š¶ Alestorm - The Storm (from the album "The Thunderfist Chronicles") š¶.
Why is this song so good? IDK what it is but I've listened to it multiple times today... (also the lyrics could totally be form some supervillain theme song).
š¶ Alestorm - The Storm (from the album "The Thunderfist Chronicles") š¶.
Why is this song so good? IDK what it is but I've listened to it multiple times today... (also the lyrics could totally be form some supervillain theme song).
Been completely obsessed with pirate symphonic metal the past week.
Pirate metal goes cyberpunk today, with this Melodicka Bros cover of Alestorm. It's Fridaaaaaaay!
Yeah, I reckon Iāll listen to this again, but still not threatening their best albums in anyway.
I think this a bit of a return to form.
There was a song called āMountains Of The Deepā which I thought might have been about some undersea Lovecraftian civilisation or something, but was actually about boobs.
The final track is a 17 minute epic which is worthy.
Ok, time for Alestorm.
A few albums back I was a huge fan of this band. āSunset on the Golden Ageā and āNo Grave But the Seaā are deadset classics.
āCurse of the Crystal Coconutā was still really good, if maybe a step down.
Then there was drama with a leaked chat full of offensive mysoginist and racist comments. Eventually those involved apologised. Apologies are good, but it does cast a shadow over things.
Next album āSeventh Rum Of A Seventh Rumā seemed more strained and ātry hardā
After all that, I did see them live this year and honestly it was a great show.
Anyway, letās see how this yearās album goes.
Terra Atlantica ā Oceans Review
By Kenstrosity
I had almost forgotten about German four-banger Terra Atlantica since I last covered them five years ago. Once my memory refreshed, I recalled what compelled me to snag Age of Steam in the first place: my love for steampunk. Far from the most dedicatedāand perhaps even farther away from the bestāpiece of media based on that universe, Terra Atlantica nonetheless did sound appropriately grounded in a world propelled by superheated water. But their songwriting was too inconsistent to make a big splash with this sponge. With follow-up Oceans in tow, is their hope that Terra Atlantica will hoist my sails properly this time?
With a new lead guitarist, Terra Atlantica finds themselves armed with a more folk-driven base that sends their sea-faring stories even further into open water than ever before. Veering into jaunty pirate metal territory, Oceans boasts a wide variety of baubles and decorative deviations scattered around their cookie-cutter power metal foundation. Terra Atlanticaās unusually reedy vocals carry over from the last record, evoking a certain Muppet-y personality that I donāt hate, but which many could. Canned strings and horns make a resurgence as well, pushing Oceans deeper into symphonic territory. In short, Oceans is as cheesy a power metal record as can be without being Fellowship, only without even half the songwriting acumen.
In fact, songwriting is Oceansā greatest downfall. Numbers that couldāve been great on their own merit find themselves stranded by downright infuriating choices. The greatest offenders are āHoist the Sail,ā ruined almost immediately once Terra Atlantica cribs the legendary āThe Rake Hornpipeā for an overlong bridge and solo; and overblown closer āOceans of Eternity,ā which once again copies and pastes more than one segment from a piece of well-known classical music1 to pad its runtime without doing anything meaningful with them. Outside of those rage-inducing moments, though, thereās still very little substance to Oceans. Due to its dogged reliance on basic genre building blocks and banal lyrics, Oceans is effectively wall-to-wall tropes and fairytale pirate stereotypes (āBack to the Sea,ā āWhere My Brothers Await,ā āLand of Submarinesā).
Indeed, Oceans reminds me of a metallized The Muppet Treasure Island soundtrack, minus that masterpieceās compositional excellence. Nonetheless, flashes of brilliance give me some hope that Terra Atlantica have the potential to write showstoppers worthy of positive comparisons to that iconic OST. āRaven in the Dark,ā for example, might be the albumās strongest whole song, pumping a stadium-ready melody and boasting a sticky chorus and fun hair-metal solo. āCaribbean Shores,ā too, maximizes its fun factor with a novel bit of tropical songwriting not often heard in power metal, unless you are Twilight Force. Additionally, I do appreciate the injection of real heft and a vaguely thrashy personality in āTurn of the Tide.ā If these novelties and convincing attributes were integrated more successfully into a greater portion of Oceanās runtime, the record would feel quite a bit different than what metal fans have been taught to expect from the symphonic power scene.
Unfortunately, Terra Atlantica only reinforce what metal fans learned to dread. To wit, a dearth of musical creativity in relation to material density, an overt abuse of classical standbys in the place of what should be original material (or at least a creative use of reference), and clear and present stereotyping in writing, theme, and lyrical content. What little hints of potential Terra Atlantica leave for listeners across Oceansā relatively tight 49 minutes do not make up for the burden of uninspiring, sometimes outright annoying, material offered. Steer clear of this if you know whatās good for you, lads!
Rating: Bad
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: Scarlet Records
Websites: terra-atlantica.de | facebook.com/terraatlantica
Releases Worldwide: September 26th, 2025
#15 #2025 #Fellowship #FolkMetal #GermanMetal #Mozart #Oceans #PirateMetal #PowerMetal #Review #Reviews #ScarletRecords #Sep25 #SymphonicMetal #TerraAtlantica #TwilightForce
Today be #TalkLikeAPirateDay so AHRRR, post yer best pirate metal covers, for #FridayMetalCovers
Nachm Urlaub erstmal das neue Hurley Album anhƶren
Mr. Hurley und die Pulveraffen feat. Warkings - All Hail The Captain