I could have shelled all night,
I could have shelled all night,
And still have shelled some more
I'll never know what made it so exciting
Why all at once my fingers took flight,
I only know that when he passed the walnuts to me
I could have shelled, shelled, shelled all night!
From: My Fair Chestnut Roaster
Musical adaption of the play, Pistachio.
#NutsASongOrPoem #Theatre #MusicalTheatre #AlternativeHistoryofTheatre
#HashtagGames
Mister Potato Head Cometh
by Eugene Seuss
#AlternativeHistoryOfTheatre
#AlternativeHistoryLiterature
#AlternativeHistoryofCinema #AlternativeHistory
The script begins with "some dialogue", then adds "action remains" and ends with "unclear".
~ From: An in depth analysis of The Broadway play, "A Horse With No Name .
#Dadaist #Dadaism #AlternativeHistoryOfTheatre #AlternativeHistory
@Rural_Canadian
This is a scene from #WilliamShatner's portrayal of Hamlet in a gothic sci-fi interpretation of the #Shakespeareantragedy.
As Hamlet moves through the stygian crypts, and his father's ghost hovers nearby, #Hamlet recollects his childhood with Yorrick, the court's clown -
Alas, poor Yorick! I knew him, Horatio: a fellow
of infinite jest, of most excellent fancy: he hath
borne me on his back a thousand times; and now, how
abhorred in my imagination it is! my gorge rises at
it. Here hung those lips that I have kissed I know
not how oft. Where be your gibes now?
#AlternativeHistoryOfTheatre
#AlternativeHistoryofLiterature
#AlternativeHistory #Shakespeare
Asemic Poem 129
The collapsing stanza of this asemic poem is built on internal dialogue-group chat. Internal dialogue-group chat was part of late Q’toimetic Flash Mob Installation Poetry that explored the duality of the singularity of the group personage’s conflicting unity of converging self and otherness in the “Aha Moment” of the fifth wall awareness of the space-time’s subtle Ego discernment of the Non-Euclidean ID simulation.
Understandably, translating and interpreting Q’toimetic Ramble-Bamble Metre is difficult to say the least. Only the surface metaphor can be construed in liminal space stanzas. With that in mind, here is a free association translation of the poem’s asemic meme metamorphosis.
the Ei4Xz3{meOP]U&7Y?>E09^ cried like crazy i
wruk9/’9~0iy&”X¤8/
qwmd?87$oit#† ‡ @
#AsemicArt #AsemicWriting
#AsemicPoetry #Asemic
#Scanography #DigitalArt #DigitalCollage #Art #DeconstructedText #AsemicText #AlternativeHistory
#Collage #CollageArt
#DeconstructedText
#Vispo #VisualPoetry
#AlternativeReality #AlternativeHistoryofLiterature #AlternativeHistoryOfTheatre
Asemic Poem 128
This three stanza asemic poem uses the embedded inner monologue in the square final stanza. This form was first used during the Q’toimetic Renaissance, and led to the flowering of the Classic Q’toimetic Asemic Theatre of N~7Tecoimz. Contextual cacophony which was central to the poem’s structure, became a hallmark of dramatists’ implied stage space, and introduced the technique of breaking the fifth wall. According to theatre historians, many said that the emotional audiences would have jeers streaming down their faces in emoting pools of inhalation at the end of performances, calling out “Euchre! Euchre!”.
#AsemicArt #AsemicWriting
#AsemicPoetry #Asemic
#Scanography #DigitalArt #DigitalCollage #Art #DeconstructedText #AsemicText #AlternativeHistory
#Collage #CollageArt
#DeconstructedText
#Vispo #VisualPoetry
#AlternativeReality #AlternativeHistoryofLiterature #AlternativeHistoryOfTheatre
Of Bookish Things
twelvemileroad