wait, what is THAT?

I finally solved the mystery movie mistake in “Episode III”, and also talk about some of my favorite revealing movie mistakes from my favorite films.

The Movie Mistake Mystery from "Revenge of the Sith"
http://fxrant.blogspot.com/2025/04/the-movie-mistake-mystery-from-revenge.html

The Movie Mistake Mystery from "Revenge of the Sith"

Movies are handmade, and just like any other art form, sometimes the seams that hold movies together become visible to the audience. For mov...

I’m pleased to say that NO ONE has yet to ask me to reveal the artist who did the shot. (Yes, I know whose shot it was. No, I won’t tell you.)

The whole point of the piece is that mistakes happen all the time in movies and that’s a fact of life. We’re all a team, doing our best.

@dan trust me, if it was me I’d wear it with a badge of honor
@tvaziri Well, maybe someday you'll get your own force ghost easter egg grip.
@tvaziri that was a great read, cheers!

@tvaziri

who is the rigger
i wish to meet them
and buy them a
nice refreshment

@zbender we dug through the archives and talked to people on set — could not identify him
@tvaziri @zbender Maybe release a more high res image of his face. I bet the internet can find that rigger.
@leonzandman @zbender on the blog post is 1-to-1 crop of an HD source image
@tvaziri @zbender That's unfortunate, as a face search on that image didn't work...
@tvaziri if you were the artist, would you come clean? It’s totally fine to say no. I won’t assume that means it was you.
@troldann I absolutely would come clean (wasn’t me)
@tvaziri ah, but I know who did the 2k check on that shot :D
@tvaziri Glad no one asked for the artists name, but now that he's so famous: what's the name of the Stunt rigger? He should be added to the cast! :)
@namekkural we tried very hard to identify him with no luck.

@tvaziri With our tools nowadays it’s so easy to get obsessed with perfection, but it’s nice to see that real people were working on these movies.

Creative processes have to be a little messy, that’s where all the ideas come from! 😊

@tvaziri my main takeaway from seeing the raw shot footage of the prequels is how little the actors had to react to in the "scenery" around them since it was so much green screen
@tvaziri Your Glory gif features power lines too…?
@troy_s sure seems like it! enough people have contacted me that I've updated the piece!
@tvaziri Looks like an additional photography shoot perhaps?
@troy_s not that i'm aware, and I read Zwick's book

@tvaziri @siracusa

I honestly think by that point in the prequels, the audience was going, Yeah, whatever…’ if something seemed cheesy, fake, wrong by that point we took it in stride with a disinterested ‘oh that too’. We were SO over it.

And I may have projected a bit more inherent value on them than many. Without truly thinking they were good, I think they served to add value to 4,5, & 6, even serving a bit of current affairs social commentary. Can almost defend them

@tvaziri @siracusa

I remember The Nicholson Joker scene with him throwing colored paste or sludge at the paintings in the art museum being rife with errors.

I see a lot of mistakes in intitial theatrical releases I think were fixed before they made it to home media. Gollums feet in the first Jackson LOTR bled through the ground in compositing in practically every scene.

When a ‘tentpole’ had to hit a particular ‘opening weekend’ date, errors became more frequent.

@tvaziri The bigger movie mistake in Revenge of the Sith was making it in the first place.
@davidbcohen cool thanks
@tvaziri Apologies, I didn’t mean to detract from your work on the visuals, or to suggest the professionals employed on the project didn’t deserve the work.
@davidbcohen Makes me wonder why you said it, then. I don’t say this to rag on you, but rather to prod you and others to think about the value of voicing negativity like this when it rarely—if ever—plays well outside people you’re friends with. It’s all risk and no reward, you know? Best to appreciate endlessly and criticize only when you are either among friends or an expert who can provide tailored analysis. Especially when it’s art.

@louie I said it because most people who meticulously analyse sci-fi footage online are ardent fans - and many such fans share a similar view to mine about RotS. I didn’t know he was involved in the production, hence my immediate apology.

Regarding art, there’s a difference between statement art & what goes into mass market entertainment, IMHO. Studios look to make millions off us - as such we do have a right to criticise that overall product as a paying customer.

@davidbcohen pardon me for saying so but your initial response didn’t exhibit credibility to make the remark you did so I’m not particularly inclined to take what you’re saying here any differently. I replied for you to consider, not for you to explain yourself.
@tvaziri yet another thing to remove in next "Xk ultra special edition plus"?

@tvaziri sometimes you just want to tell the artist the painting is done, put the brush down.

I don't mind retouches, as long as the imperfections are left in a variant edition. Let the audience decide.

@fnordius and who has been “letting the audience decide”?
@tvaziri that, indeed, is the problem.

@fnordius yep - there's ZERO precedent

when it comes to “special editions" the best caretaker has been Cameron (best exemplified with Aliens, The Abyss and T2, keeping them in parallel) but even he has made tweaks to Aliens and T2 and that's bad)

@tvaziri I suppose the Blade Runner release with all five cuts is the only precedent I know of.
@fnordius yes BUT are all FIVE available right now?
@tvaziri yes, I have them from Apple. It's sold as The Definitive Edition. It's in my library, and the collection is also available from Amazon as DVDs
@tvaziri Absolutely love this 🥺
@tvaziri my favorite movie “mistake” is an Easter egg. In Gravity there’s a scene where you can see the camera operator in a reflection - wearing a space suit, of course