Payday - The Heist [X] Dr Dre Feat. Snoop Dogg (Still Dre) [VIDEO CLIP MUSIC © GAME ONE] (2011)
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OutKast feat. Lil Wayne & Snoop Dogg:
🎵 Hollywood Divorce
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SWANS ACCOUNTS: £21.6m loss as owners pump in £21m to keep club afloat — before Snoop Dogg, Martha Stewart and celebrity investors came on board
Swansea City have reported a £21.6 million pre-tax loss for the 2024-25 season, with the club’s owners injecting £21 million in fresh investment just to keep the operation running — even as a growing roster of celebrity backers adds glamour to an increasingly pressured financial picture.
The accounts, filed at Companies House for the year ended June 30 2025, show the loss has grown significantly from the £15.2 million reported for the previous 11-month period. It is the latest in a series of substantial annual losses that have become the financial backdrop to the Swans’ ongoing push for promotion.
Turnover grew slightly to £22.3 million — a 3.3% increase on the prior period — but operational costs surged from £47 million to £51.3 million over the same timeframe, widening the gap between what the club earns and what it spends.
Player trading produced a profit of £8.1 million for the year, down from £10.5 million in the previous period when the sale of Joel Piroe to Leeds United had boosted the figure. That profit on transfers continues to serve as an important financial cushion — without it, the headline loss would be considerably larger.
To bridge the gap, the ownership group injected £21 million into the club through an equity share issue during the 2024-25 season. The accounts were approved by the board on March 30 this year, with Brett Cravatt signing off the report. The club has confirmed that further investment has been made in the current season, suggesting the ownership group remains committed despite the ongoing losses.
The accounts were filed under the small companies regime, meaning the directors elected not to publish a full profit and loss breakdown — making detailed analysis of where the money is going more difficult for supporters and observers.
The filing covers the period before the arrival of the club’s most eye-catching investors. As Swansea Bay News has reported, rapper Snoop Dogg joined as a minority investor last summer with an ambitious ten-year vision for the club, followed by American lifestyle entrepreneur and billionaire Martha Stewart, who became a co-owner after attending a match at Swansea.com Stadium. Their financial contributions and any commercial uplift they bring fall outside the period covered by these accounts.
The Swansea City Supporters’ Trust acknowledged the figures and confirmed that football finance analyst Kieran Maguire — host of the popular Price of Football podcast — would be joining them in the coming days to help members make sense of the numbers in more depth. The Trust noted it was “pleased when investment is in exchange for equity rather than through loans” — a distinction that matters significantly for the club’s long-term financial health, as equity investment does not need to be repaid in the way that debt does.
The ownership group itself has changed significantly since the period covered by these accounts. As Swansea Bay News has previously reported, long-serving American investors Steve Kaplan and Jason Levien sold their majority stake, making way for the current era led by Cravatt and Jason Cohen.
The financial picture at Swansea reflects a wider challenge across the EFL Championship, where clubs routinely spend at levels they cannot sustain from their own revenues in pursuit of the enormous financial prize that Premier League promotion represents. The gap between Championship and Premier League broadcasting income remains vast, and the Swans have previously called publicly for a new revenue-sharing deal between the two divisions.
The club has said player trading profits helped ensure compliance with EFL Profitability and Sustainability regulations for the season — a crucial reassurance given the significant sanctions clubs can face for breaching those rules.
For supporters, the accounts underline how dependent the club remains on the continued generosity of its owners. As long as that investment keeps coming — and the new ownership group has shown no sign of stepping back — the club can continue to operate. But with losses accelerating and operational costs rising, the pressure to find a route back to the Premier League has rarely felt more acute.
Related stories from Swansea Bay News
‘I AIN’T PLAYING’: Snoop Dogg reveals ten-year plan to make Swansea the ‘Vegas of Wales’
The rap legend’s ambitious vision for the club — and why the owners are investing so heavily despite the losses.
American businesswoman Martha Stewart joins Swansea City as co-owner
The lifestyle billionaire who joined after the period covered by these accounts — part of a growing celebrity ownership story.
Majority stakeholders in Swansea City Football Club to sell shares
The ownership change that reshaped the Swans’ boardroom and set the stage for the new era these accounts reflect.
Snoop Dogg’s Italian Dinner Mishap Leads to Olympic Gift
Most people dread the moment a credit card gets declined in public. But when it happened to Snoop Dogg at a small restaurant in the Italian Alps during the 2026 Winter Olym…
#dining #cooking #diet #food #DinnerTonight #Italiandinner #2026WinterOlympics #dinner #Italia #Italian #ItalianDinner #italiano #italy #snoopdogg #snoopdoggattheolympics
https://www.diningandcooking.com/2580340/snoop-doggs-italian-dinner-mishap-leads-to-olympic-gift/
'Paw Patrol: The Dino Movie' Teaser Teases the New Adventure!! Check It Out!! #PAWPatrol, #TheDinoMovie, #CarterYoung, #MckennaGrace, #TerryCrews, #MeredithMacNeill, #RonPardo, #JenniferHudson, #HaydenChemberlen, #FortuneFeimster, #JameelaJamil, #RainJanjua, #BillNye, #ParisHilton, #LucienDuncanReid, #WilliamDesrosiers, #NylanParthipan, #SnoopDogg, #HenryBolan
Celebrities playing online games
https://negativepid.blog/celebrities-playing-online-games/
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‘Paw Patrol: The Dino Movie’ Trailer Reveals Catchy New Backstreet Boys Song
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Il Fatto Quotidiano: “Rita Pavone instancabile. Il suo video registrato in un giorno, per Rovazzi una settimana. Una cantante non iniziava le riprese senza una bottiglia di grappa”: parla il regista Claudio Zagarini
Ha alle spalle oltre vent’anni di carriera e ha firmato almeno 500 videoclip in Italia e all’estero (“In Italia ho lavorato con cantanti dei generi più disparati, da Fabio Rovazzi a Ornella Vanoni passando per J-Ax e Paola Turci”). Claudio Zagarini si racconta a Il Corriere della Sera e rivela alcuni aneddoti divertenti, avvenuti nel backstage di qualche set: “Negli Stati Uniti ho lavorato molto con Snoop Dogg: potete immaginare come si presentava sul set. Ogni tanto chiedeva quanto mancasse dopo cinque minuti. Una cantante, invece, non iniziava le riprese senza una bottiglia di grappa”.
L’artista che ha catturato l’attenzione di Claudio Zagarini è stata Rita Pavone: “È instancabile, ha un’energia pazzesca, superiore a quella di molti giovani. Il videoclip di Niente (Resistenza 74) con cui ha partecipato a Sanremo nel 2020 l’abbiamo registrato in una giornata sola. Per un video con Rovazzi è servita quasi una settimana…”.
Sulle location che gli sono rimaste impresse non ci sono dubbi: “Negli Stati Uniti, a New York: un campo di football americano asfaltato in cui erano state girate anche alcune scene della serie di film d’azione ‘Fast and furious’. In Italia invece l’Ex Teatro Nazionale, nel cuore di Firenze, per ‘Fiera di me’ di Irene Grandi. Ci siamo mossi tra travi e ponteggi perché era in restauro, però si respirava un’atmosfera magica”.
Poi un primato, il primo video realizzato con IA per il singolo di Eros Ramazzotti e Max Pezzali “Come nei film”: “È il primo al mondo realizzato interamente con l’intelligenza artificiale. Dai momenti in cui Eros e Max sono bambini e adolescenti, alle scene finali in cui si sono seduti al cinema ormai adulti è tutto frutto della tecnologia. Le uniche immagini reali sono quelle dei loro concerti. Io e Giovanni Abitante (il co-regista, ndr) abbiamo lavorato 19 ore al giorno per cinque giorni, ma ne è valsa la pena”.
L'articolo “Rita Pavone instancabile. Il suo video registrato in un giorno, per Rovazzi una settimana. Una cantante non iniziava le riprese senza una bottiglia di grappa”: parla il regista Claudio Zagarini proviene da Il Fatto Quotidiano.
Rita Pavone tireless. Her video recorded in a day, for Rovazzi a week. A singer didn’t start filming without a bottle of grappa”: says director Claudio Zagarini.
He has over twenty years of experience in the industry and has directed at least 500 music videos in Italy and abroad (“In Italy I’ve worked with singers from the most diverse genres, from Fabio Rovazzi to Ornella Vanoni, passing through J-Ax and Paola Turci”). Claudio Zagarini tells Il Corriere della Sera and reveals some funny anecdotes that happened backstage on a few sets: “In the United States, I’ve worked a lot with Snoop Dogg: you can imagine how he presented himself on set. Every now and then he would ask how much time was left after five minutes. A singer, on the other hand, wouldn’t start filming without a bottle of grappa.”
The artist who caught Claudio Zagarini’s attention was Rita Pavone: “She’s tireless, she has incredible energy, superior to that of many young people. The music video for ‘Niente (Resistenza 74)’ with which she participated in Sanremo in 2020 was filmed in a single day. For a video with Rovazzi, it took almost a week…”.
Regarding the locations that have remained etched in his memory, there’s no doubt about them: “In the United States, in New York: an American football field that had been asphalted, where some scenes from the ‘Fast and Furious’ film series were also filmed. In Italy, the Ex National Theatre, in the heart of Florence, for ‘Fiera di me’ by Irene Grandi. We worked among beams and scaffolding because it was under renovation, but you could feel a magical atmosphere.”
Then a record, the first video made with AI for Eros Ramazzotti and Max Pezzali’s single “Come nei film”: “It’s the first one in the world made entirely with artificial intelligence. From the moments in which Eros and Max are children and teenagers, to the final scenes in which they sat in the cinema as adults, it’s all the result of technology. The only real images are those from their concerts. Me and Giovanni Abitante (the co-director, ed.) worked 19 hours a day for five days, but it was worth it.”
The article “Rita Pavone tireless. Her video filmed in a day, for Rovazzi a week. A singer didn’t start filming without a bottle of grappa” comes from Il Fatto Quotidiano.
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