Mary Wells Greatest Hits is a greatest-hits compilation album released by Motown singer Mary Wells in 1964 on the Motown label.

Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American singer, who helped to define the emerging sound of Motown in the early 1960s.

Signing with Motown at the age of just 17, Wells' best-known hit singles include "The One Who Really Loves You", "Two Lovers" and "You Beat Me to the Punch". Her signature hit, "My Guy" (1964), was her biggest international hit single and her only number-one hit on the Billboard Hot 100. During Wells' Motown tenure, she was nicknamed "the Queen of Motown" - Wikipedia

https://www.youtube.com/watch?v=1bqvOjlPezU&list=RD1bqvOjlPezU&start_radio=1

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Vintage Stock is a compilation album consisting of hit singles, b-sides and unreleased material recorded by Mary Wells during the R&B singer's tenure at Motown.

Vintage Stock Review by John Lowe

Basically it's four of Wells' best-known hits (i.e., "My Guy," "Two Lovers") plus some previously unreleased tracks, some of them whose quality ranks with that of her classic hits (Good examples are "Honey Boy," "Everybody Needs Love" and "He's the One I Love"). This combination makes this album more than a curiosity.

https://www.youtube.com/watch?v=5ZxCf_kbDrs&list=PLXoEe2EVfZUber3JZRIutlw8pJQsERuyB&index=6

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Strictly Come Dancing star lands huge new show after being voted off

https://fed.brid.gy/r/https://www.mirror.co.uk/tv/tv-news/strictly-come-dancing-star-lands-36411665

The Two Sides of Mary Wells is the seventh studio album by soul singer Mary Wells, released on the Atco label in 1966.

The Two Sides Of... Review by Tim Sendra

...The Two Sides of Mary Wells, was cut in 1966 and does indeed feature two sides of Mary Wells. Side one is covers of soul and rock hits of the day (plus the single "Dear Lover"); side two is made up of jazz standards and show tunes. On side one producer Carl Davis doesn't stray far from the Motown sound Wells was associated with; her cover of Deon Jackson's "Love Makes the World Go Round" and the Supremes' "My World Is Empty Without You Babe" hew the closest to that label's punchy and compressed style, but "Good Lovin'" and "Satisfaction" aren't far off. Only her raw take on "In the Midnight Hour" and the lovely ballad "Dear Lover," which is a very New York-sounding slice of sophisticated soul powered by Wells' best vocal on the album, stray very far...

https://www.youtube.com/watch?v=ZommemD1plM&list=OLAK5uy_nMbAs5auAN15pBjJfyoM7x4v2oKpcynxk

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