๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡จ
Sunlight casting shadows on white walls and coloured glass of Catedral de San Cristobal de La Laguna, Tenerife, Canary Islands under deep blue sky
Komeil Karimi_20231112_K013111
#sky #blue #cathedral #colouredglass #naturallight #sunlight #LaLaguna #Tenerife #CanaryIslands #travel #cityscape #Photography
๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡จ
Sunlight casting shadows on white walls and coloured glass of Catedral de San Cristobal de La Laguna, Tenerife, Canary Islands under deep blue sky
Komeil Karimi_20231112_K013111
#sky #blue #cathedral #colouredglass #naturallight #sunlight #LaLaguna #Tenerife #CanaryIslands #travel #cityscape #Photography
Debbie D. ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช on Instagram: "Featuring a Murano glass shop window in Venice, for the #jj_texture challenge #GlassTexture at #jjt_glass_2023 ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท #dogladysden #travelphoto #jj_community #jj_travelogue #jj_colorlove #Venice #Venezia #MuranoGlass #muranoglassware #texturedglass #textures #glassware #coloredglass #colouredglass #decorativeglass #travelblogger #travelphotos #travelphoto #travelphotography #travelogues #travelogue #wanderlust #EuropeanTravel #raw_travelblog #raw_italy #raw_hidden_talent"

23 likes, 3 comments - Debbie D. ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช (@thedogladysden) on Instagram: "Featuring a Murano glass shop window in Venice, for the #jj_texture challenge #GlassTexture at #j..."

Instagram
Debbie D. ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช on Instagram: "Featuring a Murano glass shop window in Venice, for the #jj_texture challenge #GlassTexture at #jjt_glass_2023 ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท ๐Ÿ“ท #dogladysden #travelphoto #jj_community #jj_travelogue #jj_colorlove #Venice #Venezia #MuranoGlass #muranoglassware #texturedglass #textures #glassware #coloredglass #colouredglass #decorativeglass #travelblogger #travelphotos #travelphoto #travelphotography #travelogues #travelogue #wanderlust #EuropeanTravel #raw_travelblog #raw_italy #raw_hidden_talent"

23 likes, 3 comments - Debbie D. ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช (@thedogladysden) on Instagram: "Featuring a Murano glass shop window in Venice, for the #jj_texture challenge #GlassTexture at #j..."

Instagram

Bruno Baietto creates symbolic vases by blowing glass inside bread

Design Academy Eindhoven graduate Bruno Baietto hopes to highlight the role of bread as a symbol of class, politics and religion, by using it to shape blown glass.

Baietto has created a series of coloured vases blown inside bread loaves, plus various other ceramic and porcelain objects that commemorate the bread-making process.

Bruno Baietto has created a series of objects that explore the symbolism of bread

The project, titled Follow the Crumbs That Fall From Your Own, explores the symbolism of bread in different social constructs across history.

"Under socialism, bread is a synonym of labour and national progress," said Baietto, "while under capitalism it is a staple food and the result of a large economy."

"It's also a symbol of Christianity, as a gift of god and the body of Christ," he told Dezeen.

He created a series of vases blown inside bread loaves

For Baietto, bread is also part of his family history. He grew up in Montevideo, Uruguay, in a family of bakers with political ties in both Brazil and Uruguay.

"So it was a natural decision to explore the symbolism of bread and its production to address the leftovers of my own ideological background," he said.

The bread burns away in the blowing process

Baietto created the blown glass pieces at the Nationaal Glasmuseum in Leerdam, with help from master glassblowers Geir Nurstad and Josja Caecilia Schepman.

The process itself is fairly straightforward.

[

Read:

Bread Shoes by R&E Praspaliauskas

](https://www.dezeen.com/2009/11/05/bread-shoes-by-re-praspaliauskas/)

The molten glass is inserted into a hollowed out loaf before being blown.

The bread burns away and eventually breaks off, leaving a glass vessel with a unique texture.

The bread gives a unique texture to the glass

The main challenge, according to Baietto, is the amount of smoke created by the burning of the bread. Few glassblowing facilities allow such high levels of smoke; only the Nationaal Glasmuseum was willing to take on the project.

The designer found that stale bread works better, as it creates a firmer mould for the glass.

The vases were produced with help from the Nationaal Glasmuseum in Leerdam

Other objects that Baietto created for the project include a porcelain vase, created from a cast of a baguette baked by the designer's family.

He also created a porcelain shoe, based on the safety shoe worn by bakery workers, tiles cast from discarded bakery workwear and ceramic trays that mimic the form of used cardboard boxes.

Baietto also created a porcelain vase from a cast of a baguette

With these objects, Baietto hopes to show that all design products are part of a system of ideologies, making them susceptible to a range of different interpretations.

"When something is designed, it is actively materialising a belief system and worldview, infiltrating the designer's values and moral positions even when it's not consciously intended," he said.

"In everyday life, no object or practice is neutral, but rather a result of its context and its ideological influences."

Other objects include a porcelain work shoe and ceramic trays that mimic cardboard

Baietto completed the project for his masters degree at Design Academy Eindhoven, as part of the contextual design programme.

For the Design Academy Eindhoven graduation show, which took place during Dutch Design Week, Baietto created an installation that encouraged visitors to walk over some of the workwear tiles, breaking them in the process.

An animatronic called Justin the Dustbin provided commentary on the exhibition

He also designed an animatronic dustbin to act as a critic for the exhibition. With bulging eyes, this bin moved was programmed to move around the space, reciting a recorded monologue.

Both moves were intended to shape the experience of Baietto's designs and the perception of their value.

Other projects on show at the DAE graduate show included garments designed to heal trauma, a giant dress and tools for turning human breath into clouds.

The DAE Graduation Show 2021 was exhibited from 16 to 24 October, as part ofDutch Design Week. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Bruno Baietto creates symbolic vases by blowing glass inside bread appeared first on Dezeen.

#homeware #all #design #videos #designacademyeindhoven #glass #vases #studentprojects #designvideos #graduates #colouredglass

Bruno Baietto creates symbolic vases by blowing glass inside bread

Design Academy Eindhoven graduate Bruno Baietto hopes to highlight the role of bread as a symbol of class, politics and religion, by using it to shape blown glass.

Dezeen

Sixties Shapes tile collection by Togama

Dezeen Showroom: Togama's Sixties Shapes is a mosaic tile collection made from recycled glass, designed to be both "luxurious and practical".

The tiles' hexagonal shape and hues are influenced by design from the 1960s. From pearl to mustard-yellow, Togama's collection comes in a range of colours with the option of iridescent or matt finishes.

The collection is made from recycled glass

The tiles are designed to be installed in a range of residential and commercial settings such as bathrooms, spas and kitchens.

"Taking its cue from the most stylish era of the twentieth century, the Sixties series features a spectacular hexagonal design and a wide range of colours," said Fernando Vendrell, UK agent for Togama.

The hexagonal designs are influenced by the 1960s

The mosaic tiles measure 32.5 by 29.4 centimetres and are furnished with an anti-slip finish resistant to chemicals, temperature changes and scratches.

"Whether an opulent feel or a minimal, contemporary vibe, Sixties mosaic ranges can enhance almost any style of dรฉcor," said Togama.

Product:Sixties Shapes
Brand: Togama
Contact:[email protected]

About Dezeen Showroom : Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen's huge global audience. For more details email [email protected].

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership contenthere.

The post Sixties Shapes tile collection by Togama appeared first on Dezeen.

#togama #all #tiles #design #products #donotshowonthehomepage #finishes #dezeenshowroom #kitchens #bathrooms #colouredglass

Sixties Shapes mosaic tile collection by Togama

Togama's Sixties Shapes is a mosaic tile collection made from recycled glass, designed to be both "luxurious and practical".

Anna Perugini's reversible vases have jointed stems like bamboo

Bamboo Grove is a collection of mouth-blown glass vases that can be overturned and filled with flowers at both ends created by Italian designer Anna Perugini.

The design student made the set of coloured glass vases in a range of heights using the Japanese technique known as lampworking. Each one can be flipped over for a different display depth.

Bamboo Grove is a set of glass vases by student designer Anna Perugini

Each vase consists of two sections, one shallower than the other. They can hold flowers or small succulents as well as objects such as tea light candles, depending on their size.

The collection takes cues from the jointed culms, or stems, of bamboo trees which are common to Asia.

Perugini crafted the vases using lampworking

The vases were produced by Perugini for German and Italian glassmaking specialist Ichendorf.

"A couple of years ago I went on a solo trip to Japan. During a hike in the mountains, I passed a bamboo grove," said Perugini, who is a student at Design Academy Eindhoven.

"I had never seen one before, and was impressed by the height of the bamboo trees. They looked like really long flower stems," the designer told Dezeen.

The vases were made for Ichendorf

The vases were made by lampworking, a traditional glasswork method where a torch is used to heat the glass to a molten state, after which it can be shaped using hand and mouth movements.

Perugini formed Bamboo Grove by heating tubes of glass with a blue flame, then modelling the tubes into vases through mouth-blowing the glass into shape.

"Lampworking is a really intriguing technique," said Perugini.

"It's a very immediate process. You can see the forms coming out of the tubes straight away. The objects are slightly different each time, as they are not blown inside a mould. It's a sort of freestyle technique, I really love it."

Perugini chose a selection of blue, green, pink and orange colourways to contrast with the clear or smoked sides of each vase in the collection.

"When you look at glass you don't look at one colour, you look at an entire gradient of tones, reflections and transparencies," continued Perugini.

Each vase can hold various plants and small objects

The designer wanted to create flexible objects that can cater for many different flower or decorative arrangements.

"I thought about the vases as dynamic and playful objects that become part of the flower composition themselves," she explained.

Coloured glass is used in the Bamboo Grove collection

Anna Perugini is an industrial designer who divides her practice into professional consultancy and self-initiated projects. She is currently studying for a master's degree in Geo-Design at Design Academy Eindhoven under the tuition of design duo Formafantasma.

Other creatives around the world have been expanding the potential of vase design.

Taiwanese studio Yuhsien has made a collection of "flower hoods" which are glass vessels resembling bubbles that are designed to be placed over regular vases. In Copenhagen, Rรถd Studio and Tableau have collaborated to create steel and wool vases informed by pastry decoration.

Photography is by Foto Studio Internazionale.

The post Anna Perugini's reversible vases have jointed stems like bamboo appeared first on Dezeen.

#all #products #design #designacademyeindhoven #glass #bamboo #vases #studentprojects #colouredglass

Anna Perugini's reversible vases have jointed stems like bamboo

Bamboo Grove is a set of glass vases by student designer Anna Perugini that can be overturned and filled with flowers at both ends.

Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies

Kaleidoscopic expressionist architecture has taken over from the efficiency of modernism in the glass objects of Danish artist Stine Bidstrup, showcased in our Dezeen x The Mindcraft Project 2021 collaboration.

Bidstrup's ongoing series Architectural Glass Fantasies is inspired by the work of German writer Paul Scheerbart and architect Bruno Taut, whose 1914 Glashaus pavilion explored the potential of multifaceted coloured glass buildings to spark emotion and build a utopian world.

Stine Bidstrup's works can be seen as scale models of architectural landscapes. Photo by Anders Sune Berg

Three of these objects, each evoking an alternate reality where this kind of architecture prevailed over capitalist-driven modernism, feature in The Mindcraft Project exhibition of experimental Danish design.

The works are both abstract and hyper-detailed, made by blowing glass into a plaster-silica mould. Once the mould is removed, the glass within is cut and polished to display varying kinds of translucency.

The objects evoke a world of expressionist glass architecture, inspired by the work of Paul Scheerbart and Bruno Taut. Photo by Benjamin Lund

The details of digitally printed patterns and forms are visible through the vividly hued glass. Bidstrup hopes viewers see her works as scale models of architectural landscapes.

"My glass sculptures can sort of be seen as architectural models, suggesting a transformation of scale in the imagination of the viewer," said Bidstrup. "It's very much celebrating all the things you can do with glass in terms of light and colours and levels of translucency, transparency and opacity."

Video is by Benjamin Lund.

Dezeen x The Mindcraft Project

The Mindcraft Project is an annual exhibition presented by the Copenhagen Design Agency to bring the best in explorative and experimental Danish design to the world.

TheDezeen x The Mindcraft Project 2021 collaboration showcases the work of 10 innovative designers and studios from the 2021 digital edition of the exhibition via a series of videos. Watch all the videos as we publish them at: www.dezeen.com/the-mindcraft-project-2021.

Dezeen x The Mindcraft Project 2021 is a partnership between Dezeen andCopenhagen Design Agency. Find out more about Dezeen partnership content here.

The post Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies appeared first on Dezeen.

#themindcraftproject2021 #all #design #mindcraft #glass #sculptures #danishdesign #colouredglass

Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies

Kaleidoscopic expressionist architecture has taken over from the efficiency of modernism in the glass objects of Danish artist Stine Bidstrup, showcased in our Dezeen x The Mindcraft Project 2021 collaboration.

Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies

Kaleidoscopic expressionist architecture has taken over from the efficiency of modernism in the glass objects of Danish artist Stine Bidstrup, showcased in our Dezeen x The Mindcraft Project 2021 collaboration.

Bidstrup's ongoing series Architectural Glass Fantasies is inspired by the work of German writer Paul Scheerbart and architect Bruno Taut, whose 1914 Glashaus pavilion explored the potential of multifaceted coloured glass buildings to spark emotion and build a utopian world.

Stine Bidstrup's works can be seen as scale models of architectural landscapes. Photo by Anders Sune Berg

Three of these objects, each evoking an alternate reality where this kind of architecture prevailed over capitalist-driven modernism, feature in The Mindcraft Project exhibition of experimental Danish design.

The works are both abstract and hyper-detailed, made by blowing glass into a plaster-silica mould. Once the mould is removed, the glass within is cut and polished to display varying kinds of translucency.

The objects evoke a world of expressionist glass architecture, inspired by the work of Paul Scheerbart and Bruno Taut. Photo by Benjamin Lund

The details of digitally printed patterns and forms are visible through the vividly hued glass. Bidstrup hopes viewers see her works as scale models of architectural landscapes.

"My glass sculptures can sort of be seen as architectural models, suggesting a transformation of scale in the imagination of the viewer," said Bidstrup. "It's very much celebrating all the things you can do with glass in terms of light and colours and levels of translucency, transparency and opacity."

Video is by Benjamin Lund.

Dezeen x The Mindcraft Project

The Mindcraft Project is an annual exhibition presented by the Copenhagen Design Agency to bring the best in explorative and experimental Danish design to the world.

TheDezeen x The Mindcraft Project 2021 collaboration showcases the work of 10 innovative designers and studios from the 2021 digital edition of the exhibition via a series of videos. Watch all the videos as we publish them at: www.dezeen.com/the-mindcraft-project-2021.

Dezeen x The Mindcraft Project 2021 is a partnership between Dezeen andCopenhagen Design Agency. Find out more about Dezeen partnership content here.

The post Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies appeared first on Dezeen.

#themindcraftproject2021 #all #design #mindcraft #glass #sculptures #danishdesign #colouredglass

Stine Bidstrup imagines alternate anti-modernist world with Architectural Glass Fantasies

Kaleidoscopic expressionist architecture has taken over from the efficiency of modernism in the glass objects of Danish artist Stine Bidstrup, showcased in our Dezeen x The Mindcraft Project 2021 collaboration.