Spamming growth is considered an unfair tactic.

For https://www.furaffinity.net/user/skyelu

#minkart #furry #furryart #macrofur #macro #destruction #city #treecko #pokemon #stomp #growth #male

10 motivos contundentes para que la comunidad de Sonidos Ocultos no se pierda el asalto de Tankard en la Blondie: | vía #SonidosOcultos

https://www.sonidosocultos.com/noticia/10-motivos-contundentes-para-que-la-comunidad-de-sonidos-ocultos-no-se-pierda-el-asalto-de-tankard-en-la-blondie/

#alemania #chargolaprod #clubblondie #destruction #kreator #livechile #sodom #t2026 #tankard #thrashmetal #bigfour

Thrash—my first love. Before I worshipped at the altars of black and death, my masters cloaked themselves in denim and set my soul on fire with aggressive speed, snotty rebellion, and fist-pumping anthems. Like 2016, the godfathers of thrash have already made the last twelve months a resurgence of the old school, with varying degrees of success.1 Newer acts have also made a splash, with Cryptic Shift and Zerre wickedly pummeling our poor score counter into requesting early retirement.2 2026 at large betrays no signs of relenting, and thankfully, neither does thrash. Ten years after dropping their 2016 debut, The Unholy Trinity, California’s Nukem reemerges with sophomore effort The Grave Remains. After such a long incubation period, does Nukem prove that they have what it takes to claw out from the grave?

Despite forming in 2012, Nukem oozes classic thrash spunk by blurring Bay Area melody with East Coast attitude and gang vocals. Death Angel, Nuclear Assault, and Overkill3 influences punctuate The Grave Remains’ twelve tracks, although flashes of a dozen other bands course through Nukem’s veins. Guitarist/vocalist Steve Brogden’s snarls remind me of Warbringer’s John Kevill mixed with a more pissed-off Mark Osegueda, delivering serrated crossover barks with conviction. Rob Cavestany even makes a guest appearance on “Into the Kill Zone,” cementing the Death Angel frame of reference. Exodus staples Gary Holt and Lee Altus also sling some riffs on “Empress of Evil” and “Don’t Believe a Word” respectively, the latter of which is a Thin Lizzy cover. In total, Nukem blends a multitude of inspirations into a confluence of so many thrash wellsprings that they precipitate a voice at once familiar and distinct.

The Grave Remains by Nukem

Nukem plays infectiously fun thrash that overflows with shout-along choruses and a bass tone so plump and meaty that it quickly became my favorite aspect of The Grave Remains. Brogden’s guitars flit, chug, and cajole throughout the forty-nine minutes, yet bassist Don Lauder steals the spotlight time and again. From the slinky rumble in “Unconditional Surrender” to the coquettish interplay in “Empress of Evil,” Lauder’s bass bounces and parades with low-end jubilance. “Torture, Murder, Mutilate!” and “Random Acts of Violence” further emphasize the bass while showcasing Nukem’s six-string attack, with Xander Gambini augmenting Brogden’s core. Additionally, ex-Nukem axe-wielder (and current Dark Angel guitarist) Laura Christine joins her former bandmates and Gary Holt on “Empress of Evil,” while “Random Acts of Violence” includes an appearance from Russ Tippins (Satan and Tanith). Drummer Norm Leggio rounds out the rhythm section, ably pounding out rolls, fills, and tight rhythms in support of Nukem’s well-crafted performances.

Nukem executes thrash with the eager verve of a hungry up-and-comer, but a couple of missteps limit The Grave Remains’ ceiling. While the riffs are fine when experienced in isolation, as a whole, they often lack the hooks or memorability to distinguish themselves from one another. The Grave Remains shines brightest during bass performances and rousing choruses, but those two alone can’t support an entire thrash album. This issue wouldn’t be as glaring if the track lengths were shaved down, but as-is, only two songs (besides needless instrumentals) stay under the four-minute mark, and one of those is a cover. Repeat spins reinforce the opportunity to trim thirty to sixty seconds off several tracks, which would help punch up The Grave Remains and leave listeners craving MOAR. On a positive note, the production glows with a well-balanced mix that supplies ample room for each instrument, and Nukem’s earnest embrace of head-banging gusto guarantees I’m never having a bad time.

Ultimately, Nukem offers a classic thrash platter with a few blemishes I can see, yet easily look past. The Grave Remains won’t change the landscape of the genre, but fans will find plenty to enjoy, and despite the melting pot of references, Nukem manages to claim their spot within thrash’s wing of the metalsphere. Songs like “Unconditional Surrender” and “Curse of the Devil’s Bible” are welcome earworms that have found homes in my playlists, and I look forward to the next time Nukem asks us to come get some.

Rating: Good
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: April 10th, 2026

Destruction at The Belasco on April 9th, 2026, by Don Adkins. #destruction @destruction

https://slrmagazine.com/2026/04/13/destruction-at-the-belasco-on-april-9th-2026-by-don-adkins/

Freedom of movement and freedom to stay
Entitlement and the Urge to Destroy

* " As the habitable areas of the Earth shrink under climate change and as many governments around the world adopt measures to deport migrants and refugees, it is time to re-examine our traditional notion of freedom. In the Western tradition, freedom is generally understood in relation to space: it is the freedom of movement, and the freedom not to be obstructed in one's movement by the state or anyone else. In The Freedom to Stay, von Redecker puts forward the radical argument that we should think of freedom in temporal rather than spatial terms."
The Freedom to Stay. Eva von Redecker >>
https://www.politybooks.com/bookdetail?book_slug=the-freedom-to-stay--9781509574292

* "The core of fascism is an unleashed logic of property. Its counterparts are not people, but things; its enemies are not opponents, but thieves."

The New Fascism. Entitlement and the Urge to Destroy, Eva von Redecker >>
https://www.fischerverlage.de/verlag/rights/book/eva-von-redecker-dieser-drang-nach-haerte-9783103977240
#property #liberalism #NewFascism #EcologicalFreedom #ClimateCrisis #habitability #RightToStay #entitlement #destruction #TemporalLiteracy #mobility #freedom #theory #books

Thrash Of The Titans hit Los Angeles on April 9th with Testament, Overkill, and Destruction.

From classic cuts to new material, the night delivered a solid dose of old-school thrash.

Full photos/review: https://metalinsider.net/photos/photos-review-testament-tear-through-la-on-4-9-2026-w-overkill-destruction

#Testament #Overkill #Destruction #ThrashMetal #Metal #LiveMusic #ConcertReview

The United States is destroying itself - Rebecca Solnit

"Although there are far worse things about the utterly gratuitous and literally unjustified war on Iran, the fact that it burns through billions a day is striking, given that huge cuts are being made to environmental protection and national parks, and the forest service is being effectively sabotaged, while public lands are being offered up to fossil fuel companies and mining interests. The forest service headquarters are being moved across the country, which will probably cause many resignations, like the similar move of the Bureau of Land Management in Trump’s first term. More than 50 forest service research stations are being cut, meaning more loss of irreplaceable ongoing research, data, facilities and staff." >>
https://www.theguardian.com/commentisfree/2026/apr/12/united-states-trump-destruction

The list rings a bell...

#destruction #environment #conservation #biodiversity #PublicLands #FossilFuelIndustry #FossilFuels #climate #NationalParks #forests #science #democracy #UltraWealthy #cutbacks #msm #extractivism #mining