The Kite Ballet — Thaís Muniz

The Dock Arts Centre, Saturday, June 20 at 10:00 AM GMT+1

The Kite Ballet is a multidisciplinary series comprising the eponymous film, alongside textiles and sculpture. The work reflects on territoriality, community, joy, and degrowth, while advocating for play in adulthood as a revolutionary act.

The Kite Ballet by Thaís Muniz intertwines poetic and mythical elements with political, historical, and symbolic themes, amplifying the voices of local activists from the Itapuã area in Salvador, Brazil. The film portrays a group of kite runners in their weekly communal ritual, highlighting the threat of private development and ecological displacement of Afro-Indigenous sacred territory, where joy and spiritual practices have thrived for centuries. The film advocates for play and negotiation with nature as revolutionary acts.

Thaís Muniz is a Brazilian-Irish visual artist and researcher working across multiple mediums to explore the intersections of inherited and acquired identities, memory, transit, and inward love. Her community-oriented practice unfolds through intimate communal learning processes, including workshop, performance, installation, sculpture, and film. Her work also spans photography, celebrations, and activations, often incorporating archives, personal memorabilia, and symbology.

Muniz’s practice engages with the reimagination of realities through mechanisms of refusal, dreaming, and personal magic, challenging and expanding canonical systems of representation, building connections, and opening conversations. A central aspect of her work involves activating spaces through presence and critically engaging with the geopolitics of place.

More information about this exhibition can be found via The Dock's website.

https://flypost.ie/event/the-kite-ballet-thais-muniz

Opportunity: applications open for aemi’s ‘Developing Your Practice as a Film Artist’ programme 2026-2027

Dublin, Friday, June 26 at 08:00 AM GMT+1

Applications are now open for aemi’s year-long artist development programme:
‘Developing Your Practice as a Film Artist’

This programme is designed to provide a group of nine Irish or Ireland-based film artists with a career support network to  draw from across twelve months to enhance the creative development and audience reach of a single project. Central to the programme is the opportunity to participate in aemi’s Rough Cut development workshops through which filmmakers share works in progress with an invited audience of peers and arts professionals including film festival programmers, producers and critics.

This programme is focused exclusively on the development of film projects designed specifically for cinema and film festival audiences. 

Applicants must be from or resident in Ireland.

Our goals with the programme are:
– To assist you to navigate the film artist landscape by offering project focused development
– To support you with film festival & exhibition strategy
– To broaden your network and community
-To help you identify and secure mentorship opportunities for career development and advancement.
-To help you to foster and build confidence in your practice
-To help you to expand the scope of your practice through critical engagement with your work in supportive environments.

DEVELOPING YOUR PRACTICE AS A FILM ARTIST gives applicants access to:

-aemi Rough Cut Project Development Workshops
-Individuated aemi Mentorship
-Access to workshops, masterclasses, and information sessions
-peer to peer support across the year of the programme

Up to 9 artists will be selected to take part in this year long programme.

Programme meetings and Rough Cut events typically take place in Dublin and so we ask applicants to please consider these travel and potential accommodation costs before joining the course.

This opportunity is open to everyone. While applicants have typically attended a one-to-one aemi Artist Support Session in the past, having met with us previously is not a requirement and will not affect the evaluation of your application.

To learn more about this programme and to read a short interview with Micheal Barwise who took part in the first iteration of the programme please click here

Interested applicants should email [email protected] with a completed Application-Form 2026 by end of day Friday 26th June. 

aemi will accommodate adjustments requested during the application period and can accept an audio or video recording as equivalent to the written application form.

If you have any access needs that you would like to discuss with us please email [email protected] before applying and please also allow ample time for us to support you ahead of the deadline on Friday 26th June.

We actively invite filmmakers and artists who identify as being from underrepresented or marginalised communities to participate in this programme. Particular consideration will be given to recent migrants and to those filmmakers and artists falling under the protected grounds of the Equal Status Act laid out by the Irish Human Rights and Equality Commission. As part of aemi’s EDI strategy, we particularly encourage applications from people from the Global Majority (global majority refers to people who are Black, Asian, Brown, dual-heritage, indigenous to the global south, and/or have been referred to as “ethnic minorities”); Disabled people; and others who have experienced barriers or discrimination at work.


https://flypost.ie/event/opportunity-applications-open-for-aemis-developing-your-practice-as-a-film-artist-programme-2026-2027

aemi & IFI present: TRANCE FILMS

Irish Film Institute (IFI), Tuesday, June 30 at 06:30 PM GMT+1

aemi presents a very special international programme of experimental ‘trance films’.

The films selected here bypass comprehension, these are works that are experienced first and understood later (if at all). In his notes on Austrian filmmaker Jung an Tagen’s A Flock of Rotations Christian Höller describes how ‘there is no boundary here, no outside, no escape’ and this applies across a selection of films that take us from an explicitly digital realm to the far more earthly realm of the Atacama Desert in Daïchi Saïto’s EARTHEARTHEARTH (screening here in a beautiful 35mm print). As Alejandro Bachmann notes in relation to Happy Doom ‘the boundaries between inside and outside, me and the world, the virtual and the material, all become permeable, ambiguous, irrelevant’. A perfect descriptor for a programme that skirts the outer realm of psychedelia and cinema.

The screening includes two works screening from 35mm prints, both courtesy of Light Cone.

FILM INFO:

A Flock of Rotations, Jung an Tagen, 2026, Austria, 11 mins
Fuddy Duddy, Siegfried A. Fruhauf, 2016, Austria, 5 mins
Happy Doom,Billy Roisz, 2023, Austria, 3 mins
Ville Maria, Alexandre Larose, 2006-2009, Canada, 12 mins
EARTHEARTHEARTH, Daïchi Saïto, 2021, Japan, 30 mins

Total running time: 61 minutes

A Flock of Rotations – Jung an Tagen

Continuously falling pitches – descending into infinity.

Fuddy Duddy – Siegfried A. Fruhauf

In Siegfried A. Fruhauf´s Fuddy Duddy, something resembling a big bang is seen, with an energy resulting from the struggle between order and chaos. Everything we see takes place within a linear force field – whatever happens in the black and white images that arise from invisible sources of artistic creativity, whatever reveals its presence the instant it disappears. The lines themselves begin to flicker. It is as if they emerge from lidless eyes – were it only possible – yet they do not give way. The crucial grid underlying classical aesthetics of harmony and measurement begins to glow, but it does not go up in flames- Bert Rebhandl

Happy Doom – Billy Roisz

HAPPY DOOM is an audiovisual poem, an ode to color intoxication and vertigo. The screen a vibrating membrane that simultaneously spits and swallows colors and noisy beats – a hypnotic deformed circumpolar psychedelic short trip.

Ville Maria – Alexandre Larose

This film is inspired from a dream during which I fall from the top of a high-rise building facing the sky- Alexandre Larose

EARTHEARTHEARTH – Daïchi Saïto

Dawn breaks where land is flesh
And bones’ echoes;
You’ve lived through extinctions –
Stars, skies, sand and seas;
Future is catching us up at last,
And all the dead are ahead of us.

A major film from a singular artist, earthearthearth is a pulsing, painterly tour de force. – Michael Sicinski

With special thanks to our colleagues at SixpackFilm and Light Cone

https://flypost.ie/event/aemi-and-ifi-present-trance-films

ONLINE: Drop-in event – info session for aemi’s ‘Developing Your Practice as a Film Artist’

Zoom, Friday, June 19 at 12:00 PM GMT+1

Join us for a free drop-in zoom information session for those thinking of applying to the Developing Your Practice as a Film Artist programme 2026-2027.

aemi will host a free drop-in zoom information session for those thinking of applying to the ‘Developing Your Practice as a Film Artist’ programme 2026-2027 on Friday 19th June @ 12:00-13:00

This will be a casual event that will provide an opportunity to speak with us and meet aemi as well as ask any questions about the programme.

This is a free event – book HERE

Join Zoom Meeting

https://us02web.zoom.us/j/84030341527?pwd=j9VvbUajkqjI9bgrzLwO4xEmTpcsS4.1

Meeting ID: 840 3034 1527

Passcode: 409688

https://flypost.ie/event/online-drop-in-event-info-session-for-aemis-developing-your-practice-as-a-film-artist

EinSatz

PeerTube
flock

PeerTube

Saints & Scholars Club - Documentary Screening & Panel Discussion

Joly theatre, Hamilton building, Trinity College Dublin, Friday, May 15 at 05:45 PM GMT+1

Screening of Non Aligned: Scenes from the Labudović Reels (2022), with panel discussion on Yugoslavia and the Non-Aligned Movement, & post-screening pints.

Join Saints & Scholars Club for a special screening of 'NON-ALIGNED', with panel discussion and contributions from Dr Harun Šiljak, artist & archivist Petra Matić, Sajeev Narajan (Kranthi Ireland), and Elain Ross (Student Neutrality Front).

Get your FREE tickets here: https://www.eventbrite.com/e/saints-scholars-present-non-aligned-2022-tickets-1988072998857?aff=erelexpmlt

https://ainriail.org/event/saints-and-scholars-club-documentary-screening-and-panel-discussion

R.I.P. Valie Export

She struck me as an extremely sharp person on the two occasions I encountered her: in 1988 in Berlin and in 2009 at WORM Rotterdam.

moving images from her retrospective exhibition at C/O Berlin in 2024:

https://archive.org/details/2024-05-04-EXPORT18/2024-05-04-EXPORT18.av1.mp4

#performanceart #experimentalfilm

EXPORT18 : fcrdam : Free Download, Borrow, and Streaming : Internet Archive

VALIE EXPORT's installation 'Fragments of the Images of a Caress' (1994) at C/O Berlin, with 18 light bulbs reenacting an analog film development lab (2*18*18...

Internet Archive

1st Video HackBo Experimental Screening!
Fri May 15th, 5pm, Bogotá, Colombia

w/ (among others) The Darlings of Cancel Culture’s first short film!

http://thedarlingsofcancelculture.bandcamp.com

#hackbo
#hackbosque
#thedarlingsofcancelculture
#wemgehörtdiewelt
#bogota
#experimentalfilm
#videoart
#experimentalart