Kindness

I’m sure this link will break sooner rather than later. But for now, Go Gentle Into That Good Night

I respect kindness in human beings first of all, and kindness to animals. I don’t respect the law; I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.

~ Brendan Behan

For 57 words, that does a pretty good job of summing it up. “Kindness” covers all of my political beliefs. No need to spell them out. I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn’t always know this, and am happy I lived long enough to find it out.

~ Roger Ebert

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#BrendanBehan #RogerEbert

"Oh, this #movie is so sad! It is sad not because of the tragic lives of its characters, but because of their #goodness and their charity." - #RogerEbert

November 10, 1995 https://www.rogerebert.com/reviews/leaving-las-vegas-1995

Leaving Las Vegas movie review

Oh, this movie is so sad! It is sad not because of the tragic lives of its characters, but because of their goodness and their charity.

Roger Ebert
Magical Realism: "Northern Exposure" 25 Years Later

An appreciation of the influential CBS series 25 years after it premiered.

Roger Ebert

Russ Meyer and Roger Ebert teamed up again for 1976's Up! which is a little bit fairy tale, a little bit Nazisploitation, and a whole lot of busty women. I... I mean it's Russ Meyer.

Read the review from May 2020 at https://wp.me/p9XNnZ-1gJ

#blog #review #russmeyer #70s #rogerebert #exploitation #sexploitation #nazisploitation

Up! (1976)

We’ve come to the end of Russ Meyer Month here at B-Movie Enema. Over the last several weeks, we’ve gone from Depression-era Missouri farms to a sexually liberated Canadian girl to go-g…

Perhaps one of the more famous Russ Meyer films is the pseudo-sequel to Jacqueline Susann's Valley of the Dolls. Beyond the Valley of the Dolls isn't just a kind of funny title, or a studio film for Meyer, it was written by famous movie critic Roger Ebert.

Read the review from May 2020 at https://wp.me/p9XNnZ-1fX

#blog #review #70s #russmeyer #valleyofthedolls #beyondthevalleyofthedolls #exploitation #rogerebert

Beyond the Valley of the Dolls (1970)

“This is my happening, and it freaks me out!” Welcome back to B-Movie Enema’s Russ Meyer Month.  We’ve finally gotten to the back end of the month and his 70s features.  It …

Ebertfest May Be Celebrating Its ‘Last Dance,’ but ‘It’s Not the End’ of the Beloved Festival

https://fed.brid.gy/r/https://www.indiewire.com/news/festivals/ebertfest-last-dance-roger-ebert-1235188478/

Ebertfest May Be Celebrating Its ‘Last Dance,’ but ‘It’s Not the End’ of the Beloved Festival
#IndieWire #Festivals #News #ChazEbert #Ebertfest #Film #MichaelBarker #RogerEbert

https://www.indiewire.com/news/festivals/ebertfest-last-dance-roger-ebert-1235188478/

Ebertfest May Be Celebrating Its 'Last Dance,' but 'It's Not the End'

Chaz Ebert and filmmakers attending the final edition of Ebertfest in Champaign-Urbana, IL this week share what makes the festival so unique.

IndieWire
Christophe Gans – „Pakt der Wölfe“ (2001)

„In dem Film geht es um Wölfe, französische Aristokraten, Geheimgesellschaften, Irokesen-Indianer, Kampfkünste, okkulte Zeremonien, heilige Pilze, Prahlhänse, inzestuöses Verlangen, politische Unterwanderung, tierische Geister, blutige Schlachtszenen und Bordelle. Das Einzige, was man nicht tun sollte, ist, diesen Film ernst zu nehmen. Seine Wurzeln liegen in traditionellen Monster-Sex-Fantasy-Filmen mit Spezialeffekten.“, schrieb Roger Ebert. (ARD, Wh.)

Zum Blog: https://nexxtpress.de/mediathekperlen/christophe-gans-pakt-der-woelfe-2001/
Movie TV Tech Geeks #Movie #RogerEbert #Halloween #TheExorcist 10 Horror Movies That Roger Ebert Considered Perfect http://dlvr.it/TRbQ0x

"The way seemed clear for ['Hoop Dreams' to win] an Academy Award as best documentary. Then a shameful thing happened. It wasn’t even nominated. We learned... that the members of the committee had a system. They carried little flashlights. When one gave up on a film, he waved a light on the screen. When a majority of flashlights had voted, the film was switched off. 'Hoop Dreams' was stopped after 15 minutes."

https://www.rogerebert.com/rogers-journal/the-great-american-documentary

#oscars #hoopdreams #documentary #rogerebert #film #cinema

The great American documentary

Today, fifteen years after I first saw it, I believe "Hoop Dreams" is the great American documentary. No other documentary has ever touched me more deeply. It was relevant then, and today, as inner city neighborhoods sink deeper into the despair of children murdering children, it is more relevant. It tells the stories of two 14-year-olds, Arthur Agee and William Gates, how they dreamed of stardom in the NBA, and how basketball changed their lives. Basketball, and this film. Photo copyright by Roka Walsh. Used with permission "Hoop Dreams" observed its 15th anniversary Wednesday night at the Gene Siskel Film Center. Agee and Gates were both there. Gates, now a minister, observed that in one period of time he buried 20 victims of gang violence, 16 of them under 16. Agee said when he looks at his friends in the film today, "ten of them are no longer with us." Yet there they sat, men of around 40 now, articulate, thoughtful, and spoke about how their lives began to change on a Chicago playground 22 years ago when a movie camera showed up. "We started out to make a little 30-minute documentary about a kid who had basketball dreams," Steve James, the director of the film, said Wednesday night. This was at a benefit for Kartemquin Films, the 40-year-old Chicago documentary group that produced the film.

Roger Ebert