Aqui Está O Bola Sete by Bola Sete released in 1957 by Odeon.
"...Bola Sete's debut, Aqui Esta O Bola Sete, originally released in 1957...Sete counted among his admirers and fans such disparate legends as Dizzy Gillespie and John Fahey, and one listen to this masterful debut will tell you why." Red Zeppelin Records
https://www.youtube.com/watch?v=XE36_etX9lM&list=RDXE36_etX9lM&start_radio=1
Marianne Faithfull is the debut studio album by English singer Marianne Faithfull. It was released simultaneously with her album Come My Way on 15 April 1965 by Decca Records. The double release was a result of different creative directions. While the record label pressed Faithfull to record a pop album, she wanted to record an album of folk songs. Even after the label suggested an album containing both genres, Faithfull decided to make two separate albums instead; Marianne Faithfull as the pop album and Come My Way as the folk album. - Wikipedia
https://www.youtube.com/watch?v=c-jJ1BUovLQ&list=PLzGotn8LeP0cMwe675D66hy4kYdg7Bkaf&index=1
The Animals is the self-titled debut album by the British R&B/blues rock band the Animals. It was released in the United Kingdom on 6 November 1964 on EMI's Columbia Records
Review by Bruce Eder
The group's U.K. debut long-player, containing -- in the custom of the time in England -- not one of their singles up to that point, including "House of the Rising Sun." Apart from "Story of Bo Diddley" (which is, itself, heavily steeped in conventions out of Bo Diddley's repertory), everything here is a cover of traditional blues and R&B material, ..For adult orientation, The Animals is roughly on a par with the Rolling Stones' debut LP (though that album is also more fun). The group would do better in the future in a less stiff and intense posture, but this is a strong debut.
https://www.youtube.com/watch?v=okO1uWXICg0&list=PL42Yxei0XI0ETXbwmM8eoasNKHiIhXYGQ&index=1
#TheAnimals #EricBurdon #BeatmUsic #Mod #Blues #BritishInvasion #Music #DebutLP #AlanPrice
Take A Ride... by Mitch Ryder & The Detroit Wheels, released in 1966 on New Voice Records
Review by Cub Koda
The debut album of Ryder and the Wheels, fresh from the teenage ballroom circuit in Detroit, where they held court in earlier days as Billy Lee & the Rivieras. One of the defining moments in the history of Motor City music, Take a Ride is the sound of poor White kids claiming the music as theirs, too, while infusing it with the manic energy of the color-blind dreams of anybody who ever wanted to be somebody. Built entirely around their stage act, this album captures a band in full cry at the peak of their powers. This is what they mean when they say the words "high-energy Motor City rock & roll."
https://www.youtube.com/watch?v=RSMOl21Fy-o&list=PLVZbPSE4nfiuTjFWu7gKaVB7H6JD-IMEA&index=1
#MitchRyder #DetroitWheels #Detroit #RocknRoll #Music #DebutLP #MotorCity
Meet the Supremes is the debut studio album by the Supremes, released in late 1962 on Motown.
Stevie Chick of The Guardian, listed "Buttered Popcorn" as one of the best 10 Supremes songs. Chick expressed that Ballard was 'A bold, big-voiced belter' and described the song as 'A piece of raw, ribald soul lacking the polish that gilded their [The Supremes'] later hits'. Also, 'Ballard growls salaciously on Buttered Popcorn that her boyfriend “likes it greasy, and sticky, and salty, and gooey”, a knowingly saucy performance that somehow escaped the interference of Motown's infamous Quality Control department.' - Wikipedia
https://www.youtube.com/watch?v=hsRDADQk7KM&list=OLAK5uy_k_M0chweLmybC6nKqsKqx84yu0qrdrFgc
#TheSupremes #DianaRoss #Motown #SmokeyRobinson #Soul #60spop #Music #DebutLP #FlorenceBallard #MaryWilson #BarbaraMartin #TheFunkBrothers
Neil Young is the debut studio album by Canadian/American musician Neil Young following his departure from Buffalo Springfield in 1968, issued on Reprise Records..
Rolling Stone wrote "in many ways, a delightful reprise of that Springfield sound done a new way" - Wikipedia
https://www.youtube.com/watch?v=v90dPbrlM_c&list=PLMxy067kbpQgEfmQBWDNEK1I_j5-lo6Ly&index=1
#NeilYoung #JackNitzsche #RyCooder #DavidBriggs #CarolKaye #SingerSongwriter #DebutLP #Music #FolkRock #CountryRock
Ended Tuesday and welcomed Wednesday a walk in the rain with Arbor by Greg Davis, released on Carpark Records in 2002.
Pitchfork wrote in a contemporary review:
" The opening track alone, "Submersion Tank Part One (V.2)," justifies the record's release and makes for a gorgeous introduction into Greg's world of escapist musical montage. Here-- and nearly everywhere else on the album-- he employs deftly struck vibraphones, small flourishes of muted white noise, and the occasional interjection of computer-generated beeping as foundation for his valium-induced haze of sound. Elsewhere, the album's title track finds Greg plucking out a desperate and unadorned acoustic melody for nearly nine minutes. And in fact, the song manages to remain engaging for the majority of its duration."
https://pitchfork.com/reviews/albums/2188-arbor/
https://gregdavis.bandcamp.com/album/arbor
https://www.youtube.com/watch?v=aceSAdjS0aI&list=OLAK5uy_mj1f3jSgIX-lNgbh7xHPB84JZmIF5gQQk
Opal by Embryo, released on Ohr in 1970.
...their debut album released in 1970 which caused none other than Miles Davis to describe them as "crazy creative musicians playing really weird stuff"
Embryo's band leader Christian Burchard (drummer/percussionist) was at the time hanging out with the Amon Duul commune of freaks who had a symbiotic influence on each other's music.. I love Edgar Hoffman huge electric-violin and sax work here which really brings home the fusion of jazz and psych elements that they were intending to explore. Best way to maybe describe this album would be to imagine a sax playing fusion- era Miles Davis, aka Bitches Brew, with a touch of Can and Amon Duul II tossed into the equation. The album is a drastic fusion of rock, jazz, blues, soul and psychedelia and is a true milestone in the genre of psychedelic progressive rock." - Soundohm
https://www.youtube.com/watch?v=H-Z_SG6FmaI&list=RDH-Z_SG6FmaI&start_radio=1
#Embryo #JazzRock #Krautrock #Cosmishe #Music #ChristianBurchard #Psychedelia #DebutLP
Bamnan and Slivercork is the first studio album by the US rock band Midlake, released in 2004 to positive reviews.
Bamnan and Slivercork Review by William Ruhlmann
...Their influences are clear; like so many others, they are obsessed by the early psychedelic pop days of 1966-1967. Bamnan and Slivercork sounds like a group of musicians trying to remake Pet Sounds and Sgt. Pepper's Lonely Hearts Club Band with toy instruments on a portable cassette recorder, that is, with even more impressionistic lyrics. It's a pose that requires the listener to be in on the joke. And now that you've been forewarned, you can go ahead and appreciate it for its offbeat charm.
https://www.youtube.com/watch?v=2L1V2vK-TxA&list=OLAK5uy_kIild3woV5rrxdMKsheAd-oXhV52A46OA
Len Parrot's Memorial Lift by Baxter Dury, released by Rough Trade in 2002.
Len Parrot's Memorial Lift Review by MacKenzie Wilson
Baxter Dury doesn't follow his dad's lead into quirky punk rock, for his debut album, Len Parrot's Memorial Lift, is a disheveled mix of space rock aesthetic -- misty guitar layers and lingering piano drops swirl around Dury's childhood storybook of being middle class in a posh celebrity world. It's quite clever and imaginative, really. Dury's delicate vocals come to a near-whisper -- certainly not a match for his father's cockney growl -- but set the tone for a wistful set of songs....While the first half of the album flows with a gauzy atmosphere, "Gingham Smalls 2" switches tempo, befooling his English upbringing in a humorous pub rock romp. Len Parrot's Memorial Lift is a meaningful piece of work from Dury Jr., an experimental effort full of professionalism and an original artistic sense...
https://www.youtube.com/watch?v=Y_kwj7k86z0&list=PLRjT5cHkwr3CGblqwHsL4bbYPVQAYoYBR&index=1
Andi Chorley