Sir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte by John Renbourn released on Transatlantic Records in 1968.

Review by Bruce Eder

An instrumental album (originally called Sir John Alot of Merrie England) featuring John Renbourn with his Pentangle bandmate Terry Cox on percussion and Ray Warleigh on flute. Originally released in England in 1968, the same year that Pentangle started to record, Sir John Alot was steeped largely in English folk music. Highlights include "The Trees They Do Grow High" (aka "Long A-Growing"), solo guitar miniatures such as "Lady Goes to Church," the epic "Morgana," with its sharply nuanced tempo and timbre changes, and the sprightly "My Dear Boy."..

https://www.youtube.com/watch?v=l9HFxkr8abg&list=OLAK5uy_lTwgEENcm3DL2888TWIarsj9OS-8Tqf-0

#JohnRenbourn #TerryCox #Pentangle #FolkMusic #RayWarleigh #Music

Sweet Child is a 1968 double album by the British folk-rock band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson.

One disk of the double album was recorded at Pentangle's live concert in the Royal Festival Hall, which took place on 29 June 1968; the other was recorded in the studio. The material is the most wide-ranging of Pentangle's albums, including folk songs, jazz classics, blues, early music and Pentangle's own compositions. The album cover was designed by Peter Blake, better-known for his design of The Beatles' Sgt. Pepper's Lonely Hearts Club Band album.

In his retrospective review for Allmusic, Matthew Greenwald called the album, "probably the most representative of their work... In all, Sweet Child is an awesome and delightful collection, and probably their finest hour." - Wikipedia

https://www.youtube.com/watch?v=8c7wiiUDg4k&list=PL659Ne511y7CPrNxN_Jqh2ZOoOZkiiGkS&index=1

#Pentangle #TerryCox #BertJansch, #JacquiMcShee #JohnRenbourn #DannyThompson #PeterBlake #folkrock #folk #jazz #music

Had to pick this up when I saw it. I’m a big fan of Bert Jansch, and Bert & John collaborated many times. They are two peas from the same pod. I think I probably have all these tracks spread over several LPs but nice to have this sampler anyway. Again, a #HumminGuru clean was required.

I am once again in awe of the difference a sonic clean makes. My ears will never get used to it 😄

This one was from Truck Records in Witney. Not a charity shop, but a charity shop price!

#vinyl @vinylrecords #JohnRenbourn #folk #BritishFolk

The Pentangle is the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting.

By the time the album was produced, the members of Pentangle were already accomplished musicians, in their own fields, and had played together in various combinations. Jansch and Renbourn were recognised as solo artists and played together regularly, including their recording of the Bert and John album. McShee had sung folk and blues in pubs and clubs, and had recorded with Renbourn on Another Monday. Cox and Thompson were experienced session musicians and had played together in Alexis Korner's band. The album's liner notes were written by radio personality John Peel. - Wikipedia

https://www.youtube.com/watch?v=3xdwAwEKxjU&list=RD3xdwAwEKxjU&start_radio=1

#pentangle #bertjansch #johnrenbourn #JacquiMcShee #dannythompson #terrycox #folkrock #traditionalsongs

Free download codes:

Manoel Macía - EL OLVIDO

"'This music is a labyrinth that grows larger with every attentive listen. There are no answers, only questions.'"

https://getmusic.fm/l/WXDj9H

#instrumental #progrock #stevehackett #anthonyphillips #bertjansch #acousticgtr #johnrenbourn #music

Ted Tocks Covers

Nobody’s Fault But Mine

Originally posted on July 7, 2021

On this day 45 years ago, #JohnBonham and the original incarnation of #LedZeppelin performed live for the final time.

“Devil he told me to roll
The devil he told me to roll-oll-oll, oh
How to roll the log tonight
Nobody's fault but mine”

#blindwilliejohnson #johnrenbourn #paulbutterfieldbluesband #ninasimone #blindboysofalabama #lucindawilliams #rycooder #jimmypage  #robertplant

https://tedtockscovers.wordpress.com/2021/07/07/nobodys-fault-but-mine-tracing-a-significant-date-in-music-history-from-a-blues-and-gospel-legend-to-one-of-the-best-drummers-ever-musicislife-tedtockscovers-ledzeppelin-blindwilliejohnson-j/

Nobody’s Fault But Mine – Tracing a significant date in music history from a blues and gospel legend to one of the best drummers ever. #MusicisLife #TedTocksCovers #LedZeppelin #BlindWillieJohnson #JohnRenbourn #PaulButterfieldBluesBand #NinaSimone #BlindBoysofAlabama #LucindaWilliams #RyCooder #JohnBonham #JimmyPage #RobertPlant

Today is a significant day in music history. I will get you there eventually, but the story begins all the way back in December of 1927. Read along, because this is an interesting journey. Like so …

Ted Tocks Covers

Bert and John is an album by the folk musicians Bert Jansch and John Renbourn, released in 1966. The two would later play together in the group Pentangle.

Bert & John Review by Dean McFarlane

"One of the long-standing collaborations of the British folk revival, Bert Jansch and John Renbourn's Bert and John sees the masterful Pentangle guitarists sparing together through their trademark steel-string guitar styles. Their respective solo careers established them both as leading troubadours of British Isles folk, with little debate and few peers, besides maybe Wizz Jones and Ralph McTell. On this album the duo finds good company in each other's techniques, which are quite indistinguishable in both guitar playing and singing through traditional adaptations, blues, and originals in the Anglo-folk style. The duo plays beautifully together in a candid setting."

https://www.youtube.com/watch?v=uiJIas9EmQs&list=OLAK5uy_kVU5TVCTFrrT8fISr-hxWe8oCTljRcSCw

#bertjansch #johnrenbourn #folk #britishfolk #1966inmusic #pentangle

Another Monday Review by Richie Unterberger

Renbourn's second album was very much in character with many of the records he would release throughout the rest of his career, the only difference being that his approach here was perhaps somewhat more tentative..His inclination toward early music is evident on "Ladye Nothinge's Toye Puffe" and "One for William," the latter of which also features oboe. More typically, though, he drifted into the blues idiom, two of the standouts being his interpretation of the oft-covered "I Know My Babe" (more frequently titled "I Know You Rider" when recorded by other artists) and his bottleneck playing on "Nobody's Fault but Mine." For Pentangle fans, the album is especially interesting for the recording debut of Jacqui McShee as accompanying vocalist on three numbers, although her singing is far more subordinate and less assertive than it would be in Pentangle.

https://www.youtube.com/watch?v=KSRI-8LLjrs&list=PLR0cPx2F1gb3EYn1-cYAD1Gxl59MNnzo8&index=1

#johnrenbourn #jacquimcshee #pentangle #folkmusic

Jack Orion is the third album by Scottish folk musician Bert Jansch, released in 1966. It contains a number of traditional songs, including the epic "Jack Orion": a ten-minute adaptation of the Child ballad "Glasgerion" which tells of a court fiddler’s attempt to seduce a countess and his servant's treachery in successfully impersonating him. A number of songs are performed with friend and fellow guitarist John Renbourn, who would later join him in the group Pentangle. "The Waggoner’s Lad" has Jansch unusually playing the banjo with Renbourn supplying the guitar part. - Wikipedia

https://www.youtube.com/watch?v=uElI_9WRG0E

#bertjansch #britishfolk #scottishfolk #johnrenbourn #1966inmusic #jackorion #traditionalsongs #childballad

John Renbourn Review by Chris Nickson

John Renbourn's famous phrase was that "I started out trying to play like Big Bill Broonzy, and I'm still trying."..But as a player, Renbourn had already very much developed into his own man, imaginative and complete in technique ...Also in evidence is his love of early music, such as "Song," whose lyrics come from a John Donne poem, or his own "Plainsong." He'd already met up with fellow guitar player Bert Jansch, with whom he'd record and form Pentangle, and together they wrote "Noah and Rabbit." While hardly the greatest singer, there's an appealingly earnest quality to his voice, although he sounds a little strained on a cover of the folk classic "Blues Run the Game" (another bonus cut on the reissue). As debuts go, you'd be hard pressed to find anything much better in the folk cauldron that was London in the mid-'60s. The genesis of a master.

https://www.youtube.com/watch?v=FIlgb0CTCnU&list=PLTpgOVnsRax3-KB0UT7YUAF3YGN_9o9k-&index=2

#johnrenbourn #folkmusic #debutLP #1965inmusic