a CLOCK, MARCLAY OR NOT MARCLAY
https://blogs.mediapart.fr/jean-jacques-birge/blog/090226/clock-marclay-or-not-marclay
a CLOCK, MARCLAY OR NOT MARCLAY
https://blogs.mediapart.fr/jean-jacques-birge/blog/090226/clock-marclay-or-not-marclay
VINYLAND ODYSSEE
de FALTER BRAMNK
https://blogs.mediapart.fr/jean-jacques-birge/blog/291025/vinyland-odyssee-de-falter-bramnk
#cd #falterbramnk #dj #scratch #christianmarclay #jeanjacquesbirgé
Next up is a new-to-me release:
#ChristianMarclay - Graffiti Composition
Reid is here playing Marclay's "Graffiti Composition" in an all-guitar outfit feat Mary Halvorson (!), Melvin Gibbs (!), Lee Ranaldo (!) and Elliot Sharp.
There is a fascinating backstory to this piece, where Marclay put up blank music scores around Berlin, then photo'd what wound up on them. That was then turned into a "score," which seems more like a series of images from which musicians are to jump off.
https://en.wikipedia.org/wiki/Graffiti_Composition
This is... interesting so far.
For Watchers of “The Clock,” Time Is Running Out
Man stelle sich vor, dass man in ein Museum geht, sich dort hinsetzt, 24 Stunden sitzen bleibt und anschließend wieder geht. Das ist nicht möglich und würde auch keinen Sinn ergeben? Doch! Am 14. März und am 17. Mai kann man im Kunstmuseum Stuttgart 24 Stunden hindurch die Videoinstallation
#Bales2024FilmChallenge's grand finale! Midnight: it's Hogmanay in Scotland.
Christian Marclay's The Clock (2010) takes place over – and lasts – 24 hours, with each minute either being shown in a film still or mentioned by characters during a scene. In total, there are over 12 000 scenes.
Midnight strikes for Prof. Rankin (Orson Welles) in The Stranger (1946)
#midnight #Hogmanay #ChristianMarclay #OrsonWelles #RussellMetty #ArtFilm #time #clocks #ExperimentalFilm