Krueger, Myron: Videospace, since 1974. Responsive environment with camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

Krueger, Myron: Psychic Space, 1971. Responsive environment with sensing grid, camera, screen and computer. More informations: Dreher, Thomas: History of Computer Art, Chap. V.I. Internet: http://iasl.uni-muenchen.de/links/GCA-V.1e.html #Myronkrueger #responsiveenvironment #computarart #computerartists #computerartist #computerartwork #videoclosedcircuit #reactiveinstallation #thomasdreher

Pask, Gordon: Colloquy
of Mobiles, 1968 (installed at “Cybernetic Serendipity”, Institute of Contemporary Art, London 1968). More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: https://dreher.netzliteratur.net/4_Medienkunst_Kybernetike.html #gordonpask #computerart #computerartist #computerartists #cybernetics #cyberneticart #cyberneticartists #cybernetartworks #installationart #installationartists #installationartist #responsiveenvironments #responsiveenvironment #thomasdreher

James Seawright: Electronic Peristyle, installation 1968. Exhibition "The Magic Theatre", William Rockhill Nelson Gallery of Art, Kansas City/Missouri 1968. Photo: Larry B. Nicholson. A detailed analysis in: Thomas Dreher: History of Computer Art. Chap. II.3.3 Light and Sound Installations by James Seawright and Vladimir Bonacic. URL: http://iasl.uni-muenchen.de/links/GCA-II.3e.html #jameseawright #computerart #responsiveenvironment #reactiveinstallation