Rolling into the Oscarโs seeing 7/10 Best Pictute nominees. Pretty good for me!
My pick is either Sinners or One Battle After Another, both astounding achievements this year. I do personally slightly prefer Sinners, but theyโre both brilliant.
Rolling into the Oscarโs seeing 7/10 Best Pictute nominees. Pretty good for me!
My pick is either Sinners or One Battle After Another, both astounding achievements this year. I do personally slightly prefer Sinners, but theyโre both brilliant.
@stevenodb @matt_birchler Nope. Coogler used the horror genre to explore cultural trauma and social issues relating to racial identity. It's metaphorical storytelling, kinda like how Romero's Dawn of the Dead wasn't really about zombies, but consumerism.
The film is also steeped in the blues mythology of the era and African spiritual practices. If you were expecting a straightforward, jump-scare action horror and aren't familiar with these complex themes, it may have seemed a jumbled mess. ๐คท๐ปโโ๏ธ
@stevenodb @matt_birchler No worries. To put it another way, it's not your fault! A lot of viewers - and a few critics - felt the same as you.
You've had a normal experience of a weird but wonderful movie. ๐๐ผ
@ApostateEnglishman @stevenodb Yeah for me, it was a brilliant film from the jump, and digging into the deeper aspects and watching it a second time was transcendent for me.
Also, not for nothing, but it was far and away the most successful film of all the nominees by US box office. I love it when a bona fide front runner is also an actually popular movie that non-film buffs enjoyed as well.