Improvement: Paketti Single Cycle Waveform Writers "Export A as Sample" & "Export B as Sample" now correctly Pakettify the instrument so cutoff,resonance, etc are all available right after rendering the sample to a new instrument.

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Improvement: Midi Mapping for Start/Stop added. The same button will act as a Start, or, if playback is on, then Stop. `Paketti:Start/Stop Playback Toggle [Trigger]`

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Improvement: Groovebox8120 now speaks with Akai APC Key 25 - both in 16 step and 32 step mode, with Probability explained, also. since there are 40 pads there, theres even a pattern playback follower. and the lowermost row can be used to change between the 8 rows/instruments.

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Improvement: Groovebox 8120: 01-08 / 08-01 row slider midimappings now correctly update the AKAI MIDIMIX stepsequencer steps, even if Groovebox8120 is closed - i.e., true headless mode. the setting to Auto-Start AKAI MIDIMIX Bridge is also in Main Menu -> Options.

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Improvement: Impulse Tracker F8 Stop Playback (Panic) shortcut added to Pattern Editor and to Mixer - in addition to the pre-existing Global shortcut.

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Feature: Added "Master Low Cut 200Hz Toggle" & "Master Low Cut 200Hz Trigger" midimappings, press a button and you have kicked off the lowend, press the same button and its back again. or hold down a button and its gone, release and its back again.

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Improvement: Shipped 2026_06_09_MidiMappings_MidiMix_MPKMini3.xrnm (it is in KeyBindings folder inside Paketti - this is purely focused on the AKAI MIDIMIX and the Groovebox8120 features, but also the 1st row of knobs is for Macro2-Macro8, and the first knob of the first row is for "Write automation to selected Parameter".

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Improvement: Added a Midi Mapping for opening/closing Paketti HyperEdit Dalog.

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Improvement: Paketti HyperEdit Steppers-mode now sorts the Steppers in a more intuitive order: Volume, Cutoff, Resonance, Pan, Drive, Pitch.

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Improvement: Groovebox8120 Global Step 001-512 have been renamed to conform to the "3 digits for each number" for ease of discovery.

Link to Patreon in bio.

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