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“I wanted to call it Taylor’s Version. I lobbied very much to the record company”: As Taylor Swift finally takes ownership of her original master recordings, John Fogerty has re-recorded 20 of his greatest songs, note-for-note
#TaylorSwift #JohnFogerty #RecordCompany #MasterRecordings #Springsteen #MusicRadar #Beatles #Antonoff #EVH #Mick
Beat magazine offers €9 annual subscription for Future & Computer Music readers https://rekkerd.org/beat-magazine-offers-e9-annual-subscription-for-future-computer-music-readers/
Future Music and Computer Music are discontinuing their magazines, as are various guitar magazines from MusicRadar. Quoting the chief editor „things change for music technology based publications“, so Future Music #414 will be the final issue ever.
Computer Music magazine to close after 25 years in print https://rekkerd.org/computer-music-magazine-to-close-after-25-years-in-print/
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"The biggest lesson I learned is that it’s possible to make an album with limited gear and poor skills in a bedroom which can be talked about 30 years later"
#KenIshii #ReferenceToDifference #MusicTech #ElectronicMusic #Techno
Flare (aka Ken Ishii), the techno god from Sapporo, tells us how about how the making of his 1994 techno classic was a personal game changer
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“I thought, ‘Man, I am so out of my depth here. This is like asking me to play basketball!’”: Rob Chapman recalls his trial by fire transcribing Yngwie for his debut session, and reveals what he learned about Malmsteen’s phenomenal picking speed
Chapman was thrown in at the deep end but he says there was much to learn from the session – about recording, managing expectations and the secret behind Yngwie's technique