While the US marks defeating a king, Trump makes Washington his own
By Emily Clark, Mark Doman, Katia Shatoba, and Jack Fisher

Project by project, Donald Trump is altering the United States capital, and in some cases, disrupting views and design that date back more than two centuries.

https://www.abc.net.au/news/2026-06-14/donald-trump-washington-dc-projects-250-year-anniversary/106771456

#WorldPolitics #CulturalPolicy #MonumentandHeritageSite #EmilyClark #MarkDoman #KatiaShatoba # #JackFisher

While the US marks defeating a king, Trump makes Washington his own

Project by project, Donald Trump is altering the United States capital, and in some cases, disrupting views and design that date back more than two centuries. 

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise

RTBF’nin binası öncü protesto tarzı, İsrail katılımcılığı ve Belçika’nın—Eurovision’da 2023 coğrafyada korneleri böl . Bu rekabet, ılımlı ortama bir kültür dizisinde ortaya çıktı.

🚩 #Eurovision2023 #Belgium #Protest #CulturalPolicy

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise

Creative workers are feeling ignored and exploited as AI models absorb their work without permission, breaking the unwritten habit of asking. The real battle is about preserving the dignity and conditions that sustain artistic life.
Discover more at https://smarterarticles.co.uk/contempt-not-infringement-what-ai-took-from-creative-life?pk_campaign=rss-feed
#HumanInTheLoop #AIandCreativity #CulturalPolicy #CreativeEconomy
Contempt, Not Infringement: What AI Took From Creative Life

On a wet Tuesday in March, in a rented rehearsal room above a kebab shop in Peckham, a four-piece called the Fen Wardens are arguing ab...

SmarterArticles

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise

WTF happned this week?! So much!

Consultation on a new National Cultural Policy started. Research about recreational reading in Australia was released. Spotify released a feature exploring music through collaborators, samples and covers. And Spotify and Apple Music have integrated concernt ticketing into their platforms.

https://elliottbledsoe.wtf/wtf-now-27/

#CulturalPolicy #reading #books #music #MusicStreaming

WTF now?! #27 – Thursday 19–Wednesday 25 March 2026

There was so much that happened this week! Australia is developing its next National Cultural Policy, strategies to get Australians reading recreationally were suggested, Anthropic shared results from its massive open ended survey and more.

elliottbledsoe.wtf

A few figures that have shaped how we think about The Pack's potential to change the music industry. Australia's recorded music market: $717M in 2024. Streaming subscriptions: $509M of that. Federal government music funding: approximately $18M....

The Pack's conservative low-adoption scenario - 30% of a 5M TAM at $9.99/month - generates $152.84M annually in combined direct artist payments and sector development. That's a significant multiplier on current government funding, in the low scenario.

At medium adoption (3M subscribers), the multiplier reaches eight times. At high adoption, thirteen. Projections are projections - they describe what the model produces at a given scale, not what scale will be achieved. But the structural logic is sound.

The government won't fund us… so we're asking our community to help us raise $45,000 to finish it. https://crowdfunding.startsomegood.com/thepackmusiccoop

#ImpactInvestment #CulturalPolicy #AustralianMusic #SocialEnterprise