"Fulfillment (Lovers)," Gustav Klimt, 1910-11.
Klimt (1862-1918) was one of the guiding lights of the Vienna Secession movement, which gave birth to what we know today as Art Nouveau.
This work is actually a pattern for a mosaic. From 1905-11 he was involved in installing a mosaic frieze in the dining room of the Stoclet Palace in Brussels, Belgium. The central motif was the Tree of Life, which forms a backdrop for several figures, including the embracing couple we see here.
Klimt's works could often be frankly erotic; not smutty, to be sure, but openly depicting romantic and sexual passion in ways that some found almost pornographic at the time. Today, they're tame, but still evocative.
Mosaic work also fitted Klimt's style; quite a few of his paintings look like mosaics in two dimensions. While there are aspects of this that are frankly traditional, the overall execution, with flat areas of pattern with no attempt to make them seem three-dimensional, marks the beginning of the transition to modernism.
From the MAK - Museum für angewandte Kunst (Museum of Applied Arts), Vienna.
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