~ The legendary Pope Joan, part VI ~
Bordeaux magistrate and writer Florimond de Raemond debunked the story of Joan, at least as far as Catholics were concerned, in Erreur Populaire, published in 1587. Florimond showed that a 1082 chronicle by Marianus Scotus had been altered to include a reference to Joan. This meant that the earliest authentic reference was four centuries after the purported event. As for the story of the perforated chair, it was “so gross” that the only appropriate response was to laugh, Florimond wrote. He campaigned against the statue in Siena, which was removed in 1601 and replaced by one of Pope Zachary.
Among Protestants, Florimond’s efforts only backfired. It gave the Siena statue attention it might not otherwise have received. The statue’s removal led to the suspicion that Catholics were destroying evidence. With her own legitimacy as a female ruler questioned, the reign of Elizabeth I (r. 1558-1603) was perhaps not the right time to bring this issue up. John Jewel, the bishop of Salisbury (1560-1571) wrote pamphlets that made Joan part of official anti-papal propaganda.
Pope Leo IV reigned from 847 to 855 while Benedict III reigned from 855 to 858, leaving no gap for Joan, according to Noble. There is a coin with Benedict on one side and Frankish Emperor Lothar I on the other. This means that it was issued when both men were reigning.
For over 700 years, Joan has been a popular subject with one generation of writers after another. Protestant writers used Joan to undermine the authority of the papacy. In the Enlightenment, she represented medieval backwardness and superstition. In the romantic 19th century, she represented joyous liberation from traditional roles.
Illustration : Whore of Babylon wearing the papal tiara from a woodcut in Luther Bible, by Lucas Cranach the Elder
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