Metal Blade Video 🤘 Tuesday The Sky's new album, 'Indoor Enthusiast' is out now! #progmetal #instrumental #fateswarning: The one and only Jim Matheos puts together another mesmerizing Tuesday The Sky record! 'Indoor Enthusiast'. Eleven songs of pure Matheos-patented playing and passion.

Stream/order your copy on CD here: https://www.metalblade.com/tuesdaythesky/ http://dlvr.it/TNsf8F LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal

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FATES WARNING – “A Behind-The-Scenes Look At A Legendary Band’s Uncertain Future” (Video)

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FATES WARNING Guitarist JIM MATHEOS To Release New TUESDAY THE SKY Album 'Indoor Enthusiast'

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Tuesday the Sky – Indoor Enthusiast Review

By Baguette of Bodom

Jim Matheos is not the kind of artist to sit still in one place for long. Best known for his splendid guitar work in amorphous US progressive metal band Fates Warning, he also wields a vast assortment of offshoots and side projects, some closer to his usual style than others. Instrumental solo effort Tuesday the Sky is one of Matheos’ more distant adventures with its ambient post-rock soundscapes and touches of electronica. Debut album Drift spawned in 2017 in the wake of Theories of Flight’s writing sessions. Moody 2021 follow-up The Blurred Horizon largely eschewed the more explosive bits, leaving one Huck n Roll with respectful but mixed feelings. Now, four more years later, Matheos is revisiting Tuesday the Sky again with third album Indoor Enthusiast. How enthusiastic should fans of Matheos be for the return of this questionably named project?1

Crafting delicate atmospheres remains Tuesday the Sky’s bread and butter. Taking notes from Sigur Rós and Brian Eno alike, Indoor Enthusiast drifts between moods and genres. On the minimalistic end of the spectrum, dreamy and introspective electronica tracks like “Zugzwang” and “The Last Lonely Lamppost” act as the base sound for the album. Drums and guitars provide additional instrumentation as counterbalance in both accentuating and maximalist ways, occasionally entering familiar metal territory (“The Nearest Exit May Be Behind You,” “Set Fire to the Stars”). While Matheos experimented with things like this alongside Kevin Moore in OSI, the material on Indoor Enthusiast is generally more low-key than OSI’s most somber moments. And sans vocals, the onus is even more on the songwriting to prove the album’s worth.

Indoor Enthusiast takes much better advantage of layers and texture than prior works. Drift kept its loadout of strange but exciting ideas separate, and most of The Blurred Horizon stuck to a quiet, minimalistic gloom. In contrast, Indoor Enthusiast fuses its elements together more often in both subtle and unsubtle ways. This leads to a stronger active experience while still making sense album flow-wise. Improved composition allows some of the quieter material to shine and pop (“Get Lost,” “Between Wind and Water”), and “Does It Need to Be So Loud?” even brings back the electronic alt-rock gloom of Disconnected. Deep build-ups lead to satisfying crescendos, with “Set Fire to the Stars” using the record’s full arsenal to make a case for the strongest Tuesday the Sky song yet. Not all of the record’s quirks land equally well. For instance, some of the glitchier effects used (“The Nearest Exit May Be Behind You,” “Memento Mori”) are distracting and take away from the album’s introspective vibe. But overall, Indoor Enthusiast’s songs have both the variety and quality to be distinct and interesting.

The instrumentation of Tuesday the Sky sounds as crisp as ever, a quality expected of Matheos. The rock instruments sound excellent, accentuating the wide variety of electronic effects at the core of the album. The album’s elements combine naturally and have plenty of room to breathe. Though wonderfully produced, it does feel like there is too much downtime between Indoor Enthusiast’s highlights. Matheos’ greatest strength is undoubtedly his tasteful and subtly complex guitar wizardry, and sometimes the nature of a project like Tuesday the Sky gets in the way of that strength—the back-to-back of twins “Ghost Train” and “Zugzwang” slowing down momentum early on. The second half of the album, fortunately, avoids the “background music” pitfall. While I do feel like the album still leaves something on the table, its strong highlights make the record a pleasant experience front to back.

Though wandering slightly off course at times, Indoor Enthusiast is the most cohesive Tuesday the Sky record yet. Its individual ingredients of rock, metal, and ambient electronic mix together better than before, with memorable dynamic shifts keeping things going. Compared to last year’s North Sea Echoes debut, Matheos has certainly improved the minimalistic experimental side of his songwriting; the album as a whole feels like it develops towards something. I do still think he can do even better, but he is making it work. I don’t know what direction Tuesday the Sky will go to next—if any—but Indoor Enthusiast gives this side of Matheos a fresh and solid foundation.

Rating: Good!
DR: 9 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: tuesdaythesky.bandcamp.com | tuesdaythesky.com | facebook.com/TuesdaytheSky
Releases Worldwide: October 24th, 2025

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TUESDAY THE SKY Helmed By FATES WARNING Guitarist JIM MATHEOS To Release Indoor Enthusiast Full-Length This Friday; “The Nearest Exit May Be Behind You” Visualizer Streaming

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A-Z Feat. FATES WARNING Bandmates Debut “This Chaotic Symphony” Music Video

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A-Z Feat. FATES WARNING Bandmates Release Drum Playthrough Video For New Single “Now I Walk Away”

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Heathen’s Eye – Port Inspiro Review

By Angry Metal Guy

Written by: Nameless_n00b_607

The past is a vast well of knowledge and inspiration, but dwelling in it too much has its perils. Not enough of your spin on things can make your album sound generic and stale, while too much can alienate your target audience. Genres with accessible melodic songwriting are a precarious balancing act in this regard, and standing out becomes even more of a trial by fire. Swedish band Heathen’s Eye is boldly trying to make their mark in these well-traveled lands with their debut Port Inspiro, the Esperanto title meaning ‘inspired by the past.’ Can this freshly formed team of experienced musicians sail through time without getting lost along the way?

The heart of Heathen’s Eye beats comfortably within the late-’80s/early-‘90s borderlands between melodic rock and metal. On the metal side of things, the songwriting channels the anthemic nature of Accept’s Metal Heart. Electrifying guitars by axe wielder Göran Hamrin, accompanied by the soaring baritone vocals of Robb Lindh, are Port Inspiro’s driving force, bringing a welcome Jornian attitude to the record. While Lindh is not Lord Jørn—and occasionally trades away his strengths for versatility—his voice fits the genre like a glove, being often reminiscent of a more rock-oriented Johan Längqvist (Candlemass). In between the heavier bits are traces of Magnum and Journey piercing through, with Mikael Andersson’s wide synth arsenal drifting from bright and nostalgic to dark and mystical between songs. Despite leaning towards the softer end of the metalverse, Heathen’s Eye shows they can still riff, with some unexpectedly hefty guitar and drum work (“Mirrorman,” “Blind”) adding appropriate counterweight to the album.

Confident veteran musicianship makes Port Inspiro turn out to be more varied and ambitious than it seems at first glance. “Ghosts of Yesterday” and “Monsters” both recall the subtly progressive melodic side of acts such as ‘90s Fates Warning or earlier Queensrÿche. This side of the record makes it a good companion piece to something like the recent A-Z album, albeit leaning less towards prog and more towards AOR. When Heathen’s Eye ups the speed and energy, a hint of power metal influence is noticeable too. The record reaches a particular apex when all these separate elements get to coalesce and transcend (“Firepriest”). While I wish the album had more bursts of glory in this vein and spent less time in its mid-paced comfort zone, the material’s catchiness mostly makes up for the lack of speed. The band’s influences coming from more than one place significantly increase the album’s replay value, and a smooth blend crafted by experienced hands keeps the ship well afloat.

Port Inspiro is an enjoyable experience overall, but it suffers from some pacing issues. At 63 minutes, the album quite convincingly sprints past LP length. Its plentiful hooks and variety offer a convincing illusion of brevity, but most songs here fall in the 5–6-minute range, and some do overstay their welcome (“Monsters,” “Time to Deliver”). The pacing also becomes apparent in the album’s clunky middle, where several songs in a row feature lengthy intros, suggesting a mild case of Steve Harris-itis. Another place where the pacing is problematic is that Heathen’s Eye places two ballads almost next to each other. Cutting the somber, stylistic pariah “Lost in the Wind” would result in a more cohesive album. Ultimately, none of these are huge issues, and the album is still a pleasant journey with all 12 tracks ranging from solid to very good. The warm and vibrant production job at a surprising DR10 helps to make Port Inspiro cozy listening from start to finish.1

If Heathen’s Eye can further zero in on their songwriting, their good formula here could very well turn into a resounding triumph. Port Inspiro celebrates the past while also combining the band’s influences in interesting ways. It might not be innovative—it doesn’t intend to be—but it does succeed in its main goal: it’s fun. And while some extra trimming and urgency would have further improved the record’s pacing, it still manages to feel shorter than it is. Even with occasional missteps, Port Inspiro is a comfortable listen that has plenty of tunes combining anthemic and creative, inspired by but not stuck in the past. I’ll be curious to see if they can take what they’ve learned and follow up with an even stronger package; momentum is on their side.

Rating: Good!
DR: 10 | Format Reviewed: V3 MP32
Label: Pride & Joy Music
Websites Facebook
Releases Worldwide: June 27th, 2025

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