I'm transcribing an approximation of this bassoon part (which as far as I know does not exist anywhere, although maybe there's an original arrangement out there with a cello banjo part) and dammit, I can't take up #bassoon
I'm transcribing an approximation of this bassoon part (which as far as I know does not exist anywhere, although maybe there's an original arrangement out there with a cello banjo part) and dammit, I can't take up #bassoon
I've had William J. Ball's LP on my Discogs wantlist for a while but apparently never thought to look on youtube...?
Anyway, it's a real cracker, and I'm still going to get the LP someday:
Good morning, I just added a WARC of the late Hal Allert's very good classicbanjo dot com to archive.org.
Hal's website was a very nicely curated collection of sheet music, MP3 files generated from MIDI generated from said sheet music, tutor books, photographs, and other information generally related to classic style banjo.
Hal was a good guy and put a lot of work into this site, and he was very generous with his own arrangements, and general knowledge of the subject... I don't *think* he would mind.
https://archive.org/details/classicbanjo.com
CW: all of the racism you would expect from predominantly white composers of popular music in the early 20th century.
To be clear: I don't think that Hal was racist (nor are most people still interested in classic style banjo), but popular culture in that musical era sure was. #banjo #classicbanjo
While searching for Schottische accompaniment patterns I was reminded of Herman Rowland's "Sunflower Dance" (originally published as "With The Tide Schottische") which for some reason is the classic fingerstyle banjo piece commonly recommended for beginners (in much the same way that "Cripple Creek" is the first tune a lot of clawhammer/bluegress players start with)
It's a good not-too-hard piece that gives you a great feel for the style in terms of picking patterns and transitioning up and down the neck, but there are far better beginner materials out there (A.J. Weidt's Elementary Studies was what really got me started https://archive.org/details/A.J.WeidtBook1/mode/2up)
But I'd forgotten what an earworm it is! I should really re-learn it, plus the 2nd banjo part, and properly record it.
Follow-up: I did actually write a trio section for this with the intention of recording and releasing it yesterday (mostly as a nod to myself for putting the first version out 4 years ago) but I decided I didn't feel like
1. doing the fussy last-pass details on the sheet music (it's pretty close but not 100% yet) and
2. putting in the time in to learn my own composition
...not for yesterday, anyway. This should be released as a footnote. #fediversemusic #composition #sheetmusic #classicbanjo
So my ADHD brain had me taking another look at classic style banjo arrangements of Scott Joplin's Maple Leaf Rag (you know, to record and release for Arbor Day 2022, because that's *minimally* how long it will probably take me to learn it well enough to record)
This was not the first time; there are a couple of arrangements out there in various keys in G and C (not surprisingly for 5-string banjo tuned gCGBD/gDGBD) but they never feel or sound quite right to my ears.
I watched a few clips of Aaron Jonah Lewis playing his own arrangement, and when I took a close enough look at some of his chords I was delighted to realize he's playing it in the original Aβmajor, which is why it just sounds correct in a way transposed arrangements often don't. Typical classic banjo gymnastics aside, it doesn't even look too tortuous.
For more exclusive content join Aaron at patreon.com/aaronjonahlewis -- Aaron Jonah Lewis plays his original arrangement of Scott Joplin's famous Maple Leaf ...
This is your periodic reminder that classic fingerstyle 5-string banjo, which predates all of the modern folk/country/bluegrass idioms and was the predominant style from ~1880 ~1920, exists and whips absolute ass
https://aaronjonahlewis.bandcamp.com/album/mozart-of-the-banjo-the-joe-morley-project
24 track album