Pretty, pretty good.
Licence To Kill (1989) — Modern Trailer
https://youtu.be/2-L3w_TkRw0?si=h-YoTYza9HOM9Lak

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Pretty, pretty good.
Licence To Kill (1989) — Modern Trailer
https://youtu.be/2-L3w_TkRw0?si=h-YoTYza9HOM9Lak

"The Pitt" season one visual effects reel, from Ingenuity Studios.
What are some of the best closeup VFX morphs in feature films? Shots with 'traditional' warping/dissolving to transform one person into another (or the same person but with different makeup).
To start: "The Two Towers", "Death Becomes Her", "Saving Private Ryan", "Contact", "Titanic", gimme more!
Still wishing that Apple would make a chonky iPhone that prioritized a gigantic battery and ruggedness while still allowing for third party cases. If sacrifices are required I’d say camera quality/# of lenses are good choices.
(I’m guessing there’s an upper limit of iPhone weight before MagSafe would have to be removed, too)
yeah, I'm still adding corrections to this post from 2023
Todd Vaziri on Corridor Crew "VFX Artists React", Parts 1 and 2
http://fxrant.blogspot.com/2023/08/todd-vaziri-on-corridor-crew-vfx.html
You’d think the EPA chief would be concerned about “the environment” but nope. One of the many things that will take years to undo, optimistically.
How Lee Zeldin Shifted the Mission — and the Message — of the E.P.A. — gift link
https://www.nytimes.com/interactive/2026/04/12/climate/lee-zeldin-epa-mission-language.html?unlocked_article_code=1.bVA.NTlX.rZ5db3xc_OI1&smid=nytcore-ios-share

More than any administrator in decades, Lee Zeldin talks about the Environmental Protection Agency's work in economic terms, reflecting President Trump’s desire to boost industry while downplaying environmental consequences.
The good news: “Terminator 2” will get a theatrical release later this year.
The bad news: it will probably be the version with all the paint-outs, face replacements and ‘modern’ color grade.