BROKEN VOICES - π¨πΏ πΈπ°
Subtle, based-on-true-story drama about grooming and abuse in a prestigious girls' choir. Beautifully acted by its young cast
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FRAULEIN - π©πͺ
A young woman from Bosnia changes the outlook of an older woman from Yugoslavia ('No-one calls it that any more') through what the blurb calls 'an unlikely friendship'. Solid enough, but hits a few too many cliches along its way
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FAR FROM THE MADDING CROWD - π¬π§ πΊπΈ
Postcard pretty York Notes adaptation of the novel that hits most of the major plot points but completely misses the soul of the book by flattening the story down to a bucolic romance.
Also, Bathsheba Everdene is so modern, she doesn't know the origin of her own first name. In 19th century England? O...K.
But it's zippy and I can't pretend I wasn't entertained
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AURORA - π·π΄
Imagine Chantal Akerman had made Taxi Driver. It's a little bit like that
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