Zorz StudiosMar 26, 2025
The week in #art: Michelangelo, Leonardo, Raphael. #Drawing the #ItalianRenaissance https://zorz.it/HiElC | #LauraCumming #Michelangelo #LeonardoDaVinci #Raphael #TheObserver #RoyalAcademyOfArts #KingsGallery #reviews
The week in art: Michelangelo, Leonardo, Raphael; Drawing the Italian Renaissance – review

A trio of Renaissance masters look over each other’s shoulders in Florence 1504, while a parallel show of drawings gets to the very heart of their art

The Guardian
CheshireJul 23, 2023
Thunderclap by Laura Cumming review – a visionary examination of Dutch golden age art
https://www.theguardian.com/books/2023/jul/23/thunderclap-a-memoir-of-art-and-life-and-sudden-death-laura-cumming-review-delft-explosion-dutch-fabritius-vermeer?CMP=Share_AndroidApp_Other
#LauraCumming
Thunderclap by Laura Cumming review – a visionary examination of Dutch golden age art

With time-stopping attention to detail, the Observer’s art critic searches for redemption in the rubble of the catastrophic Delft explosion of 1654 – to miraculous effect

The Guardian
CheshireFeb 12, 2023
Vermeer review – one of the most thrilling exhibitions ever conceived https://www.theguardian.com/artanddesign/2023/feb/12/vermeer-rijksmuseum-amsterdam-review-one-of-the-most-thrilling-exhibitions-ever-conceived?CMP=Share_AndroidApp_Other
#Vermeer
#RijksmuseumAmsterdam
#LauraCumming
Vermeer review – one of the most thrilling exhibitions ever conceived

Moments of profound absorption, a glance, a letter… the mystery and stillness of the Dutch master’s work deepens the closer you get in this near-perfect show

The Guardian
CheshireFeb 5, 2023

Donatello: Sculpting the Renaissance – a once-in-a-lifetime show https://www.theguardian.com/artanddesign/2023/feb/05/donatello-sculpting-the-renaissance-v-and-a-london-victoria-and-albert-museum-a-once-in-a-lifetime-show?CMP=Share_AndroidApp_Other

#Donatello
#LauraCumming

Donatello: Sculpting the Renaissance – a once-in-a-lifetime show

The UK’s forthcoming Donatello exhibition will capture the Florentine artist’s revolutionary genius for perspective, male beauty and, above all, empathy

The Guardian