Caroline's Tune

Sir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte by John Renbourn released on Transatlantic Records in 1968.
Review by Bruce Eder
An instrumental album (originally called Sir John Alot of Merrie England) featuring John Renbourn with his Pentangle bandmate Terry Cox on percussion and Ray Warleigh on flute. Originally released in England in 1968, the same year that Pentangle started to record, Sir John Alot was steeped largely in English folk music. Highlights include "The Trees They Do Grow High" (aka "Long A-Growing"), solo guitar miniatures such as "Lady Goes to Church," the epic "Morgana," with its sharply nuanced tempo and timbre changes, and the sprightly "My Dear Boy."..
https://www.youtube.com/watch?v=l9HFxkr8abg&list=OLAK5uy_lTwgEENcm3DL2888TWIarsj9OS-8Tqf-0
#JohnRenbourn #TerryCox #Pentangle #FolkMusic #RayWarleigh #Music
Sweet Child is a 1968 double album by the British folk-rock band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson.
One disk of the double album was recorded at Pentangle's live concert in the Royal Festival Hall, which took place on 29 June 1968; the other was recorded in the studio. The material is the most wide-ranging of Pentangle's albums, including folk songs, jazz classics, blues, early music and Pentangle's own compositions. The album cover was designed by Peter Blake, better-known for his design of The Beatles' Sgt. Pepper's Lonely Hearts Club Band album.
In his retrospective review for Allmusic, Matthew Greenwald called the album, "probably the most representative of their work... In all, Sweet Child is an awesome and delightful collection, and probably their finest hour." - Wikipedia
https://www.youtube.com/watch?v=8c7wiiUDg4k&list=PL659Ne511y7CPrNxN_Jqh2ZOoOZkiiGkS&index=1
#Pentangle #TerryCox #BertJansch, #JacquiMcShee #JohnRenbourn #DannyThompson #PeterBlake #folkrock #folk #jazz #music
Had to pick this up when I saw it. I’m a big fan of Bert Jansch, and Bert & John collaborated many times. They are two peas from the same pod. I think I probably have all these tracks spread over several LPs but nice to have this sampler anyway. Again, a #HumminGuru clean was required.
I am once again in awe of the difference a sonic clean makes. My ears will never get used to it 😄
This one was from Truck Records in Witney. Not a charity shop, but a charity shop price!
The Pentangle is the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting.
By the time the album was produced, the members of Pentangle were already accomplished musicians, in their own fields, and had played together in various combinations. Jansch and Renbourn were recognised as solo artists and played together regularly, including their recording of the Bert and John album. McShee had sung folk and blues in pubs and clubs, and had recorded with Renbourn on Another Monday. Cox and Thompson were experienced session musicians and had played together in Alexis Korner's band. The album's liner notes were written by radio personality John Peel. - Wikipedia
https://www.youtube.com/watch?v=3xdwAwEKxjU&list=RD3xdwAwEKxjU&start_radio=1
#pentangle #bertjansch #johnrenbourn #JacquiMcShee #dannythompson #terrycox #folkrock #traditionalsongs
Free download codes:
Manoel Macía - EL OLVIDO
"'This music is a labyrinth that grows larger with every attentive listen. There are no answers, only questions.'"
#instrumental #progrock #stevehackett #anthonyphillips #bertjansch #acousticgtr #johnrenbourn #music
Ted Tocks Covers
Nobody’s Fault But Mine
Originally posted on July 7, 2021
On this day 45 years ago, #JohnBonham and the original incarnation of #LedZeppelin performed live for the final time.
“Devil he told me to roll
The devil he told me to roll-oll-oll, oh
How to roll the log tonight
Nobody's fault but mine”
#blindwilliejohnson #johnrenbourn #paulbutterfieldbluesband #ninasimone #blindboysofalabama #lucindawilliams #rycooder #jimmypage #robertplant
Today is a significant day in music history. I will get you there eventually, but the story begins all the way back in December of 1927. Read along, because this is an interesting journey. Like so …
Bert and John is an album by the folk musicians Bert Jansch and John Renbourn, released in 1966. The two would later play together in the group Pentangle.
Bert & John Review by Dean McFarlane
"One of the long-standing collaborations of the British folk revival, Bert Jansch and John Renbourn's Bert and John sees the masterful Pentangle guitarists sparing together through their trademark steel-string guitar styles. Their respective solo careers established them both as leading troubadours of British Isles folk, with little debate and few peers, besides maybe Wizz Jones and Ralph McTell. On this album the duo finds good company in each other's techniques, which are quite indistinguishable in both guitar playing and singing through traditional adaptations, blues, and originals in the Anglo-folk style. The duo plays beautifully together in a candid setting."
https://www.youtube.com/watch?v=uiJIas9EmQs&list=OLAK5uy_kVU5TVCTFrrT8fISr-hxWe8oCTljRcSCw
#bertjansch #johnrenbourn #folk #britishfolk #1966inmusic #pentangle
Another Monday Review by Richie Unterberger
Renbourn's second album was very much in character with many of the records he would release throughout the rest of his career, the only difference being that his approach here was perhaps somewhat more tentative..His inclination toward early music is evident on "Ladye Nothinge's Toye Puffe" and "One for William," the latter of which also features oboe. More typically, though, he drifted into the blues idiom, two of the standouts being his interpretation of the oft-covered "I Know My Babe" (more frequently titled "I Know You Rider" when recorded by other artists) and his bottleneck playing on "Nobody's Fault but Mine." For Pentangle fans, the album is especially interesting for the recording debut of Jacqui McShee as accompanying vocalist on three numbers, although her singing is far more subordinate and less assertive than it would be in Pentangle.
https://www.youtube.com/watch?v=KSRI-8LLjrs&list=PLR0cPx2F1gb3EYn1-cYAD1Gxl59MNnzo8&index=1