Hyeona Kim and WooSeok Lee design portable OLED display in the form of an artist's easel

Hyeona Kim and WooSeok Lee explain their design for a movable OLED display that's reminiscent of an artist's easel in this video showcasing the finalists of Dezeen and LG Display's OLEDs Go! competition.

Designed by Seoul-based designers Kim and Lee, Easel incorporates a 43-inch OLED display into a slender aluminium frame that can be folded and leant against a wall or mounted to stand independently.

As its name suggests, Easel takes the form of an artist's trestle

The design makes use of the thin and lightweight qualities of OLED displays to create a stand that can be easily collapsed and transported anywhere within the home, ranging from living rooms to balconies.

Easel was designed to save space in contemporary homes and combines multiple functions into one product to reduce the need to buy multiple devices.

Easel can be easily folded away and leant against a wall when not in use

Easel can be switched to a bluetooth speaker or an AI virtual assistant when not in use. The frame can also be used as a hanging rack for magazines or decorative accessories to further blend in within its setting.

It comes in three colour options including graphite, ivory and winter green.

It can also be used as a bluetooth speaker or a virtual assistant

"Ultimately, we wanted to create an object that harmonises with the user's interior," said the designers.

"We wanted to design something that could serve different functions around the home."

Its lightweight quality means it can be used anywhere, from living rooms to balconies

The design is one of five finalists in Dezeen and LG Display's OLEDs Go! competition, a global contest looking for fresh and innovative ideas that embrace the light, thin, flexible and transparent qualities of OLED displays.

The competition brief asked entrants to create designs that adapt and enhance people's changing lives and provide new experiences.

The display can be used to hang magazines or decorative items

The finalists were selected from 20 shortlisted designs, which included televisions that fold into lamps and cabinets with digital displays for doors.

The overall winner of the contest will be announced in June.

All of the top five designers will share in the prize pot of €88,000, with the winner receiving €35,000. The runner up will receive €20,000, third place will win €15,000, fourth place will win €10,000 and fifth place will win €8,000.

Partnership content

OLEDs Go! is a partnership between Dezeen andLG Display. Find out more about Dezeen partnership content here.

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ASMR exhibition "expands what can be in a design museum" says James Taylor-Foster

In this exclusive video by Dezeen, curator James Taylor-Foster argues that designers can learn a lot from the cultural phenomenon of ASMR, the subject of an exhibition at the Design Museum in London.

Titled Weird Sensation Feels Good: The World of ASMR, the exhibition is a collaboration with ArkDes, Sweden's national centre for architecture and design.

The show displays a series of visual, auditory and tactile works all designed to elicit physical sensations of euphoria or calm in the viewer, a topic that the curator says is "odd" for a design exhibition.

ASMR is the focus of at exhibition at the Design Museum

"We need to expand what we mean by the term 'design', what can be in a design museum, what can be in a design book," Taylor-Foster argues in the video.

"Once you really start to dive deep into the world of ASMR, you understand that it's connected to so many design disciplines," he continued.

"ASMR artists are some of the most finely attuned 'material culture-ists' that exist in the world. They understand that all these materials don't necessarily just have a function – they are sensory objects," he added.

"This exhibition is an experiment in which you are going to be looking at strange works, works that might make you feel something that you've never felt before."

ASMR is "replicating touch"

ASMR – or Autonomous Sensory Meridian Response – refers to the feeling of "frisson" – a tingling sensation travelling from the top of your head and down your body.

It is often triggered by video content of "ASMRtists" whispering into high frequency binaural microphones, using materials such as brushes, ceramics and textile

"ASMR is ultimately trying to replicate touch," Taylor-Foster explained. "You listen to someone whispering through in ear headphones, it's almost like they're touching you."

ASMR refers to physical sensations of euphoria or calm in response to visual, sensory and auditory stimulus

Taylor-Foster explains that the movement's growing popularity correlates with the rapid development of the internet, smart phones and social media.

He argues that ASMR content can provide people with relief and relaxation in a fast-paced and hyperconnected world, and that designers can learn a lot from the movement.

[

Read:

Take a guided tour of ArkDes' new exhibition exploring ASMR

](https://www.dezeen.com/2020/06/01/video-tour-asmr-exhibition-arkdes-vdf/)

"This sort of strange constellation of things that were designed to make our lives more efficient, to be quicker – ASMR harnessed them and within that carved out a space for slowness and softness and sweetness."

"I think all these questions of close looking and close listening and close feeling are going to become even more important for designers in the coming years."

The exhibition displays ASMR works by the creative community behind the movement

The curator anticipates ASMR becoming a design movement in its own right, including work that seeks to alleviate users of emotional strains.

"What we see now is a creative field in which all those things that trigger ASMR are packaged in works that are designed to make you feel a certain way, to self-medicate you, to deal with loneliness, social anxiety, insomnia."

Global internet phenomenon

Since first appearing in 2009, ASMR has become a global internet phenomenon that has spawned a community of "ASMRtists."

The movement has also caught the attention of global industries, with brands such as IKEA, Virgin Atlantic and institutions such as the V&A trying their hand at the content, the results of which are on show in the exhibition.

The exhibition also features more experimental works such as Immeasurable Thirst by artist Tobias Bradford, a mechanical human tongue that drips saliva.

Artist Julie Rose Bower created interactive installations for the exhibition

It also features the work of Marc Teyssier, who has created a prototype for artificial skin for mobile devices and a slab of skin that reacts when pinched and stroked.

The show places these works in the context of ASMR due to the emotional reaction audiences can have on viewing them.

"Something is happening to both your body and your mind," Foster said.

Experience-driven exhibition design

Riga-based architecture practice Ēter was behind the design of the exhibition. Their contributions include a viewing arena formed of a snaking continuous pillow, where visitors can lie down to listen to a curated selection of intentional and unintentional ASMR works.

The show also includes a room dedicated to late American painter Bob Ross, exhibiting episodes of his TV show the Joy of Painting and positioning them as pieces of early unintentional ASMR.

The show also includes a mechanical tongue that drips saliva by Tobias Bradford

Sound artist Julie Rose Bower created several interactive installations in the exhibition where visitors can create their own ASMR content, by brushing microphones or crushing fabric bags to create a crunching sound effect.

"There are many kinds of design exhibitions but for me, the most interesting kinds are ones that are experience-driven," Taylor-Foster said.

Weird Sensation Feels Good at the Design Museum is the show's second iteration, after it was initially exhibited at ArkDes in Stockholm in 2020.

Taylor-Foster is the curator of contemporary architecture and design at ArkDes and has curated exhibitions for the museum such as Cruising Pavilion, an exhibition exploring the intersections between sex and architecture.

Designers are already employing ASMR work in their work such as Hsin-Jou Huang, Szu-Ying Lai and Chia-Ning Hsu who have created a wearable sex aid for people with disabilities fitted with earphones that plau ASMR sounds to promote relaxation.

Alter-Projects and Servaire & Co designed a scent-diffusing metronome accompanied with an ASMR soundscape for the 2021 London Design Biennale.

The photography is by Ed Reeve.

Weird Sensation Feels Good takes place from 13 May to 16 October 2022 at the Design Museum in London. SeeDezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Damla Aras incorporates OLED display into Tiny foldable desk and shelf

In this video showcasing the finalists of Dezeen and LG Display's OLEDs Go! competition, Turkish designer Damla Aras explains her concept for a foldable desk with a retractable OLED screen.

As its name suggests, Turkish designer Aras designed Tiny in response to the spatial challenges that come with home working. Its space-saving design means it can be compacted into smaller forms to maximise both space within the home.

Tiny is designed to be a shelf, display unit and desk all in one

The design makes use of LG Display's rollable technology to integrate a 32-inch OLED screen within the desk.

The OLED screen can be incrementally retracted to operate in various modes. The full-view option allows it to be used as a computer monitor or television, while the low-view option is designed to be used as a sound system.

Aras designed Tiny to fit in a variety of interiors

The zero-view option, which fully retracts the screen, provides users the opportunity for downtime away from technology as well as allowing users to maximise on desk space for focused work.

Tiny is also equipped with a cable management system that enables users to conceal charging cables and wires neatly.

Tiny can be used as a sound system in low view mode.

When the work day is finished and the desk is no longer required, Tiny can be folded to double up as a shelf where decorative items can be displayed to further blend in with its surroundings.

Tiny is designed to have a minimal footprint in that the desk can be mounted onto a wall or rest on a stand in order to free up floor space in small interior settings.

Users can also use Tiny as a monitor or traditional tv display

It is designed in three colour options to suit a wide range of interiors, including Calm Green, Dusty Rose and Silver White.

"Working from home provides challenges, especially for people with less space," said Aras. "Tiny allows people to adapt a small space to switch between working and living."

Tiny is designed to be adaptable for hybrid workspaces

The design is one of five finalists in Dezeen and LG Display's OLEDs Go! competition, a global contest looking for fresh and innovative ideas that embrace the light, thin, flexible and transparent qualities of OLED displays.

The competition brief asked entrants to create designs that adapt and enhance people's changing lives and provide new experiences.

Tiny can be mounted onto a wall or placed on a stand

The finalists were selected from 20 shortlisted designs, which included televisions that fold into lamps and cabinets with digital displays for doors.

The overall winner of the contest will be announced in June.

[

Read:

Studio WA+CH designs movable OLED screens that double as room dividers

](https://www.dezeen.com/2022/05/12/vivid-studio-wach-lg-display-oleds-go-competition-video/)

All of the top five designers will share in the prize pot of €88,000, with the winner receiving €35,000. The runner up will receive €20,000, third place will win €15,000, fourth place will win €10,000 and fifth place will win €8,000.

Partnership content

OLEDs Go! is a partnership between Dezeen and LG Display. Find out more about Dezeen partnership contenthere.

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Studio WA+CH designs movable OLED screens that double as room dividers

In this video showcasing the finalists of Dezeen and LG Display's OLEDs Go! competition, Studio WA+CH explains its concept for a movable OLED display that can be used as a room divider, whiteboard and video conferencing device.

The concept was designed by Milan-based design practice Studio WA+CH, which comprises Fuhua Wang and Weichih Chen, as well as designers Tzyun Huang and Wenheng Chang.

The displays can be used as digital whiteboards or as interior decorations when not in use

Called Vivid, the design makes use of the possibility for OLED screens to be transparent when they're not in use to create a multifunctional OLED display that can be used for work, entertainment or as an interior decoration.

The product was designed to aid users in the transition from working to relaxing at home. When used for office work, the screen can be used as a digital whiteboard or as a video conferencing tool using the camera on its right side.

Multiple Vivid displays can be connected to form a room divider

When the work day is completed, users can switch on the transparent standby mode or display decorations such as digital plants so that the device seamlessly blends in with its surroundings.

The product can also be connected to multiple Vivid screens to form a stylish OLED wall or room divider. This physical partition enables users to delineate work and living spaces.

The displays are equipped with cameras for video conferencing

The Vivid screens are equipped with wheels to enable easy transportation.

When used for entertainment, the screens can be used for video gaming and browsing social media, as well as used for personal training and other fitness and health programmes such as yoga or aerobics.

"We've created a smart product that can keep up with people's changing lifestyles," said the designers.

"Its interactive design allows users to create a synchronised collaborative environment in different locations at the same time."

Vivid can be used for personal training or other health and fitness programmes

The design is one of five finalists in Dezeen and LG Display's OLEDs Go! competition, a global contest looking for fresh and innovative ideas that embrace the light, thin, flexible and transparent qualities of OLED displays.

The competition brief asked entrants to create designs that adapt and enhance people's changing lives and provide new experiences.

Users can make use of screen mirroring to check social media or watch videos

The finalists were selected from 20 shortlisted designs, which included televisions that fold into lamps and cabinets with digital displays for doors.

The overall winner of the contest will be announced in June.

All of the top five designers will share in the prize pot of €88,000, with the winner receiving €35,000, the runner up will receive €20,000, third place will win €15,000, fourth place will win €10,000 and fifth place will win €8,000.

Partnership content

OLEDs Go! is a partnership between Dezeen andLG Display. Find out more about Dezeen partnership content here.

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Technology behind Drift's new drone installation "comes close to magic"

In this exclusive video produced by Dezeen, artist collective Drift talks about its recent drone installation above the Elbphilharmonie concert hall in Hamburg.

Called Breaking Waves, the kinetic installation employed a fleet of 300 illuminated drones programmed to move in a wave-like pattern around the Herzog & de Meuron-designed building.

The studio, led by Lonneke Gordijn and Ralph Nauta, frequently create kinetic sculptures using innovative technology in their work.

Breaking Wave was performed by 300 drones. Photo is by Florian Holzherr

"New tech comes very close to magic," Nauta said. "That's when you can engage an audience, you can open up their mind and plant an idea."

"It's not so much about the technology you work with – it's about what you do with it," Gordijn added.

"It's about the light and about the movement and about how we speak to an audience."

The installation was created to mark the fifth anniversary of the building. Photo is by Bertold Fabricius

Created to celebrate the fifth anniversary of the Elbphilharmonie's opening in Hamburg, the piece references the signature form of the building and its location on the Elbe river.

"We looked at the relationship of the building and its location and we took that as inspiration to create this performance, emphasising the movements and frequencies in this sculptural, architectural building," Nauta stated.

"We are using drones to complement the building, to play with it, to discover it and celebrate what this building means for the city," Gordijn said.

It was designed to interact with the building. Photo is by Bertold Fabricius

The piece was set to the second movement of Thomas Adès's Concerto for Piano and Orchestra, which was performed by the NDR Elbphilharmonie Orchestra and recorded at the Elbphilharmonie in January of this year.

By carefully choreographing the music and movement, the artists aimed to bring the audience members together "on the same frequency".

"Everything suddenly becomes much more easy when you're all breathing, living and being at the same frequency, in the same moment."

The seven-minute piece was intended to be performed in the evening over the course of four days, but was cut short due to security reasons after "aggressive disruption" by unidentified drones.

The performance coincided with a wider programme of cultural events planned to celebrate the Elbphilharmonie and Hamburg’s cultural scene, including the opening of the Hamburg International Music Festival.

"Thanks to the Elbphilharmonie with its inspiring architecture and its varied, high-quality programme, Hamburg's image as a city of art and culture has become much more pronounced both nationally and internationally," said Hamburg's minister for culture and media Carsten Brosda.

Drift is led by Lonneke Gordijn and Ralph Nauta. Photo is by Teska van Overbeeke

Since its opening in 2017, the Elbphilharmonie has attracted 14.5 million visitors and has tripled the number of concertgoers in Hamburg, as well as boosting the number of visitors to the city’s other museums, galleries and theatres, according to Hamburg Marketing.

Designed by Swiss studio Herzog & de Meuron, the building houses two concert halls, an educational centre, a hotel and private accommodations as well as a viewing platform.

The structure is built on top of a traditional red-bricked storage warehouse from the 1960s.

Drift previously staged performances using illuminated drones including its Franchise Freedom installation, but this is the collective's first drone installation that interacts with a building.

The duo also recently created a drone installation at the 2021 Burning Man festival.

The post Technology behind Drift's new drone installation "comes close to magic" appeared first on Dezeen.

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Short film spotlights Tonkin Liu's stent that echoes "geometry from nature"

In this video the founders of Londons studio Tonkin Liu delve into their design of a medical stent with an expanding lace-like structure, which has recently received a patent.

Produced by photographer Jim Stephenson, the film guides viewers through the design process behind the throat stent for patients who have had tracheal transplant surgery.

The C-shaped splint, which was first revealed by Tonkin Liu in 2018, is an adaption of the studio's structural technology named the shell lace structure.

[

Read:

Tonkin Liu shrinks architectural shell lace structure to create prototype windpipe stent

](https://www.dezeen.com/2018/10/16/tonkin-liu-lace-structure-prototype-windpipe-stent-design/)

Unlike the tubular mesh stents commonly used after surgery on the windpipe, it has been developed to expand and fit the individual shape of each person's trachea, preventing it from slipping.

In the video, Tonkin Liu's co-founder Anna Liu explains how this design takes cues from "geometry from nature".

Liu's co-founder Mike Tonkin adds that it demonstrates how "architecture can expand and become a broader remit".

"Although we really like go beyond architecture, we'd like the idea that actually the architects can think beyond architecture themselves and become more useful to society," he concludes.

Find out more about the stent here ›

The video is by Jim Stephenson.

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Studio BooBoon designs a rollable LG television that doubles as a soundbar

In this video, Studio BooBoon explains its design for an adjustable OLED display that can be retracted to become a standalone speaker, which is one of the finalists in Dezeen and LG Display's latest OLEDs Go! competition.

Studio BooBoon, which comprises Tokyo-based designers Richard Bone and Jisu Yun, named the design Totem due to its upright position and minimal footprint.

Totem can be used horizontally or vertically and can be adjusted to different heights

The design makes use of the flexibility of OLED technology to create a highly customisable display that can be positioned horizontally, vertically, adjusted to varying heights and can be retracted to alter its size.

The screen can be fully retracted using LG Display's rollable OLED technology to become a freestanding soundbar that blends into the user's environment.

Totem's rollable display can be retracted into a freestanding speaker

The multiple configurations enable Totem to be used for a number of activities, ranging from checking social media and screen mirroring to offering an enhanced viewing of standard media, as well as functioning as a standalone speaker.

Totem is designed to suit a wide range of residential interior settings and has been created with a palette of soft and matt pastel hues, including white, charcoal, salmon and blue-grey.

Totem can be used in portrait mode for screen mirroring or social media

"We wanted to create something characterful and sculptural that blends into the user's home seamlessly," said the designers.

"We think Totem's versatility means there's something that will appeal to every user."

Totem is designed to blend into modern interiors and comes in four colours

The design is one of five finalists in Dezeen and LG Display's OLEDs Go! competition, a global contest looking for fresh and innovative ideas that embrace the light, thin, flexible and transparent qualities of OLED displays.

The competition brief asked entrants to create designs that adapt and enhance people's changing lives and provide new experiences.

The finalists were selected from 20 shortlisted designs, which included televisions that fold into lamps and cabinets with digital displays for doors.

The overall winner of the contest will be announced in June.

All of the top five designers will share in the prize pot of €88,000, with the winner receiving €35,000, the third place will win €20,000, fourth place will win €10,000 and fifth place will win €8,000.

Partnership content

OLEDs Go! is a partnership between Dezeen andLG Display. Find out more about Dezeen partnership content here.

The post Studio BooBoon designs a rollable LG television that doubles as a soundbar appeared first on Dezeen.

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Nanna Ditzel's contribution to Danish design overlooked "because she was a woman"

Nanna Ditzel should be regarded as one of Denmark's best designers but has been "forgotten," according to speakers at a panel discussion hosted by Dezeen in collaboration with furniture brand Fredericia.

"She was considered the punk woman of Danish design," said Fredericia owner Thomas Graversen. "All the younger generation didn't dare to do what she did."

But he added that she was "more or less forgotten in Denmark".

"I have to conclude she was forgotten and probably because she was a woman," said Anders Byriel, CEO of Danish textile brand Kvadrat.

"I think she's in the top five Danish designers. She's up there with the big masters."

Nanna Ditzel. Photo courtesy of Fredericia

Ditzel, who died in 2005 aged 82, designed products for both Fredericia and Kvadrat and Graversen and Byriel knew her personally.

"Sometimes she took things further than maybe you thought you could do technically," said Graversen.

"She was taught as a cabinet maker but was truly an industrial designer," he added. "She designed maybe the most famous trains in Denmark; she did all this wonderful jewellery for Georg Jensen; she did a lot of household stuff like bowls and textiles."

"If you study her back catalogue, she has designed almost everything we use in daily life."

Ditzel deserved to be counted among design icons

Graversen and Byriel discussed the late designer's legacy at Fredericia's London showroom on 17 March in a conversation moderated by Dezeen's founder and editor-in-chief Marcus Fairs.

Both argued that Ditzel deserved to be counted amongst Danish design icons such as Hans J Wegner, Arne Jacobsen and Verner Panton.

Born in Copenhagen in 1923, Ditzel trained to become a cabinetmaker before going on to study at the Royal Academy in Copenhagen where she would meet her husband Jørgen Ditzel. They formed a design studio and worked together until his death in 1961.

"Jørgen died in 1961 when he was only 40 years old but when they were a couple, the attention was very much on Jørgen because he was the man. So after he died, she sort of stepped in and was in charge of everything herself," Graversen explained.

Ditzel's Butterfly chairs for Fredericia from 1990. Photo courtesy of Fredericia

Together with her husband, Ditzel designed products across a range of disciplines including furniture, textiles, wallpaper and homeware.

"People were living their daily lives maybe not knowing it was all designed by Nanna," Graversen said.

Following the death of her husband, Ditzel continued designing a slew of furniture and objects throughout her career including jewellery for Georg Jensen, several furniture pieces for Fredericia, including the 1993 Trinidad chair, and Kvadrat's first and best-selling textile Hallingdal.

Breaking free of restrictive design rules

Belonging to a generation of designers that followed icons such as Arne Jacobsen, Børge Mogensen and Hans J Wegner, Ditzel studied under the influential designer Kaare Klint at the Danish School of Arts and Crafts in 1942 and graduated as a cabinetmaker in 1943.

"She broke out of these very restrictive and formal rules of design that Klint was teaching," Graversen stated.

"If you saw the Trinidad chair in 1993 when it came out, it looked like something never seen before," he added. "Everyone was buying Jacobsen's Series 7 chair or the Ant chair but then suddenly someone dared to put ornamentation on a chair."

The Trinidad Chair designed by Ditzel for Fredericia in 1993. Photo courtesy of Fredericia

After the death of Jørgen Ditzel, Ditzel relocated to London where she ran the Interspace furniture store in Hampstead together with her second husband Kurt Heide until his death in 1985, after which she returned to Denmark.

Ditzel began working with Fredericia in 1989, designing several pieces such as the Bench for Two-seat and the Trinidad chair. She became the brand's second in-house designer after Mogensen.

"She came with a more sensitive kind of design to this very masculine Mogensen and Wegner era that everyone knew at the time and that was a lucky strike for us," Graversen explained.

The Ditzel Lounge chair designed by Nanna and Jørgen Ditzel in 1953. Photo courtesy of Fredericia

In 1965 Ditzel designed Hallingdal, Kvadrat's very first fabric, which it describes as "the archetype of woollen textiles".

"She was our first influential colourist," Byriel said. "A very important contribution for us and I think one of the most important colourists from the 1960s together with Verner Panton – at least from Scandinavia," he added.

Readjustment of the canon

The reevaluation of Ditzel's impact on Danish design history is part of a wider reassessment of design and architecture history in recent years, acknowledging the impact of women whose work has historically been overlooked in favour of their male peers.

Ditzel's Hallingdal textile for Kvadrat from 1965. Photo courtesy of Kvadrat

Examples include Lilly Reich, a Bauhaus professor who spent over a decade collaborating with architect Mies van der Rohe, Aino Marsio-Aalto, the wife and collaborator of architect Alvar Aalto, and Denise Scott Brown, the partner and widow of architect Robert Venturi who was excluded from her husband's 1991 Pritzker Prize recognition.

"In contemporary art, there's an adjustment of history, where you're going back and asking if we need to adjust the canon," Byriel said.

The panel argued that Ditzel's work served as a link between the canon of mid-century Danish design and a more contemporary generation of designers in Denmark, including Cecilie Manz and Maria Bruun.

Nanna Ditzel and her children. Photo courtesy of Fredericia.

"She was probably one of the links from the people who built mid-century [design]," Byriel said.

"I think that there will be a new generation who will look to her as their rock star," Graversen added.

Fredericia is a Danish furniture brand founded in 1911. Besides Ditzel, the brand also produces the designs of iconic Danish designers such as Mogensen and Wegner, as well as the work of contemporary designers including Manz and Jasper Morrison.

Partnership content

This talk was filmed by Dezeen forFredericia as part of a partnership. Find out more about Dezeen's partnership content here.

The post Nanna Ditzel's contribution to Danish design overlooked "because she was a woman" appeared first on Dezeen.

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The Decorators create Portal Tables furniture to bring humans and bacteria together

Design collective The Decorators has created three pieces of inflatable furniture that encourage humans and bacteria to intermingle through the process of food fermentation.

The three design sculptures include a 12-person table for making kimchi, a small table for producing labneh cheese and a sofa that can be used for proving the dough for bread.

The objects encourage humans and bacteria to mix

Designers Xavier Llarch Font and Mariana Pestana of The Decorators wanted to highlight the positive role that bacterial microbes can play in human life.

The project builds on the understanding that microbes, such as those cultivated in food fermentation, can improve human digestion. They are also believed to produce feelings of joy through the release of hormones like dopamine and serotonin.

Cheese-Board is used for making and drying labneh

At a time when Covid-19 has increased public fear of both bacteria and human interaction, Llarch Font and Pestana hoped to use bacteria as a way of forging rather than alienating communities.

"We've been made more aware of how non-human agents such as virus bacteria and microbes impact our lives," said Llarch Font.

"This has dramatically changed the way we interact with each other and our very notion of community."

Kimchi-Pool allows up to 12 people to communally make kimchee

The first piece of inflatable furniture is Kimchi-Pool, a large basin-style table with irregularly-shaped seats around the outside.

A group of up to 12 people can sit or kneel at the table to collectively make kimchee, a Korean food created from seasoned and fermented cabbage and radish napa.

Sofa-Bread provides space for bread makers to lounge while dough is proving

Cheese-Board provides a surface and drying rack for making labneh, a soft cheese that is traditionally made in Lebanon.

Sofa-Bread is a tiered seat that invites bread makers to lounge while they wait for their bread dough to prove – the process where yeast ferments the dough – before baking.

"We were interested in this idea of domesticity, how these objects become like kitchen utensils," said Llarch Font.

A performance by artist Laura Wilson was staged on Sofa-Bread

The Decorators produced the designs through a fellowship with the Stanley Picker Gallery at Kingston University in southwest London.

The project began in 2018 but naturally took on a new dimension in light of the pandemic – a time when antibacterial hand washes became part of everyday culture, but people also starting experimenting with recipes for making fermented foods at home.

[

Read:

"A lot of what we do is about testing public space"– Suzanne O'Connell of The Decorators

](https://www.dezeen.com/2013/01/18/suzanne-oconnell-the-decorators-designed-in-hackney-day-movie/)

The designers hoped to create a reminder that these foods were not always just hobbies to share on social media, but staple foods created through common domestic rituals.

Llarch Font points to the communal kimchee-making that still takes place today, while Pestana recalls how her grandmother would put bread dough above the fireplace.

"It was something that you lived with," she said.

The designs were exhibited at Stanley Picker Gallery. Photo is by Ellie Laycock

All three inflatables have been brought to life through performances.

The kimchee table was used by the Kimjang Project, a spinoff of the Kingston Korea Festival, while the bread sofa was brought to life in a performance by artist Laura Wilson.

The Decorators produced a film to accompany the designs

The Decorators have also produced a film that explains the background behind the project, which was exhibited alongside the designs in an exhibition at Stanley Picker Gallery.

Portal Tables was on show at the Stanley Picker Gallery from 18 November 2021 to 5 February 2022. SeeDezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Photography is by Sergio Márquez/The Decorators, unless otherwise indicated.

The post The Decorators create Portal Tables furniture to bring humans and bacteria together appeared first on Dezeen.

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Kyoto University creates mask from ostrich cells that glows when coronavirus is detected

Scientists from Kyoto University have developed a face mask made with ostrich antibodies that glows under ultraviolet light when coronavirus is present.

The team of researchers created the mask to help people quickly detect and prevent the spread of coronavirus at a low cost.

A removable filter placed in the mask glows when exposed to coronavirus after being sprayed with a chemical liquid and exposed to ultraviolet lights.

The efficiency of the filter's detection was confirmed in a clinical trial where test subjects wore the masks for eight hours.

Top: scientists have developed a mask filter using ostrich coronavirus antibodies. Above: it can be attached to single-use masks

Yasuhiro Tsukamoto, leader of the Kyoto University research group, told Dezeen that he came up with the idea after realising that ostrich birds are highly resistant to disease thanks to their strong immune system.

This prompted him to begin researching ostrich antibodies.

"Ostriches rarely die from filth, minor injuries, or illnesses, and live for sixty years," Tsukamoto said.

"I realised that the secret of longevity is that it is resistant to infectious diseases with its amazing immunity and resilience, so I started researching ostrich antibodies in earnest."

When coronavirus is present, the filter glows under ultraviolet light

To create coronavirus antibodies in the ostrich, the scientists injected the birds with a spike protein of the virus.

They then extracted the ostriches' antibodies from the yolk of the birds' eggs and bound them to the filters in the mask using polylactic acid.

Antibodies in scientific research are most commonly produced from smaller animals, such as rabbits or mice, but these can cost millions of dollars per gram.

By contrast, antibodies taken from ostrich eggs cost less than $1,000 per gram (£736.74,) and can be collected in a short period of about two weeks.

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Tsukamoto argues that this makes the masks a more feasible production option, which could help more people detect and prevent coronavirus.

"If virus infection can be detected by putting a mouth filter carrying an ostrich antibody in a 'disposable mask' that is used every day in the world, non-symptomatic infected people such as super spreaders can be voluntarily treated at an early stage," he explained.

"It is a handy and inexpensive device that prevents the invasion of the Covid-19 virus into the human body," he added.

He also hopes that the same technique could be applied to other viruses, such as influenza.

Tsukamoto hopes the technology can help to prevent the spread of the virus

Currently, coronavirus can only be seen on the mask when it is treated with a liquid and put under ultraviolet light. However, the scientists plan to develop masks that glow under the light from a phone.

They have already filed a patent application for the face mask and plan to make them available later on in the year.

Since the start of the pandemic, designers have used science and technology in the race to stem the spread of the virus.

Technology company NS Nanotech developed a range of ultraviolet-emitting chips that could neutralise airborne coronavirus in buildings, vehicles and even outside.

Advanced manufacturing company OPT Industries created a medical swab that aims to improve clinical testing during the coronavirus pandemic. The swabs are able to absorb a higher level of liquid than regular swabs, which provides a higher sample concentration necessary for better diagnostics.

The post Kyoto University creates mask from ostrich cells that glows when coronavirus is detected appeared first on Dezeen.

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Kyoto University creates mask from ostrich cells that glows when coronavirus is detected

Scientists from Kyoto University have developed a face mask made with ostrich antibodies that glows under LED light when coronavirus is present.

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