Note Release Gate.

What it does: Hold a MIDI note → effect is ON. Release → effect hard-cuts instantly. Exactly the Squarepusher "effect builds while you hold, then vanishes the moment you let go" thing.

The key difference from Signal Follower: Signal Follower needs audio signal to drive it — so if you're holding a silent sustain or a note has decayed, the effect dies too. Note Release Gate is purely

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Improvement: I have added "Open Folder to Paketti KeyBindings" to Paketti Preferences - for easier discoverability. Theres the "This is the one I use on macOS" one that i have been building for multiple years, and then the "convert that to windows-linux and fingers crossed" versions there. and also some Akai MIDIMIX mappings that might be of interest.

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Improvement: I have made an experimental Paketti KeyBindings xml available for Windows/Linux - basically a conversion of the macOS shortcuts. give it a go. its in the KeyBindings folder inside Paketti.

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**Slices to Phrases (Per Starting Slice) — Bugfix Update**

Quick fix for the Slices-to-Phrases feature shipped earlier today:

- **No more phantom full-break playback** — the generated phrases were accidentally forcing instrument 00 on every note, which triggered the unsliced parent sample on top of all the individual slice hits. Now the instrument column is left empty so Renoise's keyzone routing

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**Slices to Phrases (Per Starting Slice)**

Ever sliced up a break and wished you could instantly get phrase variations that start from each slice point? Now you can.

Take any sliced sample — say a 32-slice Amen break. This new feature duplicates the instrument and generates one phrase per slice, each starting from a different point in the break:

- **Phrase 1** plays the full break from the top
-

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🎯 **Got an audio kick? Turn it into a trigger pattern.**

Brand new offline transient capture in Paketti. Pick any sample with audio data, hit the menu, and Paketti walks the sample buffer in line-sized windows — `samples_per_line = sample_rate × 60 / (BPM × LPB)` — peak-detects with onset and debounce thresholds, and writes trigger notes into your target column with **sub-line accurate timing via the

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🎼 **Sidechain Workflow Pack III — four more upgrades**

Four follow-ons to the Sidechain Doofer that go beyond the Mr. Zensphere video.

**1. Trigger Phrase Library** — reusable ducking rhythms
One click adds 12 named phrases inside your trigger instrument: `SC: 4-on-floor`, `SC: Half-time`, `SC: 8th-gate`, `SC: 16th-gate`, `SC: Trance gate`, `SC: Dub-stab`, `SC: Garage swing`, `SC: Beats 1+3`, `SC:

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🪞 **Sidechain Workflow Pack II — three more upgrades**

Three quality-of-life follow-ons to the Sidechain Doofer Auto-Loader, all live in master.

**1. Trigger Column Mirror** — automate the copy/paste
Got a kick on track 3, want every kick to fire sidechain triggers on tracks 5, 7, 9? Don't copy/paste by hand.

`Tools → Paketti → DSP → Trigger Column Mirror…`
Pick source track + column, target track +

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🛠️ **Sidechain Doofer Auto-Loader — the whole chain, one menu entry**

The middle 5 minutes of Mr. Zensphere's Renoise sidechain video are the boring part: drop a Key Tracker, drop a Custom LFO, drop a Compressor, wire the Key Tracker to reset the LFO, wire the LFO to the compressor's threshold, drag Key Tracker output to 0, set LFO one-shot, set Type to Custom… *then* you can make music.

Paketti now

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🎯 **Sidechain Trigger Instrument — one click, fully configured**

If you've seen Mr. Zensphere's recent Renoise sidechain video (the trick where you build a Doofer with Key Tracker → Custom LFO → Compressor and fire it from a silent MIDI instrument), you know the setup is fiddly: insert instrument, drop in a sample, kill velocity→volume, kill key→pitch, no loop, drag volume to -INF, rename to *trigger*.

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