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Demonwarp - Protocol Obey

"Pulse pounding industrial electro with stellar remix from Frontal Boundary."

https://getmusic.fm/l/3JAvTd

#industrial #darksynth #darkelectro #synthmetal #emb #music

Eye of the Wild by nedogled is another concept album I enjoy. From the record's Bandcamp page:

Nature continues its unrelenting march of innovation through iteration, even after the flame of human civilization has fizzled out shortly upon reaching its apex.

New forms of life are being tested, some of them making incredible feats of evolution as they interact with ancient forces that have lain dormant for countless ages. Slowly rising from their deep slumber after the noise of humanity had subsided. Ready again, to take their rightful place as custodians of the Earth.

Descendants of the human species are now scattered across the planet, small in number and largely insignificant, adapting to life in unstable environments.

A tribe of these post-human nomads stumbles across the landscape as their minds brush with sentiences that exist on the outer edge of their comprehension.

These are their testimonies.
I dig the blend of electronic and metal music on this atmospheric instrumental record.

Favorite cut:
"The Underflow"

#Bandcamp #Music #MusicDiscovery #ConceptAlbums #Electro #Metal #SynthMetal #Darksynth #DarkSynthwave #Doomwave

Eye of the Wild, by nedogled

4 track album

nedogled

A fun re-imagining of the Doom theme.

#gaming #doom #synth #SynthMetal #MasterBootRecord #mbr

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Demonwarp - Fading Flesh

"Cybernetic demons await—dare to listen?"

https://getmusic.fm/l/AjZnZK

#bandcampcodes #industrial #darksynth #darkelectronic #synthmetal #music

Lightchapter – Where All Hope Begins Review

By ClarkKent

Death metal generally dabbles in the dark, the grisly, the violent, and the brutal. With the aid of ’80s-style synths, Lightchapter plays a version with a lighter, more hopeful touch. The aptly-named Where All Hope Begins marks album number two for this quartet out of Denmark. The band’s mission is to merge “despair and hope” and also “pain and joy” through not only their sound but their lyrics. Even on a blog that celebrates the angry and still makes fun of the brief Happy Metal Guy stint, I imagine something that infuses joy and lightness would find a welcoming audience. After all, Countless Skies showed how a band could successfully write an uplifting progressive death metal record, and that one was well-liked around these parts. Do we dare get our hopes up for Lightchapter?

While synth is a core part of their sound, this ain’t no dungeon synth. Lightchapter strikes a balance between old-school synth rock and more modern melodeath. Following an intro tune, “Leading the Way,” that evokes Stranger Things-style synths, “Where All Hope Begins” sets the album going on its marriage between industrial death metal acts like Orbit Culture and ’80s synth rock stalwarts like Depeche Mode. This isn’t a brutal version of death metal but a much softer approach. Guitars have more reverb than bite, cutting down on the heaviness, and the drums similarly don’t punch with the punishing heft of a Brodequin. The ’80s stuff also helps to soften the sound, with the synths providing a layer that lightens the already light guitar tone. Then there’s those familiar ’80s drum tones—the gated reverb and toms—that’ll warp you back to your carefree days listening to Duran Duran and the like. Lightchapter also features some deathcore breakdowns, though not obnoxiously (“The Unholy Mass,” “Revenge”). This blend of styles finds its most effective execution towards the end of Where All Hope Begins, particularly on the catchy “Little Death.”

Due to the lack of brutal guitars and thunderous blast beats, Where All Hope Begins turns out to be a rather chill album. This is true despite the harsh growls from Mikkel Ottosen. In fact, his vocals complement the instrumentals well. The combination of Anders Berg’s reverb guitar tone and melodic riffs and Tobias Hþst’s restrained drumming makes this a surprisingly relaxing listening experience. It’s true that songs like “What I Have Become” start out fast and heavy, but the heart of the song is soft tones and chill tempos. The softer moments gave me whiffs of Slipknot’s ballads, but also the lighter tunes on Rivers of Nihil’s latest. Lightchapter doesn’t quite hit the soaring emotional highs that Andy Thomas often reached, but that’s all part of their mellow charm. The hopeful tone is a breath of fresh air in the usually dark world of death metal.

If anything lets Lightchapter down, it’s a lack of hooks. The melodic leads and synths aren’t particularly catchy for most songs, nor are the choruses all that memorable. Some exceptions show how much stronger Where All Hope Begins could have been. “Unholy Mass” features not only a great synth line, but a memorable chorus when Ottosen sings “Father, you have forsaken me.” The final three tracks unleash Lightchapter’s true potential. “Little Death” is the album highlight, utilizing a catchy riff and synth combo that emphasizes Lightchapter’s strengths. The best chorus belongs to “My Own Kind,” which is the only song that comes close to reaching those Andy Thomas-level highs, thanks to the guitar tone. Combine the hooks of the one with the cathartic emotional highs of the other, and these guys could have something great on their hands. The finished product is an enjoyable record that doesn’t quite stick—but it shows how Lightchapter can get to that point next time.

Unfortunately, Lightchapter is releasing Where All Hope Begins at the end of a hectic release month, and on perhaps the biggest release day, where it’s competing for attention with Amorphis, Mors Principium Est, and Revocation. If you’re feeling a bit overwhelmed and burned out from all of the must-listens this month, a spin or two of Where All Hope Begins could help ground you. Sometimes an album like this that tries something a little different without going off the rails is just what you need to settle your frayed nerves. Lightchapter has crafted an album that shows promise for this young band. If anything, it’ll at least give you some measure of hope.

Rating: 3.0/5.0
DR: 10 | Format Reviewed: ~175 kbps VBR mp3
Label: Self-Released
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: September 26th, 2025

#2025 #30 #Amorphis #Brodequin #CountlessSkies #DanishMetal #DepecheMode #DuranDuran #ElectroDeathMetal #IndustrialMetal #Lightchapter #MelodicDeathMetal #Metalcore #MorsPrinicipumEst #OrbitCulture #Review #Reviews #Revocation #RiversOfNihil #selfRelea #SelfReleased #Sep25 #Slipknot #SynthMetal #WhereAllHopeBegins

Ola haut auch immer wieder absolut geilen Shit raus 😍

Ola Englund - THE GUILLOTINE (New single 2025)
https://www.youtube.com/watch?v=-yXpa7zCpbM

#SynthMetal #Metal #Music

Ola Englund - THE GUILLOTINE (New single 2025)

YouTube

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Demonwarp - Fading Flesh

"Cybernetic demons await—dare to listen?"

https://getmusic.fm/l/FDlGgY

#bandcampcodes #industrial #darksynth #darkelectronic #synthmetal #music

Darkwave, by Saymon SixtyHate

6 track album

Saymon SixtyHate

Free download codes:

Demonwarp - Fading Flesh

"Cybernetic demons await—dare to listen?"

https://getmusic.fm/l/azRaGO

#bandcampcodes #industrial #darksynth #darkelectronic #synthmetal #music

DOT-STAR.EXE
by @MASTERBOOTRECORD / Razor 1911
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1st place in the Revision 2025 Streaming Music Compo
Released: 2025-04-20
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▶ https://demozoo.org/music/371168/

#MasterBootRecord #MBR #Razor1911 #Revision2025 #streamingmusic #synthwave #darksynth #synthmetal #industrial #cyberpunk #computermetal

DOT-STAR.EXE

Streaming Music by Master Boot Record / Razor 1911, released 20 April 2025