@ProcessParsnip @catsalad
It’s featured near the beginning of my #AccordionRevolution book

@paul_ipv6 @molenaar @skyfire747 @mykie @why2025camp
Through my #AccordionRevolution history project, over and over new technology drove shifts in instrumentation more than audiences taste or “desire to hear new things”

Musicians want to be heard and get paid (or the equivalent 🥖)

So whatever made the music 1. Easier to play, 2. Louder, and 3. Cheaper, almost always “caught on with audiences”

@tuftyindigo
I keep telling Jared to write a book with his research on the Black #accordion

He’s looked for a publisher with no luck 😤

The “African Americans Played Accordions Before they Played the Blues” chapter in my #AccordionRevolution book is basically stolen from his work

Having read more history of #blues antecedents before the guitar I’d add more footnotes to that clever chapter title than it already has, but there it is 🙄

@venya
There’s a fine recommendation!

You could get my book #AccordionRevolution which was not written by AI and will teach you more than that article

http://AccordionRevolution.com

Or since it’s #BandcampFriday grab some of our hundreds of #AccordionBandcamp recommendations and support living artists ❤️‍🔥🪗

Accordion Revolution: A People's History

Cover by Vancouver artist Michelle Clement ACCORDION REVOLUTION: A People’s History of the AccordionFrom the Industrial Revolution to Rock and Roll by Bruce Triggs About the Book: Accordion R…

Accordion Uprising

History of the Electronic Accordion, Bruce Triggs, Gr8IDEAS Presentation, 2020

Garage band favorite Farfisa was an #accordion company ❤️‍🔥

Can’t recall if I mention all the wacky keyboards that accordion-maker Hohner made, like Stevie Wonder’s “Superstition” clavinet

Much left out of my #AccordionRevolution book ⚡️🪗

Did this pretty-tight hour long talk, with lots of stolen graphics, during Covid lockdown
https://youtu.be/AEdnJmrbCDc
#ElectronicMusic #Synth #Keyboard

Electronic Accordion History, Bruce Triggs, IDEAS Presentation, 2020

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The artist Jeremy Wakefield was kind enough to let me use his 16 Horsepower Chemnitzer #concertina illustration in the “Pirates Never Played #Accordion Because It Hadn’t Been Invented Yet” section of my #AccordionRevolution book 🏴‍☠️🚫 🪗
http://AccordionRevolution.com

@toddsundsted
Yes, there was a while around 2000–2010 when the 🪗 was on its last big “uprising”

When our show started (2006) and I began writing my #AccordionRevolution book that ended up taking until 2019 😅

The #Decemberists hit #1 in 2010🏆 Then what happened? Not sure.

We’re maybe due for a renewal in time for the 2029 bicentennial of the 1829 patenting of the first instrument called #accordion

@paul_ipv6 @Amgine @Moss @accordionnoir
Highly recommend:

The Bastard Instrument
A Cultural History of the Electric Bass
by Wright, Brian F.

Remarkably similar in style and format to my #AccordionRevolution book

Readable text, good stories, many unheard of but memorable players

Focusing on the social changes around the instrument and in music

Add in some pictures and break into bite-sized chunks

Was there a seminar on readable music history books for disreputable instruments?

Loved it 🎸

“Great Badges!!”

For the #accordion crowd who refuses to be pro-fascist

https://accordionbruce.etsy.com/listing/1344908552

#AccordionRevolution

Obligatory reminder that pirates with accordions are even less historical than #TalkLikeAPirateDay 🏴‍☠️

The “pirate accent” dates to Robert Newton’s movies (Treasure Island (1950) and Blackbeard (1952)
https://youtu.be/wdGuGaNDH6Q

I haven’t tracked down when movie pirates started playing squeezebox

Real pirates never played #accordion or their cousins the little concertina, because they hadn’t been invented yet in the 16–1700s

See my #AccordionRevolution book for details 📚

Blackbeard The Pirate in 2 Minutes (Arrr!)

Arrrr! It be the 1952 movie ultra-condensed! Robert Newton hamming it up in the title role, yarrr!

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