Graufar â Via Necropolis Review
By Grin Reaper
Without question, Friday is my favorite day of the week. Even more tantalizing than the conclusion to an often grueling gauntlet of meetings, feedback, and GSD,1 Iâm blessed with metalâs new releases. Trying to listen to everything that comes out is a foolâs errandâluckily, Iâm a fool. During one of my customary Friday excursions, fortune smiled upon me when I stumbled onto Graufarâs sophomore opus, Via Necropolis. As I listened, the albumâs grooves, riffs, and passions bathed me in blackened deathly glory. My luck persisted through the morningâGraufarâs promo still lurked unclaimed in the bin. Yoink! Though I discovered Via Necropolis late, I was powerless to resist the call of a review, especially given the bandâs unsigned/independent status. Thus saddled with an unplanned bit of writing and a pocketful of tunes, let us sojourn down Necropolis way.
Too many blackened death metal bands present a mixed bag of half-measures.2 To me, the peak allure of the subgenre promises the brutality and technicality of death metal united with black metalâs icy atmospherics and raw aesthetics. The quintessentially boilerplate BDM band brews a tepid concoction featuring a death metal base with black metal spices; fortunately, Graufar averts getting mired in pedestrian trappings. Honing a sound established on debut Scordalus, Via Necropolis flaunts chilly trems, grating rasps, and a coat of corpse paint that betrays their blackened heart, and it beats with the blood of Dissection, Necrophobic, and Rimfrost. Death metalâs influence is more subtle, skulking in chugging grooves and vicious growls that blend in seamlessly.
ï»żVia Necropolis by Graufar
Though Graufarâs performances across Via Necropolis merit praise, vocalist Gernot Graf deserves special recognition. His scathing vocals loose misery and malevolence that arouse a primal reflex, making my throat twinge at the thought of snarling along. Tracks like âBlizzard and Blazeâ and âFoltertrogâ exhibit Grafâs penchant for wringing out every ounce of emotion, from vitriol to agony. Black metal rasps arenât his only trick, though. Graf roars with an insatiable fire on âCharonâ and âBuried in Flames,â devolving into bestial throes within âHeralds of Doomâ and âVia Necropolisâ and ensuring that his versatile performance never lacks conviction or fervor. Graf also plays guitar alongside Michael Herber, and together they fashion a glittering heap of licks, leads, and grooves. And itâs the latter that stands out the most, because while death metal regularly brandishes them, black metal rarely deigns to approve the groove. Meanwhile, âBuried in Flamesâ and âOn Your Kneesâ demonstrate Graufarâs shrewd understanding of songwriting, and bolstered by Thomas Buchmeierâs slinky bass and RenĂ© Hinumâs precision drumming, Via Necropolis positively thrums.
Throughout Via Necropolis, Graufar dazzles with their ability to conjure dynamic arrangements informed by influences. Kicking off with a Dissection-coded intro on âBlizzard and Blaze,â Graufar mingles with mellow cleans, slithers through second-wave savagery reminiscent of Mayhem,3 and even dabbles in throat-singing before ending back on the cleans. âHeralds of Doomâ features a fiery solo that cedes to a pit-ready sway, âVia Necropolisâ starts with a sleek Necrophobic-meets-Watain riff that builds to a doomy chorus played over rabid trems, and âOn Your Kneesâ bashes you in the face with a potent Sepultura groove.4 Despite Graufarâs administration of reference points galore, they never linger overlong on any one. The songwriting is deceptively understated, and although this works in Graufarâs favor as a whole, over repeated listens I find my engagement more attuned to Via Necropolisâs back half. Reordering the tracks (âBuried in Flamesâ would make a fantastic opener) and slightly trimming the longer ones would add an immediacy that brings some of the back-end boom up front.
All told, Graufar delivers a vibrant outing that boasts a refreshing take on blackened death teeming with wonderfully wicked ideas. Via Necropolis sizzles throughout its forty-two minutes and distinguishes the band as an act to watch. Considering both Graufarâs albums have been released independently, the band displays remarkable song craft and self-editing, and Via Necropolis gleams with talented musicians who forge well-crafted metal bangers. Better late than never, Iâm glad this gem didnât slip by.
Rating: Very Good!
DR: NA | Format Reviewed: WAV
Label: Self-Release
Websites: Website | Bandcamp | Facebook
Releases Worldwide: March 20th, 2026
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