Angry Metal GuyMorbikon – Lost Within the Astral Crypts
By Owlswald
When he’s not dealing in the Slime and Punishment of Municipal Waste or pissing off the neighbors with Iron Reagan, axe-wielder Phil “Landphil” Hall channels his focus into Morbikon. Formed in 2020, Hall’s black metal side-project earned recognition from AMG Industries when Ferox highlighted the supergroup’s debut, Ov Mournful Twilight, as his surprise record of 2022. Rooted in all things kvlt and trve, the album’s second wave frostbitten anthems plunged into the remnants of burned churches and stale corpse paint, resulting in “eight meloblack rippers calibrated to bring winter to your soul and whiplash to your neck.” Now, Morbikon’s sophomore LP finds Hall honing his homage to the black arts, promising to descend his creation into a deeper, more sepulchral state. Ignite your torch and prepare the Necronomicon—it’s time to get Lost Within the Astral Crypts.
Lost Within the Astral Crypts forges the scorched spirit of Ov Mournful Twilight into a leaner, more technical and overwhelmingly black entity. Drawing on the lineup’s pedigree, Morbikon’s collective talent coalesces into an authoritative, and at times downright impressive, synthesis of 90s-influenced blackened thrash. Vocalist Mathias “Vreth” Lillmåns (Finntroll, …And Oceans) returns with his characteristic throat-ripping vocals, as furious down-picked riffs and swarming, lightning-quick tremolodic scales consistently anchor the material firmly in the black. Complementing Hall’s stylish fretwork, drummer Pierce Williams (Ænigmatum, ex-Skeletal Remains)—who replaces Dave Witte—adds raw, destructive rhythms with tight rolls and syncopations that are both refreshing and sophisticated. Tracks like “Unending Legions of Baal,” “Masters of Eternal Night” and “Flames that Bind and Shadows Cast” evoke a full-on black metal assault reminiscent of Satyricon or Emperor, complete with pounding double bass and subtle synths, while “Ghoul Infested Mausoleum” and “Heavens that Burn and Eons Divided” push the envelope with airy Wintersun melodicism peppered with thrash savagery.
The necrotic might of Lost Within the Astral Crypts rests in Morbikon’s technical excellence, elevating the album’s eight tracks beyond the seminal Scandinavian sound. Worshipping at the altar of the almighty riff, Hall and company immediately demonstrate their capabilities on “Heavens that Burn and Eons Divided”—an energetic, fun and melodic banger driven by a potent layered tremolo attack, fantasy-toned leads and Williams’ tomb-raiding blasts that promptly underscore Morbikon’s technical ambition. “Ghoul Infested Mausoleum” features the record’s best tremolo riff: a spectral high/low scale progression imbued with nocturnal gravity, bolstered by Williams’ accented beats and Lillmåns’ gnarly shrieks. Shreddy, virtuosic solos on the title track, “Flames that Bind and Shadows Cast” and “Numeric Portal Ascendency” push Lost Within the Astral Crypts past the point of a stereotypical tremolo-fest, while strategic thrash and death explorations (such as the opening passage of “Flames that Bind and Shadows Cast”) help maintain listener interest before regrounding the album’s dark, aggressive roots.
Given Morbikon’s stellar execution and the album’s efficient 43-minute runtime—with little bloat to be found—any criticism must instead focus on Lost Within the Astral Crypts’ songwriting. “Masters of Eternal Night” is a serviceable track, but often clings too tightly to classic Scandinavian conventions (even adopting a familiar Mayhem-like conclusion), rendering it less engaging than the album’s superior cuts. “Sworn to the Beheaded King” briefly adopts a more aggressive, in-your-face death metal spirit at its midpoint, including a tasteful guitar solo. Yet, these highlights can’t mask the track’s conventionality as it quickly retreats to familiar black metal terrain. Although the monolithic presence of Lost Within the Astral Crypts occasionally falters in favor of genre conventions, stagnant sections (“Ghoul Infested Mausoleum,” “Flames that Bind and Shadows Cast”) and even some superfluous wankery (“Lost Within the Astral Crypts”), the underlying songwriting remains solid, with engaging riffs and hooks that are strong enough to largely sustain the album’s momentum.
Lost Within the Astral Crypts is a worthy reinvention of a well-trodden sound. While the album is certainly not groundbreaking—nor is it trying to be—it demonstrates top-notch musical dexterity and delivers exceptionally well-executed material that is aggressive, dark and steeped in 90s nostalgia. At its weakest, Lost Within the Astral Crypts serves as a grim invitation to exhume those second-wave classics from your collection; at its strongest, it stands as a fun, rock-solid blackened thrash record that advances and validates Hall’s creative vision, confirming Morbikon’s vast potential.
Rating: Good
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Tankcrimes
Websites: instagram.com/morbikon | facebook.com/morbikon
Releases Worldwide: November 21st, 2025
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