The #NapsterGeneration lived through 2000 and 2004 #election cycles.

Important for land-owning families to maintain continuous property lines.

Municipal, state and federal jurisdiction have autonomy of #American #SelfGovernance.

@maxleibman @TheBreadmonkey

Folks born between 1977 and 1983 are in the #NapsterGeneration: anyone between the age of 15 and 35 in 1999 to 2001.

@semioticstandard @troublewithwords

The #NapsterGeneration, aged 15-35 in 1999 to 2001, knows.

Come un pugno di smanettoni e di operai sottopagati ha messo in ginocchio l’industria musicale | Rolling Stone Italia https://www.rollingstone.it/musica/storie-musica/come-un-pugno-di-smanettoni-e-di-operai-sottopagati-ha-messo-in-ginocchio-lindustria-musicale/894912/ #NapsterGeneration #music #movies #p2p
Come un pugno di smanettoni e di operai sottopagati ha messo in ginocchio l’industria musicale

Il documentario ‘How Music Got Free’ racconta come pochi ragazzi alimentando Napster, Kazaa e Limewire hanno posto le basi per il mondo musicale in cui viviamo. Sta succedendo di nuovo, anche se stavolta la pirateria non c’entra

Rolling Stone Italia

The #NapsterGeneration was there for the OG decentralized peer-to-peer evolution of mass media consumption.

https://www.superversive.co/blog/enterprise-change-management

#neuroplasticity #ChangeManagement #P2P #decentralization

Enterprise Wetware — Superversive

The Napster Generation was there for the OG decentralized peer-to-peer evolution of mass media consumption. Adopting a Douglas Adams heuristic: if you were between the age of 15 and 35 from 1999 to 2001… You likely had the wetware between your ears refactored. You have an affinity for being cur

Superversive

@thomasfuchs
The people who think that are not part of the #Napster mindset.

The #NapsterGeneration will inherit the messes those people leave behind.

We’re all just gonna re-learn lessons of the #NapsterGeneration:

“Moreover, it reminds us of arguments that were made in the early days of Napster, when songs were shared over peer-to-peer networks with no compensation to their creators or publishers." https://spectrum-ieee-org.cdn.ampproject.org/c/s/spectrum.ieee.org/amp/midjourney-copyright-2666872100

Generative AI Has a Visual Plagiarism Problem

Experiments with Midjourney and DALL-E 3 show a copyright minefield

IEEE Spectrum

Per #DouglasAdams’ heuristic of age 15 to 35 adopting, engaging with, and leveraging new #technology, Lars Ulrich was 37 when Metallica sued #Napster.

He was outside the range of the #NapsterGeneration.

#TedSarandanos of #Netflix was 37 in 2001, which is barely outside the limit of #DouglasAdams’ age 15 to 35 defining the #neuroplasticity to engage with new #technology

#NapsterGeneration #WetWare