Nuctemeron – Demonic Sceptre Review By Mark Z.

There’s a big problem with today’s metal scene: There aren’t enough fukkin bands that sound like Nifelheim. Every time I listen to those crazy Swedes, I want MOAR of their scalding black-thrash riffs, MORE of their pummeling blast beats, more of the unhinged ferocity that feels sorely lacking in today’s scene, when it seems like every band needs to have clean vocals and mix at least three genres. While Nifelheim vocalist Hellbutcher did release a very good album in 2024 via his eponymous band, his main project’s frantic intensity has gone largely unreplicated. Fortunately, Nuctemeron are here to change that. Over the past decade, this German group has kept the black flame burning with a slew of splits and EPs that bear titles like Beastfuck and Rape from the Grave, all while clad in enough spikes and leather to make them the favorite customers of their local BDSM shop. With their debut album, Demonic Sceptre, the group has continued following Nifelheim’s burning warpath, unleashing a barrage of frenetic riffs, scathing vocals, and battering rhythms that would make those Swedes proud.

Yet at the same time, calling Nuctemeron mere Nifelheim clones is hardly accurate. Perhaps most notably, the band’s aptly-named vocalist, “Lunatic Aggressor,” avoids mimicking Hellbutcher’s manic rasp by instead delivering a larynx-shredding shriek that somehow turns songs like “Burn My Skin to Leather” into singalong anthems. And, as hinted at by the cover art’s apparent homage to Destruction’s Eternal Devastation, the music here shows that these Germans have heard plenty of thrashy bands besides Hellbutcher and Co. Take the instrumental opener, “Fresh Blood for the 13th Coffin,” which is an ambient synth piece with vaguely medieval vibes that recall Desaster. Said influence continues with the Hellfire‘s Dominion-style guitar melodies that open the first proper track, “The Bat,” before the slicing verses began slashing into your neck like a sharpened scythe. Likewise, “Under Devil’s Command” features a terrific, olde school main riff that evokes the glory days of 80s speed metal, while the harmonized guitars of that song’s bridge serve as a saccharine throwback to metal’s golden age.

Demonic Sceptre by Nuctemeron

That said, it’s clear that Nifelheim is a massive influence here. And fortunately, Nuctemeron absolutely nail that band’s sound with a slew of the wildest black-thrash cuts I’ve heard in a long time. Early highlight “After Violent Storm” basically functions as a complementary vasectomy, as the ricocheting guitar line in that song’s refrain is hot enough to turn whatever genitals you have into something that looks like a charred pork rind. “Fuck Off!!! (In the Name of Evil)” uses Nifelheim’s infamous two-word mantra as the basis to unleash a shitstorm of bouncy, frantic guitars that culminates with the sound of a skipping record repeating that titular proclamation over and over. Later, the aforementioned “Burn My Skin to Leather” sounds like a lost cut from Servants of Darkness with its squealing guitar lines, while “Metallic Thunder” uses a rapid, tapping guitar line to great effect.

My only real criticism here is that some of the songs repeat their main riffs a bit too much, but that feels like a minor quibble in light of the sheer inspiration on display. The aforementioned “Lunatic Aggressor” shrieks his head off like a banshee the whole time, and the way he pronounces his V’s as W’s is positively endearing. Guitarist “Exterminator” unleashes riff after riff of pure maniacal energy, and his searing, fast solos are a perfect complement to the band’s relentless nature. As shown on the closing track, “Brandish the Hammer of Hell,” the group also aren’t afraid to mix things up, as the song concludes with crooning clean vocals that mimic a melodic guitar line. The production is also great, sounding raw and powerful while remaining clear and retaining plenty of dynamic range.

Demonic Sceptre is exactly what your psychotic inner black-thrash fan has been craving. This is the first group I’ve heard that truly embodies Nifelheim’s unhinged, frantic style, and yet they mix things up just enough to avoid being a mere worship act. What’s more, the band constantly exude a sense of furious inspiration, yet for how extreme they are, their songs sure are fukkin catchy. For me and anyone else bold enough to brave the group’s scorching fury, Nuctemeron’s debut may just be the best black-thrash record we hear this year.

Rating: 4.0/5.0
DR: 9 | Format Reviewed: 320 kbps
Label: I Hate Records
Websites: nuctemeron-blackspeedhell.bandcamp.com | facebook.com/blackspeedhell
Releases Worldwide: March 13th, 2026

#2026 #40 #BlackMetal #DemonicSceptre #Desaster #Destruction #GermanMetal #IHateRecords #Mar26 #Nifelheim #Nuctemeron #Review #Reviews #SpeedMetal #ThrashMetal

Entrails – Grip of Ancient Evil Review

By Saunders

Rooted in the fertile graveyard turf of the Swedeath golden years, veterans Entrails occupy an interesting place in the revivalist old school Swedish death metal scene. Originally conceived in 1990 by sole original member Jimmy Lundqvist, the band lay dormant until Lundqvist resurrected the outfit with new bandmates in tow, unleashing a couple of long-gestating demos before eventually releasing their impressive debut Tales from the Morgue in 2010. Entrails started out strongly, backing up the debut with gnarled, grisly platters of throwback Swedeath goodness, courtesy of 2011’s The Tomb Awaits, and 2013’s Raging Death. A solid, if unremarkable holding pattern largely ensued during the intervening years, the band not dropping the ball, yet failing to rise to the loftier standards of their early work. Still, when done well, old school death of the Swedish variety is like metal comfort food, and these dudes are consistently reliable. Can eighth opus Grip of Ancient Evil shake off the rust and reinvigorate Entrails to their potent glory days?

Listeners should not expect any drastic reinvention or innovation from these meat & taters brawlers. Influences are tattered and worn, as Grip of Ancient Evil sets the buzzsawing tone early in the piece, essentially a modern continuation of the classic Swedeath sound inspired by scene legends, Grave, Dismember and Entombed. Entrails’ steadfast dedication to their old timey craft has served them well; however, the dreaded Law of Diminishing Returns threatens to derail their reliable track record deep into their career. After an unnecessary though obligatory scene-setting opener, “Untreatable Decay” kicks the album in proper. The song forms the blueprint of the Entrails sound, unleashing thunderous rhythms, tasty leads, and HM-2 armored riffage to bludgeoning effect.

Chunky tones are on point, riffs suitably beefy, while the mix of tempo shifts, thumping grooves, and requisite spooky, horror-themed atmospheres cast a familiar shadow across the album. New vocalist Julian Bellenox (Nazghor, Morphetik) fits the part, providing an authoritatively punchy rhythmic point of difference. His hoarse, throaty growls lend a brutal edge and thickness to the already meaty material. Otherwise, it is largely business as usual in the Entrails camp. The album’s darker, nastier vibes, infectious hooks, and more direct, punchy attack breathe welcome life into this long-standing, rotting entity. Grip of Ancient Evil features many of the expected traits of the classic Swedeath style; however, Entrails sound reinvigorated and urgent. Aptly titled “Skin ’em All” rips you a new one, relentlessly tearing through thrashy soundscapes, headbangable grooves, and gruesome, Bloodbath-esque terrain. Other noteworthy prime cuts include the doom-laden, dynamic shifts and anthemic hooks of “Hunt in the Shadows,” rugged, leaden riffage and punishing grooves on “Fed to the Dead,” and thrashing, urgent pummel of “Wings of Death.”

Not everything is safe and predictable. Barnstorming closer “Consumed by Insects” shifts surprisingly into a brief acoustic break, an odd though refreshing twist. Meanwhile, guest vocalist Per “Hellbutcher” Gustavsson (Friends of Hell, Nifelheim) lends a feral, blackened edge to the brooding “Inner Demon.” Performances are dependably solid from a line-up that remains fairly steady amongst the regular line-up upheavals plaguing the band. Bellenox is a refreshing addition, while band leader Lundqvist remains the pivotal focal point and songwriting chief, unleashing an extra beefy collection of buzzsaw riffs and some genuinely catchy death metal anthems. Packing a hefty wallop, the boisterous rhythms of Arvid Borg (drums) and Benjamin Andersson (bass) form a sturdy rhythmic backbone, coupled with a dynamic, crisp, though appropriately burly production, A solidly engaging listen, featuring a handful of cut above tunes, Grip of Ancient Evil remains a relatively safe listen, a step up from the previous album, but unable to match the band’s superior early work. Meanwhile, extra grime to dirty up their rather sanitary sound profile may have created a rustier edge and grittier sound.

Locking tightly into the confines of their established sound, Entrails refuse to budge from their old school ethos. While a predictability permeates each release, Grip of Ancient Evil features a little more pep and energy, ravenous hooks, and chunky, brutal edge to please longtime listeners and potentially reel in some new devotees. Nothing mind-blowing here, but Entrails reaffirm their status as an endearing, reliable force in the nostalgic old school Swedeath market, with an addictive, bone-crushing collection of grisly gems.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Hammerheart Records
Websites: entrails666.bandcamp.com | facebook.com/entrails666
Releases Worldwide: July 18th, 2025

#2025 #30 #Bloodbath #DeathMetal #Dismember #Entrails #FriendsOfHell #Grave #GripOfAncientEvil #HammerheartRecords #Morphetik #Nazghor #Nifelheim #OldSchoolDeathMetal #Review #Reviews #SwedishMetal

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#Metal
11 Best Swedish Black Metal Albums of the 2000s
Help us spread the plague of True Swedish Black Metal worldwide! Continue reading…

https://loudwire.com/best-swedish-black-metal-albums-2000s/

#SwedishBlackMetal #Bathory #Mayhem #Morbid #Nifelheim #Silencer #Quorthon #PelleOhlin #Dead #Sweden

Die neue #Hellbutcher bringt meine Gefühle während der Arbeit ganz wunderbar auf den Punkt.

https://tidal.com/browse/track/346947431?u

#metal #nifelheim #diefrisursitzt

Hellbutcher - Violent Destruction

Listen to Violent Destruction on TIDAL

Music on TIDAL

Hellbutcher absolutely insist you do everything at 1000mph on #ThrashThursday

Full album link on Bandcamp: https://hellbutcherband.bandcamp.com/album/hellbutcher

FFO #Nifelheim #Bathory #Hellripper and #AuraNoir

Hellbutcher, by HELLBUTCHER

8 track album

HELLBUTCHER

Hellbutcher – Hellbutcher Review

By GardensTale

In the 90’s, Nifelheim was a significant player in the burgeoning Swedish black metal scene, keeping a torch lit for the old school thrash-led sound. The band was founded by two brothers, who employed the stage names Tyrant and Hellbutcher, with the latter taking vocal and frontman duty. Though Nifelheim’s on apparently permanent hiatus, Hellbutcher hasn’t been so idle, recently lending his talents to Friends of Hell and cruising around with Dead Kosmonaut a few years ago. But it’s clear the man is tired of messing around. His new band is eponymous, the logo looks like a logical continuation of Nifelheim’s, and the clown car of highly talented and respected musicians could be called a supergroup if it weren’t so laser-focused on the frontman. Necrophiliac of Mordant on guitars, Eld of Gaahl’s Wyrd, Aeternus and others on bass, long time Unleashed member and Dead Kosmonaut buddy Fredrik Folkare on guitars, and none other than Martin Axenrot1 (Bloodbath, Opeth, Witchery and others) behind the kit. But supergroups have a way of disappointing; does Hellbutcher avoid the curse by not calling itself one?

And how! Hellbutcher and friends have crafted an absolute spitfire of an album, a black-thrash masterclass that puts a brick on the gas pedal of the Devil’s personal hellfire-powered chariot. Once the heroic intro of “The Sword of Wrath” finishes, a cavalcade of sharp riffs bursts forth like an unleashed pack of wolves with rocket boosters strapped to their backs, and they remain hungry and fuelled for the entire runtime of Hellbutcher. Hellbutcher leads the charge, of course, and his raw, raspy scream strikes the perfect balance between evil and demented yet coherent and intelligible. The Axe does what the Axe does best; beating an incredibly diverse array of playstyles out of his kit, with dynamics and precision to spare, whether it’s straight blasting or flitting from rolls to gallops to triplets. The superb bass gets far more room than your average black metal band is willing to offer, and the guitar duo weaves an ongoing tapestry of kickass riffs.

Two things stand out from Hellbutcher. One, the band is clearly having an absolute blast. The sense of fun is infectious, from the theatrical camp of the vocals to the out of control riff-fests. “Perdition” changes its pacing with alarming irregularity and “Hordes of the Horned God” sounds like Maiden possessed by demons, both exemplifying the ‘fuck it, let’s ball’ attitude. And two, this line-up sounds tighter than most bands with a half-dozen albums under their belt. All the musicians here being long-time professionals, a number of whom have played together before, is of course a big boon. But as any sports fan who’s seen a team of all-stars falter on the field knows, synergy can be a fickle bitch.

The electrifying wild energy of the front half doesn’t quite make it into the back, however. It loses a bit of the unpredictability, especially on “Death’s Rider” and “Possessed by the Devil’s Flames.” The latter even re-uses the chorus structure of the superior “Perdition,” furthering the nagging ‘yes, it’s great, but.’ Don’t get me wrong; even the back half sounds vastly superior to most black thrash acts today. “Satan’s Power” is a rollercoaster that draws from across the entire metal spectrum, and despite the predictability, I love the black ‘n roll rhythms of “Death’s Rider.” The production is spot-on as well, sporting a warm yet vicious master and excellent mix.

Hellbutcher’s Hellbutcher has created a gobsmacking debut with Hellbutcher. Melodic, dynamic, snappy, lean and mean, this is what classic black thrash is supposed to sound like. It’s a rambunctious ride of gleeful, campy evil that seems to prioritize fun above all else, yet is every bit as tight as a high-strung tech death album. If you feel disappointed at the score below, know that this was right up to the edge of the big four-oh, held back only by a slight watering down in the second half, and I might still regret it later. Either way, I certainly cannot wait for what Hellbutcher and his pals get up to for Hellbutcher 2: The Butchering.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records
Websites: hellbutcherband.bandcamp.com | hellbutcher.com | facebook.com/hellbutcherband
Releases Worldwide: May 31st, 2024

#2024 #35 #Aeternus #BlackMetal #Bloodbath #DeadKosmonaut #FriendsOfHell #GaahlsWYRD #Hellbutcher #IronMaiden #May24 #MetalBladeRecords #Mordant #Nifelheim #Opeth #Review #Reviews #SwedishMetal #ThrashMetal #Unleashed #Witchery

Hellbutcher - Hellbutcher Review | Angry Metal Guy

A review of Hellbutcher by Hellbutcher, available May 31st worldwide via Metal Blade Records.

Angry Metal Guy

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#BraveWords
HELLBUTCHER Premier "Inferno's Rage" Music Video
Hellbutcher is pleased to unleash their fiery new video for "Inferno's Rage". The track comes by way of the band's self-titled debut, released last Friday via Metal Blade Records. As the frontman of legendary Swedish maniacs Nifelheim, Hellbutcher stands among the most elite figures of the black metal underground...

https://bravewords.com/news/hellbutcher-premier-inferno-s-rage-music-video

#Hellbutcher #Nifelheim #BlackDeath #HeavyMetal

HELLBUTCHER Premier "Inferno's Rage" Music Video

Hellbutcher is pleased to unleash their fiery new video for "Inferno's Rage". The track comes by way of the band's self-titled debut, released last Friday via Metal Blade Records. As the frontman of legendary Swedish maniacs Nifelheim, Hellbutcher stands among the most elite figures of the black metal underground...

bravewords.com

Friends of Hell – God Damned You to Hell Review

By Steel Druhm

Back in 2022, a tongue-in-cheek project by members of Reverend Bizarre and Electric Wizard was introduced to the world. Going by the name Friends of Hell (a not-so-subtle call out to Witchfinder General’s sophomore opus), they played classic 80s doom in the vein of Pentagram, Saint Vitus, and of course, Witchfinder General. It was a loving homage to a specific era and sound and the somewhat goofy, overblown delivery was balanced out by slick riffs and the one-of-a-kind vocals of Albert Witchfinder (Reverend Bizarre). It was entertaining but it wasn’t a must-hear kind of article. 2024 sees Friends of Hell back with a greatly overhauled lineup and without the talents of Albert Witchfinder. In his place is Per “Hellbutcher” Gustavsson of Nifelheim and Necrocurse fame. Can this new crew provide classic doom chills and thrills? Let’s get down in the Devil’s business.

It turns out Hellbutcher is a good fit for what Friends of Hell do this time out. The opening title track is burly and punchy and the riffs flow rough and ready, giving the song a tough, biker doom vibe over which Mr. H. Butcher shouts, sneers, and croons like a man possessed. It’s a weird mash-up of Pentagram and Cathedral and just heavy enough to convince. The Friends lean harder into their Cathedral affections on “Gran Inquisitor” which could have appeared on any of the better Lee Dorrian-led outings with big riffage laying the foundation for odd vocalizing and eldritch mood conjuring. I love when Butcher gravely intones “Evil witch!” with a palpable disgust that would make even Matthew Hopkins himself proud. “Bringer of Evil” injects a trve metal energy akin to Vigigoth and Argus and it works surprisingly well, getting my sword hand twitching and making me want to mete out justice and wengeance. Hellbutcher does a fine job inspiring bloodlust and glory and the guitar play by new slingers Beelzeebubth (Mystifier) and Nikolas Moutafis (Solitary Sabred, Mirror) is rock solid. The requisite Black Sabbath debts are paid on “Snakes Not Sons” which sounds like something off of Sabbath Bloody Sabbath. The leads are pure Iommi and you can easily imagine Ozzy singing this.

The standout moment hits with “Cross Inverter” which is just big stupid fun, dragging classic doom tropes into lusty over-exaggeration as Hellbutcher goes all in. It’s like the most bombastic moments of early Saint Vitus and also reminds me of the over-the-top bits of Briton Rites’ greatly underappreciated debut. The chorus is good fun and there are killer harmonies and leads to marinate in. Elsewhere, “Let the Devil Take You” manages to cram in a vague Mercyful Fate flavor. There are no duds here, though not every song will crush you under its steel boot. “Arcane Macabre” and “Ave Satanatas” are decent but not essential, and closer “All the Colors of the Dark” runs 2 minutes too long. At a reasonable 46 minutes, God Damned You to Hell is an easy, breezy spin with only a few moments that lag.

I was disappointed to learn Albert Witchfinder was no longer friends with Hell since I’ve always had a soft spot for his wonky, weirdo vocals. Hellbutcher’s enthusiastic efforts quickly won me over, however, and it turns out he’s an excellent fit for the Friends of Hell modality. He’s surprisingly versatile and can sing in the classic doom style better than you’d expect. Naturally, he hams it up like Easter dinner but that’s a big part of the fun. I’m also impressed by the guitar tandem of Beelzeebubth and Nikolas Moutafis. They do justice to the early 80s doom sound and pepper each song with catchy riffs, and their harmonies and solos are also quite striking. They even toss in little surprises like the Darkthrone-esque accents on “All the Colors of the Dark.”

I didn’t expect a whole lot from God Damned You to Hell, but I enjoy it a bit more than the debut. The style Friends of Hell pay homage to lacks a large demographic these days, but for folks who grew up with it, this will trigger all kinds of nostalgic tingles and tickles. If you enjoy the old Saint Vitus and Pentagram platters, this is a no-brainer. If you need more doom in your life regardless of era, you should become friends with Friends of Hell. It would be wise, my friend.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Rise Above
Website: instagram.com/friends.of.hell.official
Releases Worldwide: April 5th, 2024

#2024 #30 #Apr24 #Cathedral #DoomMetal #FriendsOfHell #GodDamnedYouToHell #InternationalMetal #Necrocurse #Nifelheim #Pentagram #ReverendBizarre #RiseAboveRecords #SaintVitus

Friends of Hell - God Damned You to Hell Review | Angry Metal Guy

"Back in 2022, a tongue-in-cheek project by members of Reverend Bizarre and Electric Wizard was introduced to the world. Going by the name Friends of Hell (a not-so-subtle call out to Witchfinder General's sophomore opus), they played classic 80s doom in the vein of Pentagram, Saint Vitus, and of course, Witchfinder General. It was a loving homage to a specific era and sound and the somewhat goofy, overblown delivery was balanced out by slick riffs and the one-of-a-kind vocals of Albert Witchfinder (Reverend Bizarre). It was entertaining but it wasn't a must-hear kind of article. 2024 sees Friends of Hell back with a greatly overhauled lineup and without the talents of Albert Witchfinder." Friends and Hell wishers.

Angry Metal Guy

This weekend, HeathenStorm Productions are proud to escort Sweden’s Mean Filth Riders, Crank, to their debut UK shows.

Featuring members of Nifelheim and Deströyer 666, they will headline their Heavy Biker Rock at London’s infamous Cart and Horses this Friday, followed by a sly opening slot at The Gryphon in Bristol on Saturday.

CRANK ( Members Of Nifelheim & Destroyer 666 ) + IMPERIUM + DESOLATOR | Facebook

INHUMAN NATURE, NINTH REALM (USA), BETRAYERS, & CRANK (SWEDEN) @ THE GRYPHON | Facebook

So come along, grab a beer (or twelve), and listen to Rock and Roll as it’s supposed to be played. Loud and Dirty!

https://heathenstorm.com/2023/10/31/riding-out-into-the-night/

#bikerrock #cartandhorses #crank #destroyer666 #driving #nifelheim #thegryphon #tour

Mean Filth Riders, by CRANK

5 track album

CRANK