Second choice - Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)

Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead

EMULSIVE
Hanging hopes out to dry - Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)

Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead

EMULSIVE
Diffuse purpose - Shot on Kodak T-MAX 100 at EI 100 (120 Format)

Shot on Kodak T-MAX 100 at EI 100Black and white negative film in 120 format shot as 6x6Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development

EMULSIVE
Split #07 – Shot on Kodak EKTACHROME E100 at EI 100 (35mm format)

Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100

EMULSIVE
Zoom and enhance - Shot on Kodak EKTACHROME E100VS at EI 100

Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8

EMULSIVE
Underside - Shot on Kodak EKTACHROME E100 at EI 100 (35mm Format) | EMULSIVE

Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F6 and AF-S VR Zoom-Nikkor 70-200mm f/2.8G ED-IF

EMULSIVE
One straight line - Shot on Kodak EKTACHROME E100 at EI 100 (120 Format) | EMULSIVE

One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6x9Fuji GW690III Professional Read the Kodak

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