By African-American photographer Arthur P. Bedou (1882-1966), Sisters of the Holy Family, Classroom Portrait, 1922, gelatin silver print. #photography #blackphotograper #blackphotographers #vintagephotography #BlackHistory
From “Called to the Camera: Black American Studio Photographers: New exhibition traces evolution of Black studio photography,” by New Orleans Museum of Art Staff, 64 Parishes, February 28, 2023 : ‘Writing in The Crisis in 1923, W. E. B. Du Bois urged more young Black Americans to pursue photography as a career, citing a desire for beautiful images, the potential for a “good income,” and the chance to perform “excellent social service.” Du Bois even dropped the names of a few of his favorite photographers: Addison Scurlock of Washington, DC, Cornelius M. Battey of Tuskegee, Alabama, and Arthur P. Bedou of New Orleans. In spotlighting those three, Du Bois called attention to the most successful of their era—photographers who produced gorgeously lit and delicately finished portraits, beautifully toned prints that affirmed who the sitters believed themselves to be. These photographers sold portraits that were in keeping with the most popular trends in photography at the time, and regularly ventured out of their studios to make other kinds of dynamic photographs for social groups, churches, organizations, and other Black-owned businesses. Du Bois named three of the best, but in truth, they were only a few of the growing number of Black photographers working in portrait studios across the country, upwards of six hundred individuals at the time of Du Bois’s essay.’