Superman and Captain America at the Smithsonian!

The Smithsonian has a bit on Action Comics #1 and Captain America #1 and their recent acquisition of both: “Taken together, the comics reflect societal anxieties and aspirations alike—whether…

The Cultural Gutter

I’ve been re-reading Silver Age Marvel Comics and writing retrospectives about the themes and narrative mechanics I’ve found. I’m particularly interested in discovering how the craft of storytelling evolved over the years during this formative time period.

Most recently I wrote about issues 4 and 5 of The Amazing Spider-Man, and how they deepened Peter Parker’s character. You can find the long-form retrospective here:

https://arcticinkcomics.blogspot.com/2025/12/the-amazing-spider-man-4-5-1963.html

#comics #marvel #spiderman #comicshistory

The Amazing Spider-Man #4-5 (1963): The fallible Peter Parker

If The Amazing Spider-Man #3 was all about the hero and the villain , and the thematic dynamics of their respective characterizations, the ...

“Doom Patrol Thoughts”

Sarah Horrocks considers Doom Patrol at Mercurial Blonde. “I was really surprised by Doom Patrol.  From the Morrison front, I feel like one of the things he’s best at is turning comics into t…

The Cultural Gutter
“There Isn’t A Word of Truth in Any of That”: A Conversation with writer Claire Noto!

Four Color Sinners has an excellent conversation with writer Claire Noto on her career in Hollywood, at Marvel and her erasure from Red Sonja. “Clair Noto is a fascinating, brilliant, force o…

The Cultural Gutter

Oh, wow.

George Herriman was probably the most influential comics artist of all time. He was the first to experiment with layouts and panel shapes, at a time when speech bubbles were still a new idea. And he invented much of the visual language that would be later copied by film.

Sadly, he lived his entire life in obscurity, never opening up to anybody, because he was a mixed-race man in 1900s America.

https://www.youtube.com/watch?v=SXjlx-1h6yQ

#comics #ComicsHistory

Why society tortured this groundbreaking comic artist

YouTube

So fun fact: I own the original art for the Death's Head one-page story "High Noon Tex". I'm in the middle of moving, and my friends at the local comics-and-collectables shop offered to let me keep anything exceptionally valuable in their storage. Within hours of me dropping it off yesterday, @strangefour sent me a link to this and asked if I had any forensic insights:

#Marvel #DeathsHead #Transformers #ComicsHistory #comics #Hasbro

https://youtu.be/RHGM6BtiQSE

The REAL Death's Head Conspiracy

YouTube
Awash in publicity, the hearings and resulting Comics Code established exactly 70 years ago effectively crippled then-thriving studios. Publishers killed titles deemed disagreeable and sent their staff home. Suddenly hundreds of #comics professionals in the late 1950s would never work in the medium again — My 2017 @hyperallergic piece on the day's banned #horror and crime comics: https://hyperallergic.com/366028/banned-horror-comics-back-from-the-dead/ #art #comicshistory #ECComics
Banned Horror Comics Rise from the Dead

Banned in the 1950s, a bunch of vintage horror comics are celebrated in reissued and new archival collections.

Hyperallergic