC, FTP, and BBS drops. These weren’t just pirate files, they were digital calling cards, signatures of identity, skill, and style.
Some groups became legends not because of what they released, but how. Custom installers, unique chiptunes, intricate ANSI animations, it was as much about the art as the hack.
Today, you can still find echoes of this era in the demoscene and archival sites that preserve those raw, expressive digital roots.
#WarezScene #Demoscene #DigitalHistory #HackerCulture #ASCIIArt #RetroComputing #OldSchoolInternet