The Eternal – Celestial Review By Steel Druhm

Australian Gothic doom act The Eternal came into my life with their 2018 opus Waiting for the Endless Dawn and caused me much consternation. I loved their depressive Paradise Lost / Sentenced / Katatonia style, but struggled with the sheer length of the compositions, which ranged from 10 minutes upward to 20. I underscored the album despite some amazing material due to its sheer size, and I regret that still. 2024s Skinwalker saw them tone down the running times somewhat, and it was another glum victory with huge moments of sadboi glory. Now, The Eternal drop a mini-album/EP named Celestial, and lo and behold, it’s economical in size and scope.1 You get 4 new tracks, a remix from their sophomore release, and one short intro.2 It’s not much on paper, but it hits way above its weight and again proves these Aussie doomers have something special going on that every doom fan needs to be aware of.

After a throwaway intro, “Celestial Veil” comes in to mop the floor with your emotions with a vulgar display of poignant Gothic doom. It has strong similarities to the classic Black Sun Aeon and Dawn of Solace playbook of Tuomas Saukkonen, with weepy guitar lines and plaintive clean singing designed to fill your heart with grief. The chorus is so perfect and gripping that you can’t unhear it after one exposure. And the most amazing part? It’s relatively short at just over 6 minutes! “It All Ends” is even shorter and carries the torch of despondency with another downcast paean to misery that’s emotive, morbid, and catchy, with a killer chorus designed to stick like a prison shank.

The hits keep coming on “Bleeding into Light,” which milks the band’s streamlined template for all its worth. It’s simple but uber-memorable, part Goth rock and part doom. It works a charm, and it’s so easy to listen to as it hollows out your soul. The big surprise comes with “Casting Down Shadows,” where the band takes their core approach and layers it with epical Middle Eastern symphonics to arrive at something grandiose like a doom version of Led Zeppelin’s immortal “Kashmir.” It creates a strange hypnotic effect, and you lose yourself in the haze of time and space. It’s a really interesting song and shows a side of The Eternal that I want to hear more of. Things round out with “Everlasting MMXXVI,” a remix of a track off their 2004 Sleep of Reason album. It works here, and though the overall style is more stripped-down and Goth rock-based. These shorter style cuts remind me of the early stuff from Deathwhite, and that’s a good thing.

The Eternal know how to nail their chosen style to the wall, giving the Gothic/melodoom fan everything they could want. Mark Kelson’s vocals are perfect for this kind of dour doom, and he sells negative emotions by the truckload without having to strain or contort his voice to get the point across. His sullen crooning is beguiling, and when he steps the urgency up, things really pop. Kelson and Richie Poate are a potent guitar tandem, often keeping things minimalist while crafting classic Goth/melodoom harmonies that remind of what Greg Macintosh (Paradise Lost) does so well. Their playing is the mortuary drape that covers everything in cold hopelessness. This isn’t the most flashy of bands musically, but they don’t need to be to ensnare and bewitch you.

In my review for Skinwalker, I wrote, “If they ever learn to resist their fatter angels, they’ll drop a magnum opus that will shake the heavens.” Here we find The Eternal associating with angels on Ozempic, and the results are impressive indeed. I’m anxious to see if Celestial is indicative of where the band is heading. I’m fully on board if that’s the case, and if not, I can deal with the zaftig angels too. I’m easy when the doom is this sexy.



Rating: 3.5/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Reigning Phoenix
Websites: the-eternal.com | facebook.com/theeternal | instagram.com/theeternalofficial
Releases Worldwide: January 16th, 2026

#2026 #35 #AustralianMetal #BlackSunAeon #Celestial #DawnOfSolace #Deathwhite #Jan26 #Katatonia #ParadiseLost #ReigningPhoenixMusic #Review #Reviews #Semtenced #Skinwalker #TheEternal #WaitingForTheEndlessDawn

Dawn of Solace – Affliction Vortex Review

By Steel Druhm

When Tuomas Saukkonen of Wolfheart, Before the Dawn, and Black Sun Aeon fame resurrected his Dawn of Solace project with the help of mighty Goth vocalist Mikko Heikkilä (ex-Sinamore) for 2020s Waves, big things happened. The duo’s experience working on Black Sun Aeon paid dividends and together they created a rich, engrossing, highly memorable slab of melancholic doom/death dripping with Finnish sadboi glory. Waves ended up my Record o’ the Year for 2020 and I still break it out when winter winds begin to blow. 2022s Flames of Perdition was a worthy follow-up though it couldn’t quite reach the same lofty heights as its predecessor. Affliction Vortex is the third collaboration between Toumas and Mikko under the Dawn of Solace banner and wisely, they haven’t tweaked the formula much. It’s still uber-glum melo-doom designed for a cold winter’s night introspection and all the key elements are in place. But can it hope to rival the maudlin majesty of Waves?

Not a chance, but it’s hard to resist what Tuomas and Mikko brew up nonetheless. Toumas has proven himself a master craftsman when it comes to weepy, despondent guitar work and sullen writing, and he’s lost none of his edge. When paired with Mikko’s smooth but pained vocals, good things are bound to happen. First proper track “Murder” is a classic Dawn of Solace composition, weighed down with forlorn guitar lines and carried expertly by Mikko’s despondent crooning. It’s exactly the kind of song you expect and desire from the duo and it doesn’t disappoint. This would have sat well on Waves, and no further compliments need be paid. “Fortress” begins life sounding like something off Katatonia’s Viva Emptiness with tense, angular riffs, before Toumas comes in with weighty death bellows and trilling harmonies that take things back to Finnish environs. “Into the Light” sounds like an old Black Sun Aeon song dug up and reworked, and I’m predestined to like it due to the downcast riffs and Finnish graveyard aesthetic. Tuomas delivers icy black rasps for extra chills and all is well.

The album crests with “Rival” – one of the best songs to come out of the Tuomas/Mikko collaboration, which is saying something. Mikko stretches himself vocally, providing an emotive journey that climaxes with a stellar chorus that hits just right. It’s sullen but vibrant and I can’t get enough of it. “Dream” is another stone-cold killer, leveraging Mikko’s vocal talents for maximum payoff as Tuomas roars in the background. Shades of Rapture live large in this one, but it’s undeniably a Tuomas joint. Some songs like “Invitation” recycle the sounds of Before the Dawn and Black Sun Aeon more than others, but it’s done toward good ends. “Perennial” is an interesting cut, slower, heavier and more dependent on Tuomas’ death grunts while Mikko alters his delivery toward something more rock-based. It stands out and almost feels out of place, but it works. At a tight 39 minutes, there’s no unsightly padding and only one track breaks the 4-minute barrier. This makes for a brisk, engaging spin with a solid replay factor.

What more can be said of the talents of this duo? Tuomas has proven his worth on countless albums spanning multiple genres and he continues to find inspiration in the darker side of life and the human psyche. He excels at crafting depressive doom and his riffcraft is always high quality. There are many of his cold, fragile, and morose leads here and plenty of his Gothy trilling and harmonizing too. His death roars and blackened rasps are good as always, injecting extremity into the melancholy while adding an effective counterpoint to Mikko’s disconsolate singing. Speaking of which, Mikko is always a slam dunk when it comes to this kind of music. He’s the prototype of a Goth metal singer and his voice is perfectly suited to the dejected songcraft. This is one of those pairings you can count on to deliver, and they do it again here.

I doubt Dawn of Solace will ever top what they accomplished on Waves, but three albums into the Mikko era, they’ve done nothing but deliver high quality output. Affliction Vortex is more or less the equal to Flames of Perdition with major highs and no duds. They’ve found a sweet spot in the sadboi doom genre and I hope they continue to mine it for more gems. I’ll keep buying until they hit the unruly Balrog.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Noble Demon
Websites: dawnofsolace.bandcamp.com | facebook.com/dawnofsolace |
Releases Worldwide: February 14th, 2025

#2025 #35 #AfflictionVortex #BeforeTheDawn #BlackSunAeon #DawnOfSolace #DoomMetal #FinnishMetal #FlamesOfPerdition #Insomnium #Katatonia #NobleDemon #Rapture #Review #Reviews #Waves #Wolfheart

Dawn of Solace - Affliction Vortex Review | Angry Metal Guy

A review of Affliction Vortex by Dawn of Solace, available worldwide February 14 via Noble Demon.

Angry Metal Guy