Me, dropping more catnip: I had to trim the bush if they want to see it.
T: It’ll make it look bigger.
Me, dropping more catnip: I had to trim the bush if they want to see it.
T: It’ll make it look bigger.


In Techmoan's latest video
https://youtu.be/3-UMs5kvNVQ?t=13m56s
At 13:56 he is reluctant to buy a handheld 50/60Hz strobe light for US$75 and finds a similar "homemade flashy box thing" for £20
Question is what components are in the $75 version compared with the £20 DIY version?
A microcontroller, clock crystal, LEDs with driver circuitry?
There is a lot of flexibility within portraiture to create a wide array of different looks. One of the primary ways to put your own stamp on a shot is through lighting and this tutorial might be just the trick for your next shoot. I have thought — probably for years at this point — that I will get sick of RGB and colored lighting in portraits; that it will age poorly and date my work where I use it. But, here we are, years on, and I still thoroughly enjoy it. What's most enjoyable, however, is combining it with other lighting techniques.
Being a well-rounded photographer who can succeed in any situation is the ultimate goal for most photographers. However, what happens when you are forced to take a portrait by lighting from below? Today, I take the challenge. Most photographers enjoy the comfort of using their most tried-and-true lighting techniques.
Shooting off-camera flash outdoors can be tricky, as you need to contend with the brightness of the sun. This means that the flash can get pretty close, especially if you want to get a really soft light on your subject. What if it is in the frame? Francisco Hernandez from FJH Photography explains his method of creating off-camera daylight flash portraits and why his flash is sometimes within his frame during the portrait shoot. This video explains his reasoning for placing the flash so close to his subjects and how he erases the flash from his images in post-production. The secret?