"Suspension and investigation of prominent members of SCI-Arc are not enough"

The recent events at SCI-Arc are a flashpoint for industry-wide labor grievances and must lead to systemic change writes Corie Yaguchi, a former student of the Los Angeles architecture school.
The suspension and investigation of prominent members of SCI-Arc's faculty are not enough to address the systemic problems in the field of architecture.

For the private California institution to even take students' grievances seriously, it took massive public outcry after Marrikka Trotter, Margaret Griffin, and Dwayne Oyler tacitly endorsed questionable work culture norms in a discussion called How to be in an Office on March 25, which Dezeen covered here.

After an online outcry over the panel, allegations came out about the questionable labor practices of Trotter and partner, Tom Wiscombe of Tom Wiscombe Architecture, also a member of the SCI-Arc faculty.

We should all have access to an education that fulfills us

However, SCI-Arc's decision to suspend Trotter and partner, Tom Wiscombe, after allegations of malpractice is just a bandaid when it comes to the unfair labor practices in the industry. These questionable practices run deep and masking symptoms is not the solution to the problem. Further action must be taken.

It is unfortunate that it took the outrage of hundreds of students and thousands of onlookers for an institution to begin to look out for its students and their futures.

[

Read:

"I'm embarrassed for my profession" says commenter

](https://www.dezeen.com/2022/04/13/sci-arch-comments-update/)

For someone like me, who values my SCI-Arc education, I was heartbroken not only by these events but also by the fact that it's taken this long to have a serious dialogue about these issues. I, personally, had a very positive experience throughout my time at SCI-Arc, but seeing that this is not true across the board made me furious.

We should all have access to an education that fulfills us, helps us grow as people, and propels us into a career, without needing to jump through abusive hoops to get there.

The fetishization of labor, or "hustle culture", that has existed for decades within the institution and the field at large is toxic and creates a system where people in positions of power are able to take advantage of those they feel are beneath them. This moment seems like a turning point where people are finally saying we have had enough.

There is so much potential for change and growth

I feel it is also important to note that the problem spans far beyond these two individuals at SCI-Arc. These issues can be found everywhere - within other academic institutions, in the professional world, and in other fields as well – but that does not make them okay. While the current conversation has been very centered around SCI-Arc and specific people there, I am really hoping we are able to spark conversations all across the field.

There is so much potential for change and growth, and the information that has been brought to light in the past weeks needs to be used as a catalyst for the revolution towards more just labor and academic practices.

The silver lining throughout this moment of turmoil has been watching the way the community has come together to show their support and amplify each other's voices. The thing keeping us afloat is each other - our fellow students and alumni.

[

Read:

SHoP employees plan to unionise to prevent "exploitation of our time and our talent"

](https://www.dezeen.com/2022/01/10/shop-architects-union/)

A group of alumni hosted an alternative basecamp discussion, to show current students the many paths they are able to take as they go out and start their careers. We wanted to prove to current students that accepting an abusive workplace is not a requirement to kickstart a successful career. Many of us have jobs that we love and presented this as a counterpoint to many of the statements made during the initial basecamp held at SCI-Arc.

Another group of alumni came together to write a petition, demanding that the investigation be expanded beyond Wiscombe and Trotter, which has garnered over 850 signatures to date – the petition was sent to the SCI-Arc board on April 11 and a follow up on May 12, 2022, but both received no response.

The alumni's voice has been loud, strong, and clear in this moment. Almost a thousand people are standing together in solidarity, hoping for a better future for SCI-Arc, a place that has both given and taken a lot from us all.

We are calling for more action and a more just future

Furthermore, these actions have been spanning different generations of SCI-Arc, as a group of alumni from the 90s have joined together with more recent grads to host an event in person, as an alternative to SCI-Arc's 50th-anniversary celebration. The idea behind the event was to vent about the issues, value the positive points in our education, and envision the next 50 years for SCI-Arc.

The past month, while frustrating and infuriating, has also ignited so much hope and a radical form of joy knowing that, though bonded by trauma and outrage, we can all come together and channel this energy into productive action and change.

We are calling for more action and a more just future for the institution and the students to come.

The main image is of Southern California Institute of Architecture.

Corie Yaguchi is a recent graduate from SCI-Arc and works as a Junior Designer atBestor Architecture in Los Angeles.

The post "Suspension and investigation of prominent members of SCI-Arc are not enough" appeared first on Dezeen.

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"I'm embarrassed for my profession" says commenter

In this week's comments update, readers are debating the hours architecture students work and discussing other top stories.

News of two SCI-Arc faculty members being put on administrative leave for suggesting that architecture students should work long hours for low pay has sparked conversation amongst readers.

Tom Wiscombe and Marrikka Trotter, who have since apologised for their comments on Instagram, were placed on administrative leave on 30 March after speaking in a talk called "How to be in an office" on 25 March.

Many students, alumni, and others in the architectural community felt the panel discussion condoned negative labour practices in the industry.

"This mentality has to change"

Readers agree. "While this type of behavior has been part of the profession forever, I would think that SCI-Arc as a teaching institution would have policies in place to prevent this kind of predatory activity," said MKE Tom.

"They shouldn't be allowed to teach anymore," continued Jacapo. "This mentality has to change, and the only way is to root it out. They can go back to working 60 hours a day for peanuts if they want."

Stan Haas was also annoyed: "I'm embarrassed for my profession – my pride is for the many successful design firms whose businesses compensate employees fairly and offer true work-life balance environments. It can be done and we as a profession need to demand it!"

"There's another side to this story though," replied Walter Astor. "Many ambitious young students are keen to gain meaningful office experience with a good design firm. Lacking real income-generating skills, they offer their time as unpaid interns to the architectural firm. For some it's a calculation – they'd rather work for a while for free at a serious practice than getting paid for their time at a hack firm cranking out drawings for fast-food chain restaurants."

Does the way in which architecture students are treated need to change? Join the discussion ›

World's skinniest skyscraper by SHoP Architects completes in Manhattan

"Just because something is possible doesn't mean it is a good idea" says reader

Readers have left more than 80 comments on our story about SHoP Architects' design for a supertall skyscraper in Manhattan. It is both the world's skinniest and the second tallest in the Western Hemisphere.

"Just because something is possible doesn't mean it is a good idea," said Furious B.

"Waddaya know," added Flex Foto, "turns out you can be too rich and too thin."

Heywood Floyd felt differently: "All this bellyaching about the one per cent is getting pretty stale at this point. There have always been ostentatious displays of wealth, why should this era be any different? Plus you have all chosen a profession that caters to and requires moneyed clients to maintain its existence. At least SHOP gave us an intriguing architectural solution."

Was building 111 West 57th Street a good idea? Join the discussion ›

"I'm not building for Putin" says Wolf D Prix in defence of Russian projects

Commenter claims "architecture is politics"

Readers are riled by Coop Himmelb(l)au co-founder Wolf D Prix, who has defended his studio's decision to continue working in Russia following the country's invasion of Ukraine.

"Extremely opportunistic stance," said Roman Popadiuk. "Complete lack of humanistic values."

Jiri Mature continued: "It is sad that a once young fighter eager to pull down the establishment and make change is now but a slave to money ready to support oppression and dictatorship in the name of 'art'. It is not your architecture that burns, it is humans."

"Art is a conscious process and a response to the conditions affecting humans and the world," concluded Zea Newland. "If you ignore the circumstances of the creation of your art you're not an artist, just a businessman."

Are commenters being harsh? Join the discussion ›

Heatherwick Studio designs volcano-like performing arts centre for China

Reader calls Heatherwick Studio-designed performing arts centre "starchitecture at its finest"

Commenters are discussing Thomas Heatherwick's design for a performing arts centre in Hainan, China, that draws on the island's volcanic landscape and Hainanese opera costumes.

"Looks like someone dropped a Pantone swatch book," said Ken Yarnell. "Not crazy about the exterior. The interior gauzy lightness is much more appealing."

"I like it more than I thought," replied Miles Teg. "A building with a story, created from actual geographical and cultural elements instead of trying to create a cool form just for coolness' sake. This is, actually, starchitecture at its finest."

Diogo Pereira agreed: "Everything Heatherwick Studio is doing seems light and fresh."

What do you think? Join the discussion ›

Comments update

Dezeen is the world's most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions onour comments page.

The post "I'm embarrassed for my profession" says commenter appeared first on Dezeen.

#all #comments #usa #education #sciarc #architectureanddesigneducation

"I'm embarrassed for my profession" says commenter

In this week's comments update, readers are debating the hours architecture students work and discussing other top stories.

News of two SCI-Arc faculty members being put on administrative leave for suggesting that architecture students should work long hours for low pay has sparked conversation amongst readers.

Tom Wiscombe and Marrikka Trotter, who have since apologised for their comments on Instagram, were placed on administrative leave on 30 March after speaking in a talk called "How to be in an office" on 25 March.

Many students, alumni, and others in the architectural community felt the panel discussion condoned negative labour practices in the industry.

"This mentality has to change"

Readers agree. "While this type of behavior has been part of the profession forever, I would think that SCI-Arc as a teaching institution would have policies in place to prevent this kind of predatory activity," said MKE Tom.

"They shouldn't be allowed to teach anymore," continued Jacapo. "This mentality has to change, and the only way is to root it out. They can go back to working 60 hours a day for peanuts if they want."

Stan Haas was also annoyed: "I'm embarrassed for my profession – my pride is for the many successful design firms whose businesses compensate employees fairly and offer true work-life balance environments. It can be done and we as a profession need to demand it!"

"There's another side to this story though," replied Walter Astor. "Many ambitious young students are keen to gain meaningful office experience with a good design firm. Lacking real income-generating skills, they offer their time as unpaid interns to the architectural firm. For some it's a calculation – they'd rather work for a while for free at a serious practice than getting paid for their time at a hack firm cranking out drawings for fast-food chain restaurants."

Does the way in which architecture students are treated need to change? Join the discussion ›

World's skinniest skyscraper by SHoP Architects completes in Manhattan

"Just because something is possible doesn't mean it is a good idea" says reader

Readers have left more than 80 comments on our story about SHoP Architects' design for a supertall skyscraper in Manhattan. It is both the world's skinniest and the second tallest in the Western Hemisphere.

"Just because something is possible doesn't mean it is a good idea," said Furious B.

"Waddaya know," added Flex Foto, "turns out you can be too rich and too thin."

Heywood Floyd felt differently: "All this bellyaching about the one per cent is getting pretty stale at this point. There have always been ostentatious displays of wealth, why should this era be any different? Plus you have all chosen a profession that caters to and requires moneyed clients to maintain its existence. At least SHOP gave us an intriguing architectural solution."

Was building 111 West 57th Street a good idea? Join the discussion ›

"I'm not building for Putin" says Wolf D Prix in defence of Russian projects

Commenter claims "architecture is politics" Readers are riled by Coop Himmelb(l)au co-founder Wolf D Prix, who has defended his studio's decision to continue working in Russia following the country's invasion of Ukraine.

"Extremely opportunistic stance," said Roman Popadiuk. "Complete lack of humanistic values."

Jiri Mature continued: "It is sad that a once young fighter eager to pull down the establishment and make change is now but a slave to money ready to support oppression and dictatorship in the name of 'art'. It is not your architecture that burns, it is humans."

"Art is a conscious process and a response to the conditions affecting humans and the world," concluded Zea Newland. "If you ignore the circumstances of the creation of your art you're not an artist, just a businessman."

Are commenters being harsh? Join the discussion ›

Heatherwick Studio designs volcano-like performing arts centre for China

Reader calls Heatherwick Studio-designed performing arts centre "starchitecture at its finest"

Commenters are discussing Thomas Heatherwick's design for a performing arts centre in Hainan, China, that draws on the island's volcanic landscape and Hainanese opera costumes.

"Looks like someone dropped a Pantone swatch book," said Ken Yarnell. "Not crazy about the exterior. The interior gauzy lightness is much more appealing."

"I like it more than I thought," replied Miles Teg. "A building with a story, created from actual geographical and cultural elements instead of trying to create a cool form just for coolness' sake. This is, actually, starchitecture at its finest."

Diogo Pereira agreed: "Everything Heatherwick Studio is doing seems light and fresh."

What do you think? Join the discussion ›

Comments update

Dezeen is the world's most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions onour comments page.

The post "I'm embarrassed for my profession" says commenter appeared first on Dezeen.

#all #comments #usa #education #sciarc #architectureanddesigneducation

Tom Wiscombe and Marrikka Trotter apologise for "high-pressure office culture" after being suspended by SCI-Arc

Two SCI-Arc faculty members who were put on administrative leave for suggesting that architecture students should work long hours for low pay have apologised for their comments.

"We know we have an intense, high-pressure office culture," wrote Wiscombe, who heads Los Angeles studio Tom Wiscombe Architects, in a post on his Instagram account.

Students "absolutely tired" of failures

"We acknowledge that students are just absolutely tired of being faced with industry-wide failures that reduce access, exhaust workers, and create little outlook," added Wiscombe, who is also undergraduate program chair at Southern California Institute of Architecture (SCI-Arc).

"We completely understand that as a couple at one school, both with administrative roles, it can seem like we have unfairly consolidated power, and we acknowledge that some faculty and students feel that way."

The apology came after Wiscombe and Marrikka Trotter, who is SCI-Arc theory coordinator and an associate at Tom Wiscombe Architects, were placed on administrative leave on 30 March after speaking in a talk called "How to be in an office" on 25 March.

Apology follows backlash over panel discussion comments

During the talk, which was part of SCI-Arc's "Basecamp" recorded lecture series, Trotter advised students and recent graduates to work at "boutique" studios to gain experience.

"When you commit to a project, to a firm, when you commit to a principal, and you really invest, then I guarantee you they will invest in you," Trotter said during the panel discussion.

"They will pay you as much as they possibly can and be happy to do it."

Trotter compared the experience of working at large and small practices. "Is it like a 40-hour workweek that you can barely get through, or is it a 60-hour workweek that you can't wait to start every day?" she said.

"So you got to choose your poison on that one."

The How to be in an office panel was criticised for promoting long work hours
Immediately after the panel, criticism of the panellists’ statements began appearing online.

Many students, alumni, and others in the architectural community, felt the panel discussion – which was led by Trotter and involved educators Margaret Griffin and Dwayne Oyler – condoned negative labour practices in the industry.

The Twitter thread #HowNotBeInAnOffice pointed out perceived flaws in the commentary, as well as general trends of exploitative labour practices in the field.

Olly Wainwright, British newspaper The Guardian’s architecture critic, shared a thread about the discussion, saying: "Wow, this thread is a terrifying window on US architectural education."

Advocacy group The Architecture Lobby tweeted: "The Architecture Lobby stands in solidarity with the students and alumni at SCI-Arc in their struggle against labor abuses by faculty."

"This behavior isn’t just a few bad actors but endemic across architecture education and it’s time we put an end to it. More to come soon!"

Trotter and Wiscombe put on leave pending investigation

The fallout led to Trotter and Wiscombe being put on leave by the school, pending an official investigation.

"We are currently reviewing both our internship policies and practices and studio culture to identify areas of improvement and reform," SCI-Arc said in a statement on 5 April 2022.

"The school has engaged an external firm to conduct an independent investigation into the allegations raised by students. The two faculty members in question have been plac​ed on administrative leave until the investigation has been completed".

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Read:

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The decision was made following a petition launched by students, citing both the statements made by Trotter and allegations of general malpractice at TWA.

Specific instances cited were not explicitly mentioned in Trotter’s talk, but the video and fallout were linked in the petition.

"They leveraged their power within our institution to persuade undergraduate students into deferring their education for a semester in order to work on a competition for their office, only for these students to be severely overworked and mistreated by them," said the petition.

"It can seem like we have unfairly consolidated power"

On Sunday 3 April, Tom Wiscombe released a statement on his personal Instagram account acknowledging the need for change at TWA.

"We know we have an intense, high-pressure office culture at TWA, especially during deadlines, which have been particularly relentless over the past months," he wrote.

"This relentlessness is exacerbated by my own drive to always improve our work until the last minute, and also my own fears of failure as we grow and take on the responsibilities of larger, real architectural projects. I know it is exhausting and takes a toll on every single person involved, mentally and physically, and we should have set clear boundaries and asked more questions."

"While we can’t answer for the wrongs of our entire field, we can and will be responsible for the things that we do in our small office."

[

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"We completely understand that as a couple at one school, both with administrative roles, it can seem like we have unfairly consolidated power, and we acknowledge that some faculty and students feel that way," he added.

"We want to change at TWA. We have started a series of workshops with our staff at TWA on how to work in a thoughtful, sensitive way that is empowering for everyone."

SCI-Arc was founded in Los Angeles in 1972 by a group of architects and designers led by modernist Ray Kappe.

Other labour disputes in the architectural industry in the United States include the recent move within SHoP architects for unionisation, spurred on by what employees have called exploitative practices.

The post Tom Wiscombe and Marrikka Trotter apologise for "high-pressure office culture" after being suspended by SCI-Arc appeared first on Dezeen.

#all #architecture #news #usa #education #sciarc #architectureanddesigneducation

Amy Kulper named director of The Bartlett School of Architecture

The Bartlett School of Architecture has appointed professor Amy Kulper as its director following a search to find a "transformative leader".

Kulper, who is currently the head of architecture at the Rhode Island School of Design (RISD), will replace outgoing director Bob Shiel on 1 September 2022.

She has also taugh at the University of Cambridge, the University of California, Los Angeles (UCLA), the Southern California Institute for Architecture (SCI_Arc), and the University of Michigan.

"Sea-change in architectural education"

"I am honoured to have been selected as the next director of The Bartlett School of Architecture and look forward to future collaborations with staff and students," Kulper said.

"We are currently witnessing a sea-change in architectural education as the architect's role is strategically expanded to include fluency and expertise in racial, social, and environmental justice and decoloniality," she added.

"The Bartlett is a global leader in the pedagogy of the built environment, and I look forward to harnessing the creative innovations of its community as we embrace this transformation in the education of the architect."

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Bartlett seeks director "committed to equality" as Bob Sheil prepares to step down

](https://www.dezeen.com/2021/10/19/bartlett-seeks-director-committed-to-equality-as-bob-sheil-prepares-to-step-down/)

The school said her appointment came "following an international search for a transformative leader".

Kulper's current job at RISD has seen her co-chair the ACSA national conference Black Box: Articulating Architecture's Core in the Post-Digital Era.

She also recently co-curated Drawing Attention: The Digital Culture of Contemporary Architectural Drawings, a group exhibition at Roca Gallery in London.

Bob Sheil to return to role as professor

"Amy is an inspirational voice for architectural education internationally and I am truly excited about her appointment," said professor Christoph Lindner, dean of The Bartlett Faculty of the Built Environment and chair of the selection committee.

"She has a driving passion for the transformative power of equality, diversity, and inclusion in higher education, alongside extensive and nuanced knowledge and experience in the field of architecture, bridging practice, design, history and theory."

At Bartlett, Kulper will take over from director Sheil, whose term comes to an end this year, when he will return to being a professor at the school.

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Bartlett came under scrutiny in 2021 after ex-students came forward with allegations of sexist and racist treatment, leading University College of London, of which Bartlett is a part, to launch a review.

An independent investigation, led by external agency Howlett Brown, was announced in October of last year.

The school has almost 2,000 students and staff and is ranked first in the UK for architecture and the built environment (QS World Rankings.)

Fellow UK architecture school the Architectural Association is currently searching for a new director and recently revealed five applicants for the role.

The post Amy Kulper named director of The Bartlett School of Architecture appeared first on Dezeen.

#all #architecture #news #thebartlettschoolofarchitecture #architectureanddesigneducation

AA names five applicants vying to be school's new director

The Architectural Association has released a shortlist of five candidates in the running to become the school's new leader following the dismissal of Eva Franch i Gilabert.

The position at the Architectural Association (AA) has been vacant since July 2020, when Catalan architect Franch i Gilabert was fired after losing a vote of confidence.

Among the contenders set to replace her are the London architecture school's own head of teaching Mark Morris, as well as its tutors John Palmesino and Ann-Sofi Rönnskog who would serve as co-directors.

Ingrid Schroder, the head of design teaching at the University of Cambridge's architecture department, has also been shortlisted.

Andrew Clancy of Irish studio Clancy Moore Architects and University of California professor Jill Stoner are the final two applicants.

The final decision will be made by the AA's council in May. This will be informed by a vote by students, faculty and council members after each candidate presents to the school in April.

[

Read:

Abrupt dismissal of AA director Eva Franch i Gilabert leaves "a cloud over the school"

](https://www.dezeen.com/2020/07/15/aa-director-eva-franch-i-gilabert-dismissal/)

The AA, which was founded in 1847, is regarded as one of the world's most prestigious architecture schools.

It has a unique governance system with a group of around 1,500 staff and students, which is known as the school community, able to vote on the school's key decisions. These votes are advisory to the council when making decisions.

Franch I Gilabert fired in 2020

Franch i Gilabert was elected as the first female director of the school in 2018. Her contract was terminated by the AA in 2020 after a vote of no confidence on 29 June and a prior vote against her proposed strategic plan for 2020 to 2025.

Eighty per cent of the Architectural Association community members who voted were not in favour of her strategy plan, while the vote of no confidence passed narrowly by 52 per cent.

After the incident, the AA's former teacher Elia Zenghelis said it "put the school and its future in serious jeopardy".

Council should have given all sides the chance to be heard

The decision also came under fire from a number of other industry figures, including Eyal Weizman – a former AA student and founder of research agency Forensic Architecture.

"It is an open secret that the vote of no confidence was mobilised by allegations of bullying by the director and of sexism towards her," Weizman told Dezeen at the time.

[

Read:

AA council has put the school "in serious jeopardy" by dismissing director and should resign, says Elia Zenghelis

](https://www.dezeen.com/2020/07/24/elia-zenghelis-condemns-aa-council-dismissing-director/)

"Because these allegations are very serious the c and for the issue to be investigated before taking drastic action."

An open letter to the AA, signed by over 200 architects and academics, asked the school to consider whether the gender bias had influenced proceedings.

The post AA names five applicants vying to be school's new director appeared first on Dezeen.

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Architecture education needs "decolonisation and decarbonisation" says London School of Architecture head Neal Shasore

At just 32, the self-proclaimed "outspoken" historian Neal Shasore has become the head of the London School of Architecture. In this exclusive interview, he told Dezeen of his plans to make the school a beacon of inclusivity.

"Decarbonisation goes hand-in-hand with decolonising," said Shasore. "It means encouraging students to think about their projects in terms of sustainable and regenerative design solutions."

Shasore, who was appointed the London School of Architecture (LSA) head and chief executive officer in June 2021, believes that architecture education needs to respond better to today's social and political climate.

Changing with the times

He argues that "decolonising" the study of architecture – a contested term which broadly means separating it from the legacy of European colonialism – can pave the way for a more diverse industry.

"We need to look for radical territory and the new frontiers," the 32-year-old told Dezeen from the top floor of the LSA's east London base.

"Decolonialsim is an incredibly creative, stimulating and radical critique of the world," he added.

The LSA was founded in 2015 as an independent school of architecture – the first to open in England since the Architectural Association was established in 1847. Shasore is the first Black head of the school.

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London School of Architecture names Neal Shasore head of school

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"One of the founding objectives of the school was to broaden access and make more affordable architectural education," said Shasore, who is a historian of Nigerian and Indian descent.

"But the LSA's vision was written before Black Lives Matter, before the declaration of a climate emergency, before Rhodes Must Fall and before George Floyd," he continued.

Shasore argues that the LSA's ethos must now adapt in line with recent political events such as the furore over the statue of 19th-century imperialist Cecil Rhodes and the wave of Black Lives Matter protests following the 2020 murder of African American George Floyd at the hands of police.

"I think that making more prominent those calls for racial equity and spatial justice need to be front and centre in that vision," he continued.

Racial reckoning in architecture

His call for such a shift comes at a moment of racial and social reckoning within the architecture industry.

Progressive steps such as Scottish-Ghanaian architect Lesley Lokko becoming the first Black architect to curate the Venice Architecture Biennale are broadening diversity within the field.

At the same time however, allegations of sexist and racist treatment in the industry have become more widespread, as in the case of The Bartlett School of Architecture.

The LSA provides students with a two-year postgraduate programme on subjects including designing cities and critical theory. In their second year, students embark on a practical course in which they are supported in seeking placements in London.

It has a reputation for taking an ambitious and innovative approach to teaching, with an emphasis on student empowerment.

"Diversity and inclusion is hard"

Shasore plans to use his previous experience as a visiting lecturer at the University of Cambridge's architecture school and as a course tutor for the MArch professional practice studio at the Royal College of Art to overcome some of the potential pitfalls that architecture institutions fall into when trying to become more inclusive.

"What I've learned over the last few years is you have to be in the room and you have to be outspoken," he said. "Sometimes that can be very uncomfortable."

"Diversity and inclusion is hard: it requires people to think harder, to be braver and to make less convenient decisions," he added.

Shasore cites listening to marginalised voices and broadening access to higher education as key ways to achieve "spatial justice".

He draws on his plans for fire and safety regulation training at the school, which will involve the 100 LSA students undergoing lessons about the Grenfell Tower fire as a more concrete example of how to decolonise education and the importance of recentering the voices of those who have historically been ignored.

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Grenfell Tower was a council-owned high-rise block in west London which was destroyed in a terrible blaze in 2017 as flames spread across its recently installed cladding system, claiming 72 lives.

A failure to listen to the voices of residents at Grenfell Tower − many of whom were from ethnic minority backgrounds − during its refurbishment has been repeatedly touted as a reason the building became so unsafe.

"One of the ways I would like us to teach that which is arguably quite technical and regulatory is not to lose that frame of the kind of broader picture of, in that case, racial and class inequality.

"The tragedy of Grenfell only reinforces that the ability to listen to and engage with diverse voices in the production of the built environment is vital," Shasore stressed.

Elsie Owusu, Doreen Lawrence, two recipients of the Open Up bursary and Neal Shasore

Currently, he claims, "social housing, affordable housing is done onto people rather than enabling them to do for themselves."

As part of his plans for the school, Shasore also launched Open Up, a fundraising campaign designed to support prospective LSA students from underrepresented groups.

"We want to start to open up a conversation," he explained. "Open Up is also a call to action: it's a demand, as I see it, from those underrepresented groups, telling the professions to open up."

Campaign to support students from minority backgrounds

The Open Up campaign has already secured £30,000 from a collaboration with the Stephen Lawrence Day Foundation (SLDF) to develop a programme to combat the profession's "systemic barriers to diversity". Bursaries for two current students of colour have been funded using the money.

A recent partnership with the Zaha Hadid Foundation will provide a further two bursaries for prospective students from low-income backgrounds.

For Shasore, the collaboration with the SLDF holds great personal significance and as a consequence, he takes the responsibility to make it a success very seriously.

The SLDF foundation was set up in response to the racially motivated 1993 murder of Stephen Lawrence, a Black British teenager and budding architect.

[

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Architecture "is more elitist than the most elite university in the world" says Phineas Harper

](https://www.dezeen.com/2020/08/18/architecture-elitist-phineas-harper/)

"I feel privileged enough being appointed to run the school and even more privileged that one of the first big initiatives that I'm able to champion is in Stephen Lawrence's name," Shasore added. "That means something to a Black man."

Alongside the Open Up campaign, the LSA has recruited Afterparti's Thomas Aquilina to join the school in a special fellowship position called the Stephen Lawrence Day Foundation Fellow.

The role will see Aquilina lead the school's access and participation plan, including "conversations around curriculum reform", as well as providing a "visible role model" for students from underrepresented groups.

Shasore hopes that this approach will enable the school to become "a truly civic institution" with a focus on community-centric built environments.

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"We'll be graduating smart, caring, compassionate activist students" says new head of Pratt undergrad programme

Architect Stephen Slaughter was recently named as the chair of undergraduate architecture at the Pratt Institute. In this exclusive interview, he explains how he aims to bring his ethos of activism and inclusion to the school.

"Our student body is the most important thing and the change they can make in the profession," he told Dezeen. "The change they can make in the world is what I consider paramount."

As chair of the programme, Slaughter will lead the department of 180 faculty and 700 students as one of the most high-profile Black academics in US architectural education.

At the Pratt Institute School of Architecture, he aims to continue his work pushing for diversity, equity and inclusion [DEI], which has been a core element of his time in academia, he said.

"DEI has been an integral part of who I am," he explained.

"My role as an educator and my role as a private citizen, and my role as designer, has always been to leverage my talents and my position to somehow bring benefit and value through design to the community I'm a part of and represent," he continued.

"These are the things that I'd like to be able to impart on Pratt."

Change students can make is "paramount"

Slaughter, who will take up the role in July, currently teaches at the University of Kentucky and the University of Cincinnati, and formerly at the Pratt Institute, where he was a visiting professor on the Graduate Architecture and Urban Design (GAUD) program.

While Slaughter will be focused on helping to enact change within the school, he believes the greatest impact he can have is through the change his students can make.

"I am a servant of the institute, and I'm the servant of the students and the faculty," he said.

"It takes one's own activism to make change"

His community-focused work has seen him collaborate with not-for-profits including Watts House Project and Elementz Hip Hop Cultural Art Center and he hopes that graduates from the Pratt Institute will contribute to improving communities.

"Academia is part of a larger social, civic, societal, cultural system and I think the larger system has issues that hopefully, we as educators can address through the education of the next citizens," said Slaughter.

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"It's a bigger problem than could be solved specifically through academia alone. It takes one's own activism to make change within culture and society," he continued.

"I hope that we'll be graduating smart, intelligent, caring, compassionate activist students."

"I'd like to have a Pratt grad building shiny new opera houses"

However, this does not mean that Slaughter expects all his students to end up designing solely community-focused projects. He hopes that graduates from the Pratt Institute will be able to bring his ethos of inclusivity to all projects they work on.

"I also like the idea that students will be interested in building the next shiny new opera house, it's just that that opera house will be different," he explained.

"I'd like to have a Pratt grad building shiny new opera houses and leveraging the experiences and the perspective to make that opera house inclusive and sustainable."

[

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First 500 launches website that "elevates and celebrates" Black women in architecture

](https://www.dezeen.com/2021/11/29/first-500-website-black-women-architecture-tiara-hughes/)

Slaughter was previously diversity, equity, and inclusion coordinator for GAUD where he contributed to the Pratt's DEI strategic master plan. As head of the school's undergrad programme, Slaughter will have a key role in enacting many elements within the plan.

"One of the planks of the DEI strategic master plan is hiring and recruitment, as well as creating a welcoming environment," he said.

"These are the things I understand and want to set forward, as part of the mission for the school. And these are the things that I'll be following up on and expanding in my role as undergraduate chair."

"I was taught by a diverse array of professors"

Slaughter has a wide and geographically diverse career. A first-generation university graduate, he completed his undergraduate and masters at Ohio State University, where both his parents worked "as a way of affording me an education".

His experience at Ohio set the course for how he developed his career to focus on community and inclusion.

"I was taught by a diverse array of professors that influenced my opinion and my position in architecture today," he said.

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"Mabel Wilson, who's an amazing educator and writer was one of my professors, as were Jeff Kipnis, Peter Eisenman and Nathaniel Belcher," he added. "I had a wide variety of educators and academic perspectives."

From Ohio, Slaughter moved to California to work for Thom Mayne at Morphosis and lived in Los Angeles for several years, before returning to Columbus, Ohio, to help look after his sick father.

During this time he taught at the University of Cincinnati, which he said: "turned into a tenure track position and launched me as a dedicated educator".

"I feel like there's a commitment from the school"

Based in New York, the Pratt Institute is one of the best-known architecture schools in the US. It is led by British architect Harriet Harriss, who was made dean in 2019.

Slaughter took the role at the school as he believes that there is an appetite to tackle many of the issues surrounding the lack of diversity in both academia and the wider architectural profession.

"It's going to take commitment and I feel like there's a commitment from the school, from administration to the students," he said.

"Unfortunately, in both professional and academic career, I've been a part of more than a few initiatives that spin wheels and actually aren't interested in making a substantial difference," he continued.

"At Pratt, my colleagues in this effort were committed and that was the first time I've seen anything like that. It was more than invigorating to know that administration, staff, students, and faculty were committed."

In the US, as in many western countries, architecture is largely a white profession with Black architects making up only two per cent of the profession, compared to 14 per cent of the population.

American architect Tiara Hughes recently launched a website called First 500 to showcase the work of Black women architects working in the country.

The post "We'll be graduating smart, caring, compassionate activist students" says new head of Pratt undergrad programme appeared first on Dezeen.

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Rossana Hu named chair of the department of architecture at Tongji University

Rossana Hu of ​​Neri&Hu has been appointed chair of the department of architecture at Tongji University in Shanghai, becoming the first woman to hold the position.

The architect and founding partner of design studio Neri&Hu was appointed to the position at Tongi University's College of Architecture and Urban Planning (CAUP) on 21 December.

"I am extremely honoured to be appointed to this position," said Hu. "Not just because it is an amazing opportunity to be teaching in this top institution, but also the close proximity I will have with the best thinkers and doers in China’s architecture realm."

Hu is the first woman to chair the department of architecture at CAUP and is also the first architect to hold the position who has not previously studied at the university. Previously, all chairs of the department of architecture at CAUP were Tongji Univesity graduates.

Top: Rossana Hu is the first woman to chair the department of architecture at Tongji University. Above: Neri&Hu recently completed a whiskey distillery in China. Photo by Chen Hao

The appointment is part of CAUP dean Li Xiangning’s ambition to make the institution, which is one of China's top architecture schools, a global name.

"As Hu brings a diverse and global perspective to the school, more channels of international communication are sure to open up for architectural research and teaching at Tongji," said Li.

"Today, all landmark buildings in Shanghai are connected to Tongji" said Hu. "Will we create groundbreaking works and leave Tongji marks all over the world one day?"

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Founded in 1952, Tongi University's CAUP comprises three departments: the Department of Architecture, the Department of Urban Planning and the Department of Landscape Architecture, with 222 full-time faculty members and researchers.

Hu has previously collaborated with CAUP on a series of lectures and exhibitions between 2014 and 2017. This year, Neri&Hu’s solo exhibition Works in Permanent Evolution was also presented at CAUP.

Other academic positions held by Hu include John C. Portman Design Critic in Architecture at Harvard University, Norman R. Foster Visiting Professor at Yale University and Visiting Professor at The University of Hong Kong.

Neri&Hu's Works in Permanent Evolution exhibition was presented at Tongji University this year

Hu received her master of architecture and urban planning from Princeton University and a bachelor of arts in architecture and music from the University of California at Berkeley.

She worked for Michael Graves & Associates in Princeton and The Architects Collaborative (TAC) in San Francisco, among others, before cofounding Neri&Hu Design and Research Office in Shanghai with Lyndon Neri in 2004.

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Neri&Hu was named architecture studio of the year at this year’s Dezeen Awards.

"Neri&Hu is a practice that has been steadfast in navigating their close knowledge and precise skill for design from furniture and interiors through to city scale, moving the discipline, practice, craft and education of architecture and architects across East and west seamlessly,” Dezeen Awards judges’ commented.

Neri&Hu is based in a former staff dormitory building in Shanghai, which the studio converted into its own offices last year.

Other recent projects by the studio include a campus for elevator manufacturer Schindler in Shanghai and a stone-clad whiskey distillery for Pernod Ricard in China's Sichuan province.

The post Rossana Hu named chair of the department of architecture at Tongji University appeared first on Dezeen.

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Rossana Hu named chair of the department of architecture at Tongji University

Rossana Hu of ​​Neri&Hu has been appointed as chair of the department of architecture at Tongji University in Shanghai, becoming the first woman to hold the position.

Dezeen

Crystal Williams named first Black president of Rhode Island School of Design

Teacher and poet Crystal Williams has been appointed president of Rhode Island School of Design, becoming the private US art and design school's first Black president.

Williams, who is currently vice president and associate provost for community and inclusion at Boston University (BU), will become the Rhode Island School of Design (RISD)'s 18th president and its first Black president.

The news comes following the school's former president Rosanne Somerson, who retired at the end of June, announcement of a plan to tackle "multiple racist issues" at the school.

"I believe in the value of art and design"

Williams' appointment is the culmination of RISD's search for a leader "with the global vision to guide RISD's role in helping to create a more just, fair and sustainable society".

"I entered this search because I believe in the value of art and design to elevate and amplify the human experience, and to narrate who we have been and who we can become," Williams said.

Crystal Williams is the 18th president of the Rhode Island School of Design

"As a matter of fundamental principle, I believe in the power of art and design to not only, as bell hooks wrote '...tell it like it is' but to also, '...imagine what is possible,'" Williams told Dezeen.

"In this way, artists, designers, and creatives step into the world with courage and love for our collective human endeavor and dare to see and say: here is a new way, a different path," she added.

"To lead an institution dedicated to amplifying that and the creatives with the vision and courage to enact that vision, is to have an essential opportunity to help be part of and catalyze positive change in our world."

Williams' work has focused on inclusivity

Raised in Detroit, USA, and Madrid, Spain, Williams began her academic career at Reed College as a professor of English and was its dean from 2011-13.

She was then associate vice president for strategic initiatives and professor of English at Bates College from 2013-17.

Her previous work has focused on promoting diversity and inclusivity and at BU, she led a number of initiatives including the Inclusive Pedagogy Initiative and the LGBTQIA+ Task Force.

Williams told Dezeen that being appointed to the role at RISD matters because it creates new narratives.

"There is power in multiplicity," she said. "Diversity of experience and perspective catalyzes deeper, richer conversations and therefore stronger, more creative and innovative decisions and outcomes. It also matters because the narratives about who adds value and who should be in the room are derived from who has been in the room."

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"That I am a Black woman now leading this august institution matters because, yes, I bring a series of experiences and points of view to the table, and, because behind me are a series of people who look like me who now have a new narrative that affirms: I can be there too!" she added.

"And, importantly, we often miss this but I think we shouldn’t, because behind and beside me are also a series of people who do not look like me who now also have a new narrative which is that people who look like me can be here and should be here too. Both of these new narratives change the course of history."

RISD on path to hire more diverse faculty

Williams will take up the role at RISD on 1 April 2022.

"Crystal shares our strong conviction in the critical role art and design play in shaping our world, and she has the expertise and qualities of leadership needed to meet the urgency of this moment and take RISD into the future," RISD Board of Trustees chair Michael Spalter said.

"We are thrilled that she has accepted our invitation to be our next president."

Last year, previous president Somerson announced plans to tackle racism at the school in an open letter.

"Unfortunately, these issues are not new; they have pervaded systems and structures at RISD for decades, largely unchanged," she said.

"As the leader of RISD, I take responsibility for having allowed a culture to continue to exist that does not fully live up to our values."

In November 2020 RISD launched its Race in Art and Design cluster-hire initiative to hire 10 faculty members who specialise in issues of race and decoloniality in the arts.

The photography is by Jo Sittenfeld unless stated otherwise.

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Crystal Williams named first Black president of Rhode Island School of Design

Teacher Crystal Williams has been appointed president of Rhode Island School of Design, becoming the design school's first Black president.

Dezeen