The Woman King wants to be a historical epic, a feminist manifesto, and a Hollywood crowd-pleaser all at once — but ends up shrinking its story, flattening its stakes, and softening its message. A case study in studio-glossed ‘representation.’
#TheWomanKing #FilmCriticism #HistoricalEpics #HollywoodMyths #MovieReview #RepresentationMatters #CinemaStudies #StudioSystem #ViolaDavis
https://ninetypercentcrapmoviereviews.wordpress.com/2022/11/07/the-woman-king/
The Woman King: A Battle of Studio Spectacle vs. Historical Stakes

The Woman King (2022) is over two hours long, yet its world feels scarcely bigger or more realistic than a movie set. Despite its billing as a sweeping African historical epic, the film shrinks eve…

90% of Everything is Crap

Watching Holiday Affair, I am reminded of the peculiarities of 1949 where Hays Code audiences just accepted 22-year-old Janet Leigh as the single (war widowed) mother of a 9-year-old boy and romantic interest for Robert Mitchum or his 35-year-old rival suitor.

Teenage pregnancy was a no-no under the Code, few daring to state it until the late 1950s. Even if we are to believe her to be playing a woman in her middle 20s, there is still a whiff of it here.

#HollywoodMovies #movies #StudioSystem

Immaginari produttivi. <em>Diversamente Ford</em>: Henry, John e Francis

di Gioacchino Toni «Per una delle tante coincidenze poetiche della tradizione hollywoodiana, è il regista [...]

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