12 mai, paris, ircam: les poèmes machines de brion gysin. écoute
Les poèmes machines de Brion Gysin. Écoute.
Tuesday, 12 Mai 12, h19 | Ircam,
salle Stravinsky, 2
1, place Igor-Stravinsky
12 mai, paris, ircam: les poèmes machines de brion gysin. écoute
Les poèmes machines de Brion Gysin. Écoute.
Tuesday, 12 Mai 12, h19 | Ircam,
salle Stravinsky, 2
1, place Igor-Stravinsky
12 mai, paris, ircam: les poèmes machines de brion gysin. écoute
Les poèmes machines de Brion Gysin. Écoute.
Tuesday, 12 Mai 12, h19 | Ircam,
salle Stravinsky, 2
1, place Igor-Stravinsky
Now with slots for the power supplies: packing the Sophtar for a trip to Paris, I will be at @ircam.bsky.social until the 26th, come say hi if you’re around.

Based on Ircam's Super VP engine, the TS2 sets a high standard in digital audio editing. It is a powerful audio toolbox application for professionals to edit or magically transform, time-stretch and manipulate audio files. This plug-in has an accurate real-time sonogram display and handles full automation over the "Master Module" with multi-format plug-in insertion. TS2 is a full mono/stereo...
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Last week I was in Paris for the Web Audio Conference to present my new prototype called MIMTEndO (as in Musical Instrument Made To End Obsolescence).
The jury honored me by awarding me the prize for best demo :)
Thank you to the Web Audio Conference, #IRCAM and #Mozilla for encouraging this work and to everyone who was so kind and curious about this weird little green box made of waste!
The data is also not consistently correct. I sorted the works by ascending composition years and found this work among the works written in the 1800s.
Also, why are there works from the 1800s in a database for contemporary music?
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