David Miles - The Tale of the Axe How the Neolithic Revolution Transformed Britain

"I tried to produce an approachable account for an interested General reader” writes David Miles in his afterword. For me, he has succeeded.

The book tells the story of the progress of agriculture from one of its starting points in the Levant (agriculture has arisen independently in a dozen places around the world) towards Britain. This Neolithic Revolution also brought about the megalithic monuments from Göbekli Tepe to Stonehenge.

It is based on the latest (in 2015) archeological insights and combines an approach over a long time and a wide geographical range into a synthesis that is amazingly easy to read. Sometimes Miles is downright funny, I literally lol’ed a couple of times while reading. A rare phenomenon while reading an archeology book.

I caught a few editorial oversights, e.g.:
• On p. 293 'were late arrivals in the evolving cycles of stone shifting and earth moving' is used twice in a paragraph.
• On p.322 Maeshowe & Newgrange are aligned on midwinter sunset, while on p. 371 Newgrange aligned on midwinter sunrise.
And I disagree with some wording in his epilogue. But that is nitpicking, I really enjoyed this book!

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Iain M Banks - Feersum Endjinn

Not his best.

Iain M. Banks has a fantasy that now and the spirals almost out of control right into the trippy levels of scifi. When that is DMT-ish (short and very weird) I love it. Unfortunately Feersum Endjinn is more like taking just too little LSD - it works very long, but the weirdness stays just above 'base reality' ;-)

If you want scifi about people uploading themselves, try Greg Egan - Diaspora. If you want Banks' scifi (re)read the Culture novels. I know I will.

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Albert Camus - De Vreemdeling

De vacuümcatastrofe is het verschil tussen het empirisch vastgestelde en het theoretisch berekende niveau van de vacuümenergie, de energie van de lege ruimte.

Hier moet ik aan denken bij het lezen van ‘de vreemdeling’.

Een studie van leegte waarin op één moment een gruwelijke, catastrofale daad plaatsvindt. Zonder beweegredenen, zonder oorzaak. Ervoor en erna strekt het niets zich uit. Camus beschrijft het op een manier waar ik erg van houd. De afgemeten zinnen doen me aan Bordewijk denken. Dat is altijd fijn.

In ‘The Meursault investigation’ wekt Kamel Daoud het slachtoffer ‘de Arabier’ tot leven. ik kijk ernaar uit het te lezen in het kader van de literair kannibalisme challenge.

https://app.thestorygraph.com/reading_challenges/e95eb2e7-fb9e-4aa3-8eb5-597d9903dc4e

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Kamel Daoud - The Meursault Investigation

What if your brother was killed. Shot on the beach on a searing hot day. What if this happened to you when you were still a boy in a single parent family without other siblings.

The brother-formed-gap might become the black hole around which everyone and everything in your life revolves.

And then to find out that the murderer has written a novel in which you get to know his soul ‘like you were an angel’ but in which your brother’s name is not even mentioned. Musa Uld el-Assas, your brother, reduced to a stage prop called ‘The Arab’.

“The whole world knew the murderer, his face, his look, his portrait, and even his clothes, except the two of us! The Arab’s mother and her son [...] Two poor, pitiful natives who had read nothing and put up with everything. Like donkeys.”

Kamel Daoud answered Camus brilliantly, I think. Mirroring the story of Meursault, not too forced, not too loose and touching the mirror at several points.

This being said, a feminist rewrite would be great.

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