maybe we should stop talking about how movies are made because I don’t think some people can handle the complexity of the process
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Todd Vaziri
@tvaziri
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I make visual effects for movies and talk about movies a lot.
(see also: the deep misunderstanding and myth-building around the dare-not-be-fully-named-lest-the-weirdoes-come-after-you The S——Cut)
Casey NewtonElon Musk once threatened to drive to Zuckerberg’s house to fight him, but they patched things up and now Mark volunteers to censor users from posting the names of government employees and also maybe help Elon mug OpenAI
Chris Miller (and Greig Fraser) giving props to ILM on Instagram:
"Shout out to the amazing work on PROJECT HAIL MARY by the folks at ILM - All of these shots (& many hundreds more) were made completely digitally by the talented artists there."
https://www.instagram.com/p/DWZfr7lkW0p/?igsh=NTc4MTIwNjQ2YQ%3D%3D
Watching “Oldboy” (2003) with four first-timers, including me!
Why didn’t they “just” build a five story Death Star interior for just one shot instead of “relying” on visual effects trickery?
“Star Wars” (1977)
Oh, look!
“The End of Oak Street” (2026) teaser
https://youtu.be/IoHWPAN6FPg?si=L-2GqItGIyel0Zg_
The End of Oak Street | Official Teaser Trailer
boom - something like this is clearer without any additional distracting noise or crowding. I'm NOT a graphic designer.
Why is having two dots wrong? Because there are three outs to an inning. I mean, why have TWO GREY DOTS when there are zero outs? Even after the third out, Netflix doesn't change the graphic - it remains as TWO DOTS.
How Netflix shows how many outs there are:
