Light and shadow - Shot on Lomography Color Negative 800 at EI 800 (120 Format)

Both shot on Lomography Color Negative 800 at EI 800 (2-stops apart).Color negative film in 120 format shot at 6x6.Hasselblad 2000FCW + Hasselblad Planar

EMULSIVE
Cloccian - Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)

Shot on LomoChrome Metropolis XR 100–400 at EI 400Color negative film in 120 formatHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Cloccian

EMULSIVE
Second choice - Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)

Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead

EMULSIVE
Hanging hopes out to dry - Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)

Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead

EMULSIVE
Water damage #05 - Shot on Kodak Plus-X at E125 (120 Format)

Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water

EMULSIVE
Water damage #03 - Shot on Kodak Plus-X at E125 (120 Format)

Shot on Kodak Plus-X at E125 (120 Format)Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Water

EMULSIVE