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“Last year, over half of new content on the internet was AI-generated. The humans are still there, scrolling, but the thing they’re scrolling through has become a performance staged by machines for an audience that hasn’t yet realized the show isn’t for them.”

https://www.owenmcgrann.com/p/the-dead-economy-theory

The Dead Economy Theory

We can laugh at them but we have to take this seriously

The Palimpsest
This from @Crell is about the march of LLMs, but it’s also about everything else I’ve posted on this morning https://www.garfieldtech.com/blog/selfish-ai
Selfish AI | GarfieldTech

I have had an idea to make a virtual party for a long time. Maybe it's time to finally just do it and iterate on it.
I can make a DJ-style show at home, maybe even invite some people over, but I could stream that live and have a Jitsi Meet video conference opened for people to join the party. You'd put the livestream up on your TV and join the Jitsi room from your phone - then just immerse in the music and dance! The Jitsi room video and audio would be fed back to me (and maybe the stream too?)

I was in a meeting yesterday to plan responding to an invitation to tender. One of the terms in the invitation is “AEO”, which I now know stands for “Answer Engine Optimisation”.

The naivety of this astonishes me. The answer engines in question are *not good actors*.

They can and will:

- steal content
- use it to synthesise an answer and (here’s the crucial bit)…
- that answer may or may not prioritise your URL and the odds are that it *won’t*…

Fonts were my downfall.

Sometime around 1977, in an artists’ supplies shop in King’s Lynn where my mum was buying gouache paints, I discovered Wire-O bound Letraset and Letragraphica catalogues, and a seed was sown.

That you could layer what is said with how to say it on the page became a thing of wonder to me.

A bit later, not sure when, I learned that graphic design was a thing and that seemed soooo much more appealing as a vocation than joining the RAF…

@[email protected] obtf is short for «one big text file», and though i've been using this approach for years now (mostly for work logs), this fellow old-timer has done a great job putting it all together into a coherent «system»:

https://christophersherrod.com/obtf/

(he's also here on fediverse). when i read that, i was struggling a bit with finding some frictionless way to make notes (for future writings, etc.), «digital garden» doesn't work for me, but obtf just clicked in.

One Big Text File (OBTF): A Simple System for Thinking, Writing, and Remembering

Christopher Sherrod is a writer, artist, and slow lifestyle advocate. He shares essays, books, and guidance on living a fulfilling life, navigating EMF sensitivity, and doing meaningful work.

Christopher Sherrod
ah, the famous #northsec badges, always so much fun!

oh, and by the way, thanks @[email protected]: merely one day into this «adventure» and i like it very much (though of course there are many improvement suggestions i'd make already).

#holos

so, today will be the real test case for my new attempt at doing this #fediverse thing from a #holos micro-instance on the phone: #northsec2026.

@[email protected] «being concerned about viewers being able to modify the content of their movies on Netflix easily is a reasonable feeling».

i believe it's quite clear to me what you suggest: that a viewer should not have the right to decide for themselves what they are allowed to see and hear, and what to skip.

no one so far – nor the woman in the original topic, nor i – have spoken about limiting others in what they should be able to see.

except… you?