Louis Garrel, Matthew Goode, Rose Leslie, Martha Plimpton And Irene Jacob Join Sydney Sweeney In ‘The Custom Of The Country’
#Casting #DominicWest #MatthewGoode #SydneySweeney #TheCustomofTheCountry

https://deadline.com/2026/03/sydney-sweeney-customs-of-the-country-dominic-west-1236750186/

Louis Garrel, Matthew Goode, Rose Leslie, Martha Plimpton And Irene Jacob Join Sydney Sweeney In ‘The Custom Of The Country’

Dominic West and Matthew Goode among those joining Sydney Sweeney in Studiocanal's film adaptation of The Custom of the Country.

Deadline

I recently enjoyed Edith Wharton's "The Custom of the Country". With its settings in the US and France, this 1913 work bears some thematic resemblance to the international novels of Henry James. Wharton's work, though, does not foreshadow the modernist use of stream of consciousness as does the later work of James; stylistically, Wharton is working with in the tradition of realism, so that one can associate her with William Dean Howells as much as with James.

Writing in this realist tradition and, as one might expect from the author of a pioneering work on interior decoration, scrutinizing in detail dwellings and their contents, Wharton narrates the merciless struggle of midwestern transplant to New York Undine Spragg for upward social mobility. Architecture, furnishings, decor, dress, and accessories not only reflect social and psychological states but also serve to pivot the plot.

I suspect Americans and Europeans, men and women, and young and old will react variously to the novel. I was impressed by its shrewd observation of manners and mores, impressed by its wit and irony, and gripped by the narrative of the odious protagonist's irrepressible social ascent. I remember reading somewhere that "Downton Abbey" creator and beneficiary of a Conservative title hand-out Julian Fellowes was rooting for Undine all the way; that tells us as much about Tory peers as Wharton's work.

I bought the Penguin Classics edition, pictured in this post. I recommend purchasing another edition, as pages fell out of this brand new book as if it were a cheap pulp paperback of old. What a disappointment!

#TheCustomOfTheCountry #EdithWharton #Realism #Books #AmericanLiterature #USLiterature #Novels #Bookstodon #LiteratureInEnglish #PenguinBooks
#InternationalNovels

Steer clear of #TheBuccaneers! Also, falls ihr AppleTV+ überhaupt findet auf euren Geräten.

Dass ein Projekt wie #TheCustomOfTheCountry von Sofia Coppola dafür abgesägt wurde, werde ich denen nie verzeihen. Sofia Coppolas sehr unterschätzter Film #OnTheRocks ist immerhin noch auf AppleTV+ verfügbar.

Wenn es unbedingt was Historisches sein soll, das ein bisschen edgy ist, empfehle ich #Dickinson.

Sofia Coppola has revealed new details about why #AppleTVPlus axed her 5-episode adaptation of Edith Wharton’s #TheCustomOfTheCountry.

Discussing all of back and forth with “mostly dude” executives on everything from the budget to the script, she said “They didn’t get the character of Undine. She’s so ‘unlikable.’ But so is Tony Soprano! It was like a relationship that you know you probably should’ve gotten out of a while ago.”

(https://www.newyorker.com/magazine/2024/01/29/sofia-coppola-profile)

Sofia Coppola responds to Apple TV+ pulling plug on her project.
https://youtu.be/blwu_kl0LzE
#sofiacoppola #appletvplus #thecustomofthecountry
Sofia Coppola responds to Apple TV+ pulling plug on her project.

YouTube

Sofia Coppola Says Apple Pulled Funding For ‘The Custom Of The Country’ Series Due To ‘Unlikeable’ Female Protagonist
#News #Apple #AppleTVPlus #SofiaCoppola #TheCustomofTheCountry

https://deadline.com/2024/01/sofia-coppola-apple-canceled-the-custom-of-the-country-series-1235801440/

Sofia Coppola Says Apple Pulled Funding For ‘The Custom Of The Country’ Series Due To ‘Unlikeable’ Female Protagonist

Sofia Coppola is opening up about why Apple canceled The Custom of the Country series. The director was announced to be adapting the Edith Wharton classic novel for Apple TV+, but executives at the…

Deadline
Sofia Coppola: Apple Execs Didn't 'Get' 'The Custom of the Country'

“They didn’t get the character of Undine,” Coppola said of Apple TV+ executives who pulled funding on the Edith Wharton adaptation. “She’s so ‘unlikable.’ But so is To…

IndieWire

Hätte ich fast vergessen, und aus gutem Grund: Die unfassbar lauwarme AppleTV-Serie #TheBuccaneers, die Apple statt #TheCustomOfTheCountry produziert hat.

Da wollte jemand viel zu sehr #Bridgerton reproduzieren, ohne auch nur an dem zu kratzen, was Edith Wharton ausmacht. Hab die Serie nicht mal zu Ende geschafft, weil mich die Dreiecksgeschichte so ärgert.

Hab dieses Jahr #TheCustomOfTheCountry zum ersten Mal gelesen und mich nochmal intensiver mit #HouseOfMirth und #TheAgeOfInnocence beschäftigt, in Hörbuch- und Filmform.

#TheCustomOfTheCountry ist eindeutig der sperrigste Stoff. Aber selbst ein Meister wie Scorsese hat mit dem eigentlich sehr zugänglichen #TheAgeOfInnocence arg gekämpft. Terence Davies liefert mit seiner fast vergessenen Verfilmung von #HouseofMirth für mich die überzeugendste Arbeit ab.

Hat jemand bei AppleTV überhaupt #TheCustomOfTheCountry gelesen, bevor sie Sofia Coppola den Auftrag für ein Drehbuch gegeben haben? Sich angesichts der Vorlage zu beschweren, die Hauptfigur sei fürs Fernsehen „zu unsympathisch“, ist schon ein wenig erstaunlich.