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THE ETERNAL Share Official Lyric Video For “Bleeding Into Light”

https://bravewords.com/news/the-eternal-share-official-lyric-video-for-bleeding-into-light/

#THEETERNAL #ShareOfficialLyricVideoFor #BleedingIntoLight #newrelease #EP #video #BraveWords #metal #music

The Eternal share “Bleeding Into Light” lyric video:

#TheEternal #BleedingIntoLight #NewVideo

Link: https://metalinsider.net/video/the-eternal-share-bleeding-into-light-lyric-video

#NowPlaying the recent EP "Celestial" by the band #TheEternal from #Australia and #Finland

#GothicMetal #DoomMetal #ProgressiveMetal #AlbumsOf2026

Personal Rating: 9 / 10

Recommended Tracks: "Everlasting MMXXVI", "Celestial Veil", "It all ends", "Casting down Shadows", "Bleeding into Light"

Australian Gothic doom act The Eternal came into my life with their 2018 opus Waiting for the Endless Dawn and caused me much consternation. I loved their depressive Paradise Lost / Sentenced / Katatonia style, but struggled with the sheer length of the compositions, which ranged from 10 minutes upward to 20. I underscored the album despite some amazing material due to its sheer size, and I regret that still. 2024s Skinwalker saw them tone down the running times somewhat, and it was another glum victory with huge moments of sadboi glory. Now, The Eternal drop a mini-album/EP named Celestial, and lo and behold, it’s economical in size and scope.1 You get 4 new tracks, a remix from their sophomore release, and one short intro.2 It’s not much on paper, but it hits way above its weight and again proves these Aussie doomers have something special going on that every doom fan needs to be aware of.

After a throwaway intro, “Celestial Veil” comes in to mop the floor with your emotions with a vulgar display of poignant Gothic doom. It has strong similarities to the classic Black Sun Aeon and Dawn of Solace playbook of Tuomas Saukkonen, with weepy guitar lines and plaintive clean singing designed to fill your heart with grief. The chorus is so perfect and gripping that you can’t unhear it after one exposure. And the most amazing part? It’s relatively short at just over 6 minutes! “It All Ends” is even shorter and carries the torch of despondency with another downcast paean to misery that’s emotive, morbid, and catchy, with a killer chorus designed to stick like a prison shank.

The hits keep coming on “Bleeding into Light,” which milks the band’s streamlined template for all its worth. It’s simple but uber-memorable, part Goth rock and part doom. It works a charm, and it’s so easy to listen to as it hollows out your soul. The big surprise comes with “Casting Down Shadows,” where the band takes their core approach and layers it with epical Middle Eastern symphonics to arrive at something grandiose like a doom version of Led Zeppelin’s immortal “Kashmir.” It creates a strange hypnotic effect, and you lose yourself in the haze of time and space. It’s a really interesting song and shows a side of The Eternal that I want to hear more of. Things round out with “Everlasting MMXXVI,” a remix of a track off their 2004 Sleep of Reason album. It works here, and though the overall style is more stripped-down and Goth rock-based. These shorter style cuts remind me of the early stuff from Deathwhite, and that’s a good thing.

The Eternal know how to nail their chosen style to the wall, giving the Gothic/melodoom fan everything they could want. Mark Kelson’s vocals are perfect for this kind of dour doom, and he sells negative emotions by the truckload without having to strain or contort his voice to get the point across. His sullen crooning is beguiling, and when he steps the urgency up, things really pop. Kelson and Richie Poate are a potent guitar tandem, often keeping things minimalist while crafting classic Goth/melodoom harmonies that remind of what Greg Macintosh (Paradise Lost) does so well. Their playing is the mortuary drape that covers everything in cold hopelessness. This isn’t the most flashy of bands musically, but they don’t need to be to ensnare and bewitch you.

In my review for Skinwalker, I wrote, “If they ever learn to resist their fatter angels, they’ll drop a magnum opus that will shake the heavens.” Here we find The Eternal associating with angels on Ozempic, and the results are impressive indeed. I’m anxious to see if Celestial is indicative of where the band is heading. I’m fully on board if that’s the case, and if not, I can deal with the zaftig angels too. I’m easy when the doom is this sexy.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Reigning Phoenix
Websites: the-eternal.com | facebook.com/theeternal | instagram.com/theeternalofficial
Releases Worldwide: January 16th, 2026

Steel Druhm’s Top Ten(ish) of 2024

By Steel Druhm

Unlike some of my colleagues, I don’t have all that much to report regarding the past year. Life has been pretty consistent and mostly good, and for that, I’m grateful. Madam X keeps me sane and out of trouble, and most importantly, talks me out of slaughtering the AMG staff when they do any number of idiotic things to challenge my calm and nurturing management style. Entering 2024 I feared the added burden of becoming the new AMG Promo Sump Pool Boy1 would seriously impact my reviewing time. I’m glad to report that it did not, and my output was pretty close to past years. This year also saw me continuing to experience a shift in taste toward the brutish death end of the spectrum and I pray this isn’t the sign of a gradual de-evolution back to my apeish ancestors. If increasingly thick back hair is anything to go by, soon my reviews will consist solely of grunts and angry poo hurling.2

In site news, this year saw the unearthing of several long frozen and forgotten n00bs, a few of which clawed their way from the freezer into AMG staff glory, with a few more still working their way through the thaw. We also ran a casting call from which we intend to cull the best and brightest for this remorseless blog meatgrinder. MOAR blood for the Blood Godz will be the rallying cry for 2025!

I would like to thank the staff for their hard work and continued efforts to make this the best place in the metal interwebz. Your continued commitment to top-notch metal reviewing makes this a phenomenal workplace and I love most of you twice as little as you deserve. A special thanks to AMG Himself for continuing to stoke the flames of the site he founded way back in 2009. Though he isn’t as present as we all might wish, this place lives on in his frowning image.

Here’s to a brand new year and all the possibilities, opportunities, challenges, and wonders it holds for us. May it be a great one for all the writers and readers and may AMG live on in infamy and glory…forever.

(ish) The Eternal // Skinwalker – Australian Gothic doom act The Eternal know exactly how to pluck at the heartstrings of Steel, crafting long, winding odes to sadboi pathos that resonate even on the brightest summer day. Skinwalker is the second release in a row to impress and depress, with a sound merging My Dying Bride, Katatonia, Paradise Lost, and Lacrimas Profundere to form a trough of despair that runs a mile deep. There are major earworms here and some of the best writing of 2024. If it wasn’t for their constant battle with song lengths, this would have moved up the list considerably. Play this on a cold, gray day and marinate deeply in the sadz.

#10. Satan // Songs in Crimson – Satan has been the most dependable metal act around since 2013’s Life Sentence. Taking the same NWoBHM sound they helped pioneer and making it ever so slightly modern, they’ve churned out album after album of killer material, and Songs in Crimson doesn’t tweak the winning formula. It’s classic hard rock meets metal with guitar heroics in high supply and vocal hooks courtesy of metal legend Brian Ross lurking around every corner. This is a rowdy, raucous homage to all things metal with some of the year’s best guitar pyrokinetics and the fact it comes from a band so long in the tooth amazes me. Dark deals with the Devil were definitely made. Hail Satan.

#9. Nestor // Teenage Rebel – Sweden’s olde boy 80s retro rock act Nestor dropped an album so insidiously infectious and addictive, even Yours Steely was helpless in its sticky clutches. It’s so slick, so disgustingly sugar-coated and loaded with Survivor and Journey worship, but so so fun. Teenage Rebel takes me back to my own teenage idiot phase 3000 years ago when committing acts of antisocial hooliganism and making out with the Prom Queen under the school bleachers were the only pursuits worth pursuing. This thing has so many hooks, so much goddamn cheese, and almost too much 80s energy. Those were the best days, and this is a great album. Nestor is The Way.

#8. Laceration // I Erode – Pounding, punishing OSDM of the first order, Laceration flashes the blade of virtuosity as well, melding influences from various eras of Death, Morbid Angel, and Morgoth into a brutish meat stew of high-level compositional showmanship. The adroit marriage of caveman ugliness and refined guitar heroics is similar to James Murphy’s Disincarnate project and 2020s excellent Portraits of Mind by Plague and that makes for a compelling listen. I’ve returned to this many, many times in 2024 and it keeps its animal appeal every time. It’s also one of the few albums I wish was 10 minutes longer. I underrated I Erode when I reviewed it, so here is my heartfelt contrition and apology to them and you, the filthy, disgusting masses. Do not sleep on Laceration, folks. These cats are onto something special.

#7. Föhn // Condescending – I’ve never been a huge funeral doom fan, and it needs to check a bunch of boxes to click for me fully. Along came Condescending by Föhn and tossed my wussy checklist in the poser pyre. This Greek act have a knack for making their crushing compositions compelling and memorable, incorporating frenzied saxophone blasts at times to create a tense, unhinged vibe. Ambient droning segments and harrowing soundbites add flavors and texture to the massive soundscapes and the writing is consistently strong across the album. Condescending was one of the albums that came out of left field and slapped me silly in 2024. I can’t wait to see what comes next.

#6. Blazing Eternity // A Certain End of Everything – Along with Counting Hours, Blazing Eternity filled the sadboi Gothic doom compartment in my metal heart this year admirably. With a sound wrenched from the playbooks of Rapture and Katatonia and finding just the right melancholic mood, the songs on A Certain End of Everything cut deep and bring out the feelz. High-level writing and a commitment to deep despair make this a great companion piece to the Counting Hours opus with enough of a different approach to give it a unique identity. Blazing til the end.

#5. Stenched // Purulence Gushing from the Coffin – I enjoyed of deep death metal in 2024, but it was late-year entry Stenched that really throttled my crypt noodle. Created by one mysterious gent from Mexico, Purulence Gushing from the Coffin is like a romp through a septic tank without the benefit of waders or hazmat gear. It’s sticky, stinky, gross, and lurid, and you will learn to savor the flavor. With sub-basement, indecipherable croakals and slithering riffs, Stenched oozes with the same vicious viscousness as Cerebral Rot and Disma. It’s not for the squeamish or faint-hearted, and it packs a massive scuzz wallop. Just play “Suppurating Cranial Cavity” and you’ll know if you can stand the smell. Stenchmas is the real holiday!

4. Warlord // Free Spirit Soar – I loved Warlord since I was a young pup. Formed in the early 80s by Mark Zonder (later of Fates Warning) and guitar wizard Bill Tsamis, they delivered classy traditional metal with big hooks. Despite the massive talent involved, they missed their chance to realize their full potential. That all changed when the band released Free Spirit Soar following the death of Bill Tsamis. It’s everything Warlord did well but enhanced, enlarged, and made twice as epic. This is classic 80s trad metal that’s endlessly catchy, engaging, and polished to a gleaming chrome. Songs like “Conquerors,” “Worms of the Earth,” and the title track have shadowed my steps all year and I love this thing bigly. Long live the Warlord and R.I.P. Bill Tsamis.

#3. Endonomos // Endonomos – In a year with a few very bright moments for doom metal, Endonomos came out of nowhere and planted me in the cold, dark earth. Blending traditional doom with depressive post-metal, bits of sludge, and weepy sadboi melo-doom, Endonomos hit all the best parts of classic and modern doom, reminding of Ghost Brigade one moment and Fvneral Fvkk or Khemmis the next. The proprietary blend of styles is remarkable and the album simmers and crackles as it explores all the sounds of misery and woe. Songs like “Bereft” and “Resolve” are 2024 high points and the high-level compositions impress and stand up to endless spins, with little details emerging with every listen. So much feelz!

#2. Crypt Sermon // The Stygian Rose – This was the classic doom album that stole the Heart of Steel in 2024. Rebounding from a so-so sophomore outing, Crypt Sermon went back to the basics and reaffirmed their commitment to Candlemassive doom epics while smartly incorporating a ton of classic/trad metal ideas. The Stygian Rose finds them sitting directly in their sweet spot. Some of the best doom songs of 2024 reside here, and the writing is free of the glitches that plagued the prior release. Cuts like “Glimmers in the Underworld” and the massive “The Scying Orb” are pure doom magic with every bell and whistle included, and even the longest tracks flow effortlessly and sizzle all the way. The best pure doom release of 2024 hands down.

#1. Counting Hours // The Wishing Tomb – Readers of the site know I dearly loved the cold, melancholic sound of Finnish melodic doom-death act Rapture. They just had a special something and I always wish they had released more material. My prayers were answered when the guitarists from Rapture formed Counting Hours and dropped The Will debut in 2020. It was close enough in style to the Rapture days to satisfy without being a mere copy and the writing was top-notch. 2024s follow-up The Wishing Tomb took their sound, smoothed it out, polished it, and made it even more captivating. Bleak, somber doomscapes are woven, marrying heaviness with beauty, and touching on influences like early Katatonia, Dawn of Solace, and other equally downtrodden acts. The Wishing Tomb is such a success because the songs are filled with so much emotion and force the listener to feel things. It’s all beautifully grim and gorgeously dark and I keep returning time after time. Don’t let these Hours pass you by.

Honorable Mentions:

• Grand Magus // Sunraven – The lords of the sword return with their best album in years and you will feel embiggened
• Blitzkrieg // Blitzkrieg – Brian Ross does it AGAIN, keeping NWoBHM alive for another year single-handedly
• Cardiac Arrest // The Stench of Eternity – The world slept on this two-ton slab of OSDM and you’re all dumber for missing it
• Hands of Goro // Hands of Goro – Mortal Kombat-themed NWoBHM-inspired tomfoolery should not work, but by Kano’s red eye, work it does!
• Castle // Evil Remains – Gritty Sabbathian occult metal with dark edges and captivating vocals straight from the crypt coven
• Amethyst // Throw Down the Gauntlet– Old timey early 80s-style metal with hooks and a big dose of Blue Öyster Cult
  
• Tim Montana // Savage – A country rocker explores his metal/grunge/alt side and it ends up way more entertaining than it should
• SIG:AR:TYR // Citadel of Stars – The Canadian one-man epic Viking metal guru does it once more and sends you to the heavens via Valhalla
• Mother of Graves // The Periapt of Absence – Melancholic doom-death borrowing from all the best oldies and making it sound new and refreshing
• Cemetery Skyline // Nordic Gothic – When an all-star line of melodeath masters come out with a goth rock album, you fookin’ listen!

Song o’ the Year:

Crypt Sermon – ”Scrying Orb” – Classic doom perfection

Review Defense o’ the Year:

Look here, I love Judas Priest more than you and have for way longer too (because I’m olde). Invincible Shield is still a 3.0 though. Those saying otherwise are just babbling fools and they’ve built a temple to madness.

Steel Addendum: And now, as an extra special bonus feature, here’s Mark Z‘s goat vomit-filled Top Ten(ish) of 2024 in all its gruesome entirety!

#ish. Hellbutcher // Hellbutcher
#10. Antichrist Siege Machine // Vengeance of Eternal Fire
#9. 200 Stab Wounds // Manual Manic Procedures
#8. Vomitrot // Emetic Imprecations
#7. Bewitcher // Spell Shock
#6. Nails // Every Bridge Burning
#5. Diocletian // Inexorable Nexus
#4. Blood Incantation // Absolute Elsewhere
#3. Invocation // The Archaic Sanctuary (Ritual Body Postures)
#2. Mayhemic // Toba
#1. Coffins // Sinister Oath – Since their 1996 formation, these Japanese doom-death behemoths have been delivering riffs heavy enough to break the Richter scale. Yet with Sinister Oath, they may have just released their most accomplished album yet. More than almost any of their other works, this record deftly balances the band’s monolithic grooves and more atmospheric sensibilities, resulting in a diverse set of songs that gets better as it goes. While you still get the traditional Coffins fare in tracks like “Spontaneous Rot,” you also get chuggy onslaughts (“Sinister Oath”), stoner-doom forays (“Everlasting Spiral”), punky pummelings (“Chain”), and a final three-song run that might just be the best fifteen minutes of music in the band’s career. It’s all a rib-crushing good time that could please fans of everything from Cianide to beatdown hardcore, and—even in an already stacked year—it got more listens from me than almost anything else.

Honorable Mentions:

• Ripped to Shreds // Sanshi
• Adorior // Bleed on My Teeth
• Sabbat // Sabbaticult
• Destruktor // Indomitable
• Chapter // We No Longer Serve a Purpose

Song o’ the Year:

• Chapter – “A Decade of False Hope”

#2024 #BlazingEternity #Blitzkrieg #CardiacArrest #Castle #CemeterySkyline #CountingHours #CryptSermon #Endonomos #Föhn #GrandMagus #HandsOfGoro #JudasPriest #Laceration #MotherOfGraves #Nestor #Satan #SIGARTYR #Stenched #TheEternal #TimMontana #Warlord

Swallow the Sun – Shining Review

By Steel Druhm

Swallow the Sun have been on a slow, steady arc of evolution since their early days of crushing doom-death. Over the years their overall sound lightened and expanded, adding more Goth rock elements along the way. 2019s When a Shadow is Forced into the Light moved away from brute heaviness toward glumly melodic, introspective soundscapes, and 2021s Moonflowers continued that drift while painting with a gray-forward palette. For Shining the band wanted to push further into new territories and brought in 2-time Grammy nominee producer Dan Lancaster, known for his work with acts like Blink 182 and Muse. The result is what the band refers to as “the Black Album of Death Doom.” It’s a much more polished, slick, and restrained version of Swallow the Sun, with shorter songs and a radio-friendly lean to their writing that approaches straight-up Goth rock and darkwave. Naturally, this comes at the expense of sheer heaviness. Will this shiny new version of Swallow the Sun be palatable to metal fiends or have they crossed the dreaded Rubicon?

The newly streamlined, polished sound is evident on opener “Innocense Was Long Forgotten.” It’s very depressive with the Finnish coldness still in place. It sounds a lot like Dawn of Solace at points and it’s full of morose vocals and despondent melodic harmonies. It’s 50 Shades of Gray all day with a decent chorus but the whole enterprise feels underwhelming, safe, and cautious. Lest Swallow the Sun give the impression they forgot the metal, “What Have I Become” leverages latter-day Amorphis-esque death roars and crunching guitars alongside plaintive piano and forlorn clean vocals. The metal may be present yet things still feel neutered and drained of needed vitality. This is the pattern that plays out over Shining. There’s an effort to balance mellower offerings like “MelancHoly” with harder fare like the blackened “Kold,” but the overall impact remains moderate to low. Things often feel too self-consciously rigid and tightly regulated to truly shine with songs rarely grabbing hold of your throat and heart. Worse, the material sometimes sounds uncomfortably similar to H.I.M.

There are a few highlights on Shining that show Swallow the Sun can still push a song to a higher plateau. “November Dust” drills deeper into pure Goth, with elements of Fields of the Nephilim and Type O Negative coming together for a bleak, unhappy marriage in a graveyard. Mikko Kotamäk goes full Carl McCoy here with good results as the band fully commits to the dejected energy. It’s an engaging song on an album that sometimes seems unwilling to let the listener in. “Charcoal Sky” is a muted success, going deeper into the death and black elements minimized or forgotten elsewhere. It sounds like a slightly more menacing Amorphis, with Mikko doing an impressive Tomi Joutsen homage as he roars over heavy, crunchy riffs and subtle orchestration. It’s not perfect but it stands out amid the dry writing. The nearly 9-minute closing title track is a microcosm of the album, pairing good moments with flat ones. I’m especially fond of how much Mikko sounds like David Sylvian here and I credit the band for making the song as listenable as it is over its runtime. However, it still feels like it’s lacking something special and essential.

The individual players are as talented as ever. Mikko is a very good vocalist capable of effective Goth-centric crooning and conveying the proper emotional heft. His death roars and blackened rasps remain biting and effective too. However, he feels as if he’s playing things too safe and can come across as rather anodyne. The main issue is the lack of fire and brimstone in the surrounding music. Juha Raivio and Juho Räihä feel underutilized on some tracks, their playing being too stripped-back and minimalist. When they do cut loose you get some impressive leads and harmonies, as on the title track, but too much of the album feels stuck in rudimentary Goth leads and restrained sullen doodling. This adds to a lurking sense of malaise that undercuts the enjoyment.

I came into Shining hoping to be washed away in the moist tears of a heartbroken sadboi but instead, I was greeted by a cold, sterile album that feels emotionally distant and tough to reach. It’s almost like the band put up walls to keep the listener watching from a distance and the result is an overly safe and pedestrian slab of Goth rock with metal uprisings. Swallow the Sun are now doing the same kind of music as The Eternal, but not nearly as well.1 Shining is easy on the ears but fairly drab and forgettable. That’s the real source of sadness here.

Rating: 2.5/5.0
DR: NA | Format Reviewed: Lame Ass Stream
Label: Century Media
Websites: swallowthesun.net | facebook.com/swallowthesun | instagram.com/swallowthesunofficial
Releases Worldwide: October 18th, 2024

#25 #2024 #Amorphis #CenturyMediaRecords #DeathMetal #DoomMetal #FieldsOfTheNephilim #FinnishMetal #GothicMetal #HIM_ #Moonflowers #Oct24 #Review #Reviews #Shining #SwallowTheSun #TheEternal #TypeONegative #WhenAShadowIsForcedIntoTheLight

The Eternal – Skinwalker Review

By Steel Druhm

In 2018, Aussie Gothic doom act The Eternal presented me with one of my most challenging trials as a music reviewer. Waiting for the Endless Dawn was a sprawling, meandering monster of an album running well over an hour, but the songs and morose atmosphere had a lot going for them. I agonized over whether the sheer length undercut the quality writing and in the end, I awarded it a 3.0. While I still stand by the criticisms I leveled, the album continued to infect my brain over the years and I realize I underrated it. Jump forward 5 years and The Eternal are back with another hour-plus dose of doom and gloom, posing all the same questions I battled with in 2018. Is seventh album Skinwalker well crafted enough to make an hour of mopey gloom palatable and digestible in one sitting or have they once again given the listener too much of a depressing thing? Getting Tomi Joutsen of Amorphis to provide guest death roars certainly works in their favor, but hard questions remain to test Steel‘s metal.

If you heard Waiting for the Endless Dawn, 10-plus minute opener “Abandoned by Hope” will feel very familiar. It’s a massive Goth doom piece littered with influences ranging from Paradise Lost, My Dying Bride, and Tiamat, with heavy riffs and weepy flourishes paving the way for Mark Kelson’s soft, plaintive vocals. He’s the rare vocalist capable of sounding vulnerable and heartbroken but also ominous and creepy like Tiamat’s Johan Edlund. Tomi Joutsen’s deep death roars are sprinkled in as accents and work well offsetting Kelson’s glum crooning. The vocal hooks are ever-present and the song is unnaturally addictive, showcasing smart peaks and valleys and glossy, sticky guitar work. Is it too long? Absolutely. 7-8 minutes would have sufficed, but The Eternal go big and won’t go home. In sharp contrast, “Deathlike Silence” is a concise goth rocking gem with a sweet, earwormy chorus. It sounds like prime Lacrimas Profundere meets One Second era Paradise Lost and it gets in your head fast and sets up a successful bait shop. “Under the Black” works equally well, with touches of Viva Emptiness era Katatonia blending with Ghost and H.I.M. slickness, and the use of post-metal aesthetics adds weight and depth. “When the Fire Dies” may be one of my favorite Goth doom songs of the past few years, with the post elements again paying big dividends by extending the power of the frail mope rock.

Then come the patented doom marathon The Eternal feel compelled to deliver. “The Iconoclast” is 10 minutes and feels 12, but somehow it still works and forces you to make a grudging peace with its bloated excess. These guys possess a shrewd sense of the dramatic and understand the theatrical aspects of Goth doom. The way the song slowly builds suspense before the cathartic release is masterful. Mark Kelson is the downtrodden Ring Master of the ceremonies, guiding you from attraction to attraction with smart vocal placement and once again, Tomi’s death eruptions are the icing on the grave cake. There are segments here that remind of Ava Inferi’s stellar Onyx opus and there’s a fuck-ton of forlorn grief energy to be had despite the overstuffed package. Could it be 2-3 minutes shorter? Could Doc Grier be nicer? Both are stupid questions. Things close with another study in excess, 9-plus minute “Shattered Remains,” and yet again The Eternal use sage songcraft to rescue the freighter from the rocky shoals. The music is just heavy enough to satisfy and Kelson does his sadboi thing with grace and aplomb as Tomi leaps in and out dropping the death hammer. The chorus is instantly memorable and evocative, sure to harsh your mellow, and send you to the weepery. With no songs feeling uninspired, The Eternal again deliver an hour-plus of music you can wade through and still want more of despite the extra padding. No small feat that.

This is Mark Kelson’s show and the man delivers a vocal tour de force of Gothy unhappiness. His voice is perfectly-suited to the style and his ability to move from ominous baritone to higher register crooning conveys the rise and fall of emotion well. Richie Poate and Kelson are a formidable guitar tandem, adept at weaving heavy doom riffs with uber-sad trilling and weepy noodling. The icy post-metal aspects are well executed and highly effective in timing and placement. Tomi Joutsen is used sparingly but effectively to punch the heaviness upward. He’s not on every song so things never feel formulaic or forced. This a band that knows this genre inside out and knows how to pluck the heartstrings long and hard.

Skinwalker is 65 minutes of high-class depression bottled by professionals and hawked by grungy snake oil salesmen. The Eternal refuse to downsize and will not be rushed. If you have the patience though, they have the fresh Goth goods. If they ever learn to resist their fatter angels, they’ll drop a magnum opus that will shake the heavens. Until that day, Skinwalker will do just fine.

Rating: 3.5/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Reigning Phoenix
Websites: the-eternal.com | facebook.com/theeternal | instagram.com/theeternalofficial
Releases Worldwide: June 28th, 2024

#2024 #35 #AustralianMetal #AvaInferi #DoomMetal #GothicMetal #Jun24 #Katatonia #LacrimasProfundere #ParadiseLost #ReigningPhoenixRecords #Review #Reviews #Skinwalker #TheEternal #Tiamat #WaitingForTheEndlessDawn

#TheMetalDogArticleList
#BraveWords
THE ETERNAL Release Official "Skinwalker" Lyric Video
Finnish-Australian metal quartet, The Eternal, recently returned to the screen with a bang - the announcement of their long-awaited new album, Skinwalker, which is set to be released on June 28 via Reigning Phoenix Music (RPM). In contrast to the first single's title, "Deathlike Silence", the outfit's latest tune...

https://bravewords.com/news/the-eternal-release-official-skinwalker-lyric-video

#TheEternal #Skinwalker #ProgressiveMetal #TuvanThroatSinger